Confidence - La truffa perfetta

Hmmm... I watched it and it sounded a lot like the Sting. And then I watched the documentary that came with the DVD and the screenwriter said that he watched "The Sting" and then wrote this movie.

He basically copied "The Sting." Just that he took out the characters and the ambiance. He added a wasted voice-over.

I think I can imagine the thought process behind this movie: Let's take "the Sting" and give it a noir edge to it. Then we'll update it to modern day LA (even though the screenwriter wanted a cliché-ridden NYC) and we'll include a whole lot of quick cuts and fancy colours because that's what the MTV generation likes these days.

Watch "The Sting" instead. It's much better.

Dustin Hoffman isn't charming or caring or understanding in "Confidence." Here he's not just evil, he teeters on the brink of uncontrollable madness - but with a dollop of humor that makes his violent nature more interesting (but not appealing). He is a creep!

"Confidence" is the latest in the unending string of films about men and women scam artists always scheming for that truly earthshaking big score. (There must always be an enticing, enigmatic woman for a film of this kind to keep viewers engrossed, e.g., "The Thomas Crown Affair".) And the crooks usually have soft spots in their hearts and a propensity to make silly - even deadly - errors. And at least one member of the group, usually the leader, has to look good in a well-tailored suit.

That's the situation here as Edward Burns plays the honcho of a small band of swindlers who really seem to have bonded together. They trust each other - but no one else. But, of course, they must deal with new "co-workers" whose motivations and alliances are suspect but hardly clear. And we also have a pair of the LAPD's Not Finest adding a humorous dimension not often found in tough rogue cops on the take.

And then there's Rachel Weisz - I've been a fan of her acting since "About a Boy" and "Enemy at the Gates." Certainly she's an emerging star and it's her acting ability plus her beauty that's taking her to leading roles. An English actress, she joins Cate Blanchett and Nicole Kidman - Down Under natives - in flawlessly speaking like a Yank (or a SOCAL denizen, not quite the same thing).

Don't look for a true mystery here. This isn't David Mamet's "The Spanish Prisoner." But it is a four-star show by a fine ensemble cast.

7/10.

There's this rule in Hollywood that may be unwritten but is nonetheless ironclad: stick to the formula. The hero can't die in a romantic comedy. The drama can't be too funny, and the comedy can't be too sad. Action flicks can't be too deep, and "serious" movies have to be somewhat boring.

On the rare occasions when some movie comes along that breaks these rules, we usually get cinematic excellence. But with Confidence, don't be expecting any deviation from the format. Confidence is a fun, enjoyable, light caper movie. It doesn't pretend to be anything else. And for what it is, it's not half bad.

Edward Burns plays a con man, Jake Vig. Together with his crew of seasoned, confident fellow con men, he scams people out of money. Lots of money. And of course, sooner or later he's bound to pick the wrong person to scam. In this case it's a seemingly innocuous accountant who just happens to work for a mob kingpin, cheesily called "the King" (but played brilliantly by Dustin Hoffman). In a tight spot, Jake agrees to do a con and split the proceeds with the King, to get him off his back. What follows is the usual series of crosses, double-crosses, and triple-crosses while everyone tries to figure out who to trust and who's about to screw who over.

When I say that Confidence follows the rules, I mean it. Crime capers must have wise-talking characters. This does. Crime capers must be stylish. This is. Crime capers must have the token female, whose role is to be sexy but not too sexy. Rachel Weisz fills the part here, and does a decent job at it. (Other such token women included Julia Roberts in Ocean's Eleven, and Angela Bassett in The Score). Crime capers must make the audience scratch their heads trying to piece it all together, but must not make them think about any deeper moral issues of right and wrong. Again, Confidence lives up to that deal on both counts.

Still, it was fun escapist entertainment. And, without giving away too much of the ending, let's just say that I'm always impressed with a movie that manages to surprise me. That alone makes it worth seeing.

Twists and turns, that's what makes a story, whether it's a book or a film. Since Hitchcock's superb thrillers, I like to think that I've seen most if not all movies of the genre, yet this one really surprised me that much I had to see it again right away. The plot is very original, but the sometimes staccato dialogs and use of high speed American slang language is sometimes difficult to understand for a non-American.

Nevertheless I enjoyed watching Jake Vig(Edward Burns)very much, his coolness reminds me of James Stewart and the catch of the film reminded me a little bit of Swordfish-Travolta's latest and one of his best movies ever. Dustin Hoffman's character is very convincing as an independent gangster whose money-collector gets involved in a scam and looses $150.000,- to a group of four slick hustlers.

It's this team, which members are so diverse yet fit together so perfectly that it makes me want to see another film starring the same con men, director Mr. James Foley, please give us a sequel............

Definitely one of the best con-artist movies ever. Throughout the movie, I kept thinking of the many possible twists possible, but I never really saw the final big twist - and thought it could all come together so nicely and believable. The movie is paced smoothly (there are no tedious scenes or moments you feel you've missed something), the acting is excellent (Hoffman's character seems overdone at first, but the creepy-weird character he plays is believable and, therefore, all the more serious and scary), the cons they play are very smart (and convincing), and the way it all comes together at the end is just beautiful (although the overall scheme is complex and plays many twists on the audience, it is not at all difficult to follow what 'really' happens). All in all, a very enjoyable movie, with genuine suspense, characters we get to like (and even care about - to the amount possible for grifters), excellent acting and a worthy end. 7/10 (good movie - not great, but above the average)