Due donne mettono nei pasticci il rispettato detective di una piccola città della Florida. Da quando è stato incolpato del duplice omicidio su cui stava indagando, Matt Lee non può più fidar... Leggi tuttoDue donne mettono nei pasticci il rispettato detective di una piccola città della Florida. Da quando è stato incolpato del duplice omicidio su cui stava indagando, Matt Lee non può più fidarsi di nessuno...Due donne mettono nei pasticci il rispettato detective di una piccola città della Florida. Da quando è stato incolpato del duplice omicidio su cui stava indagando, Matt Lee non può più fidarsi di nessuno...
- Regia
- Sceneggiatura
- Star
- Premi
- 5 vittorie e 7 candidature totali
- Living Gift Salesman
- (as Tom Hilmann)
Recensioni in evidenza
Was this film a direct copy of any such plot, does anyone know?
Or was it just an 'homage' to that style of 1940s-ish Hollywood plot-line?
It was a good film and kept you thinking. Though had its flaws, as some of the details as why characters were doing what they did could have been filled out.
Denzel Washington nicely underplayed this role, with none of the histrionics a lesser actor could have used to portray the stress he was under (i.e. with his character under such pressure) - bubbling but not boiling over.
And it was good to see Dean Cain in a 'bad guy' role!!
~ Scene by Scene ~
Despite a solid (and sexy) cast, this looked too much like an average crime thriller to bother me to go to the cinema. However on DVD I decided to give it a go over the weekend as it seemed more suited to the small screen. Indeed the plot is no great shakes and is essentially a series of little set pieces on the way to a twist that was so apparent that the film doesn't even really deliver it with any great effort. However this is not to say it is no good, but just that it is nothing particularly special. The direction is good and it really helps the film keep a good sense of pace in the way the camera spins around in even the office environment but really it is the cast that make this stand out from the many other crime thrillers that never make it to the cinema.
Washington may well be slumming it here (he criticised it because he said all he did was run) but he holds the attention really well. His character doesn't really act like he should do and sometimes he is just plain wrong but Washington is suitably frantic and sweaty like a man hemmed in on all sides. Mendes is enjoyable even if she has no real character to speak of either, while Lathan rounds out the sex appeal with an OK performance but hardly the femme fatale that she should have been. Cain does better than he usually does and credit to him that he does manage to hold his own with Washington. Generally none of the lead three really act at the level that they can but their presence makes it more interesting.
Overall, my (and most viewers) assumptions were mostly right it is an enjoyable little thriller but not one that is really worth hunting down. The big name cast are sexy and do reasonably well with the little they are given and director Franklin injects more pace that it probably deserved and the end result is a solid enough little film but not one that really does anything special.
Being someone attracted to good visuals, I loved the colors in this film, set in South Florida. The orange-and-greens were beautiful and I enjoyed the music, too. It all elevated the likability of this modern day film-noir for me. Unfortunately, a lot of people were bored with this because it had so little action. That didn't bother me, although I have to admit at one point I began wondering "when is something violent going to happen." Many film noirs were like this, anyway, building up tension until the end.
I still found it pretty interesting most of the way, with a nice twist at the end. It's worth a rental, but not a purchase.
I should identify that the movie has nothing to do with the Rolling Stones' song. Denzel Washington plays Matt Whitlock, a cop in a small Florida town. He's been having an affair with a certain Ann (Sanaa Lathan). Since she's dying of cancer, she's made him the beneficiary of her will. But when she and her husband die in a fire, all evidence points to Matt (you'll understand what I mean if you see the movie). So arises the quandary of how he's going to solve the case and clear his name before it's too late, especially given that his ex-wife Alex (Eva Mendes) is absolutely intent on solving the case.
The movie's real strength lies in the twists and turns that they throw in from time to time. I think that probably the coolest scene is the whole sequence in the police station about halfway through the movie; I would have never imagined any movie having a whole sequence like that! But I actually considered Matt's friend Chae (John Billingsley) to be the best character in the movie; I mean, some of those monologues were so great.
All in all, it's not any kind of masterpiece. But it's better than your average man-on-the-run-has-to-clear-himself story. And if I may say so, Eva Mendes looked mighty fine in some of those outfits!
There are some interesting plot twists at the end of the movie which you may or may not figure out by the end. I think the climax of the movie could have been a little more fluid, but it works and I think its satisfying to the viewers. I found this movie to be above average compared to much of the standard fare that has been offered in 2003, especially, because I didn't look at my watch once during the entire film.
Lo sapevi?
- QuizDenzel Washington was paid $20 million for making this film.
- BlooperAs Chae talks to Matt next to the soda machine in the police station, he has a cigarette in his mouth which disappears between shots.
Smokers are not required to have the cigarette in their mouth all the time. It was in his hand, off camera.
- Citazioni
Matt Lee Whitlock: I gave her the Scarcetti money.
Chae: Godd...
Matt Lee Whitlock: SHHH.
Chae: Would you have given it to me if I slept with you?
- Curiosità sui creditiThe name Burt Ward appears as "Boy Wonder Executive Producer"
- ConnessioniFeatured in Siskel & Ebert & the Movies: Ebert & Roeper Redux (2003)
- Colonne sonoreOut of Time
(1966)
Written by Mick Jagger and Keith Richards
Performed by Johnny Searing
Published by Abkco Music, Inc.
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Dettagli
Botteghino
- Budget
- 50.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 41.088.845 USD
- Fine settimana di apertura Stati Uniti e Canada
- 16.185.316 USD
- 5 ott 2003
- Lordo in tutto il mondo
- 55.495.563 USD
- Tempo di esecuzione
- 1h 45min(105 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1