Willard il paranoico

Gloriously weird, Crispin Glover's performance seems to boil out of the rage-fueled emotionalism of an era before Botox: think Kirk Douglas and Burt Lancaster, blended with the latter-day fragility and introspection of Sean Penn. This role gives him the room to show off some astonishing gifts.

Glover is the best but far from the only reason to recommend this remake, superior in most ways to the 70s original. (There's some homage along the way, including a tongue-in-cheek set piece done to Michael Jackson's famous warble, "Ben". How time has made that hymn to interspecies love sound creepy!) Writer-director Glen Morgan has crafted a chewy little parable about capitalism, and his sardonic depiction of the real rat race, with a reliably savage Lee Ermey flogging his office employees behind a motivational sign reading "Prudent Aggression," gives the film more than the usual B horror subtext. The production design is sweet, too.

A terribly nice 100 minutes, and one of the best B horrors since Reanimator.

Before you let the advertising fool you, understand that "Willard" isn't exactly your normal horror flick. I know that the marketing people tried to put all the scary bits into the trailer and such, but I urge you to reconsider your views on it.

The movie itself is more of an in-depth character study. It follows the events that lead one man into the pits of insanity, taking you along for the ride. Forget "Psycho," (Which was an awesome film in its own right) though the movie does have Norman Bates/Hitchcock elements. We're taken from lonely, shy, and sad, to hollering, glaring, weeping, and finally, silent. Only one man was tailor-made for this role...and that man was Mr. Glover.

Through every blink, every wide-eyed stare, the audience is drawn into the character. We believe in his connection with the rats, and marvel at his ability to train them. And when he gets even with Mr. Martin, we celebrate.

And I loved the undoubted sexual frustration that Willard is feeling. It's more apparent in one of the deleted scenes on the DVD. But the writer didn't succumb to this frustration; he let it build.

All of this combines to form one of the greatest character movies I have ever seen, and probably will ever see. I must say that this is one movie I will not soon forget...

Glen Morgan's Willard isn't your ordinary mainstream remake! Unlike the bombastic and computerized money-making films like …oh, I don't know Texas Chainsaw Massacre, 13 Ghosts and Dawn of the Dead who're merely loud updates of classic horrific tales. Willard is a modest and respectful production that lays the stress on atmosphere and scenery instead of gory effects and good-looking young flesh. Willard is the tale of an extremely introvert middle-aged man (lives with his needy mother, no girlfriend, stuck in a hopeless job) who discover his ability to control and command little rodents…rats in particular. By communicating with these rats, he finally discovers what friendship feels like and it also gives him the opportunity to satisfy his deepest feelings of anger and vengeance towards his boss – Frank Martin. But the mob of rats slowly turns against Willard as he doesn't treat them alike. Thanks to the depressing scenery (Willard's old house, the morbid factory) and the under-exposure at times, Willard often looks like a 40's chiller! There's a good and constant variation of tension and sadistic humor, with the cat-chase as the absolute highlight to state this. Crispin Glover – the man with the most incomprehensible cult following in the film industry – is brilliantly cast as Willard. His goofy – yet spooky – charisma fits his character really well. R. Lee Ermey receives the change to be his old boisterous self again as the dreary factory-owner who's out to destroy Willard life. To conclude the cast, Laura Harding is very charming as the understanding and helpful Cathryn. This film may not show as many bloodshed and eccentric slaughtering as the nowadays public demands, but it surely made an impression on me. Willard is a very atmospheric and often frightening horror storytelling with some adorable fairy-tale aspects and playfully imaginative aspects. Highly recommended. I saw this film at a during a festival-night…after a series of gory slashers. The over-enthusiast public didn't appreciate it that much but I trust in the fact that Willard will build up a solid cult reputation.

One of the least successful movies of the year, when it should have been one of the most, is Willard, the remake of the Bruce Davison version. It has everything going for it, and it was really the dismal marketing campaign that brought it to its early demise. If more people had given it a chance, then hopefully it would have been more successful and more people would have been able to see this masterwork. That's what Willard is, it's a masterpiece, at least of the movies of the last ten years or so. No movies have been up to par in so many different levels.

Crispin Glover puts in the best acting performance of the year, and possibly one of the best of all time is the title character. He has a dead-end job at his late father's business, now run by his father's partner, Frank Martin (R. Lee Ermey), who just keeps him on until Willard's mother (Jackie Burroughs) dies. When his mother makes him go look for rats, Willard finds one, keeps it, and names it Socrates. He discovers more, and they do whatever Socrates tells him. However, a huge rat named Ben wants control, and fights with Socrates for power, while Willard uses the rats for his own sociopathic will.

As I said earlier, Willard has everything going for it. I'll go one at a time. The directing, by X-Files alum Glen Morgan (also written by him and co-produced with James Wong) was perfect. He has an obvious style (and probably studied Hitchcock in college), and creates a sense of realism in this implausible movie. Also, Morgan's screenplay has some of the best humor to come out of a movie this year, especially from Ermey and Burroughs. I won't spoil them, although they're still funny on repeat viewings.

The acting, especially by Glover, who isn't a forerunner in big Hollywood names, is spectacular. Glover portrayed a young, aimless man so well. No one can scream like this man can. He's not afraid to let go and let his emotions run him over. He must have some deep repressed memories. Ermey is outstanding, but, then again, when is he not? He just plays an evil character, and that's what he's great at. Laura Elena Harring (Mulholland Drive) does what she can with her very small role. I noticed she tried to repress an accent, but I couldn't tell from where. Sounded Spanish, but I digress. Burroughs is great, although more of her (not really looking at her, though…she's hideous) would have been great.

Morgan takes what could have been disastrous and turned it around to become a truly creepy film. Willard shows the side of every person who wants to do something evil, but can't find the will to do it. That's where Willard succeeds, you end up rooting for someone you normally wouldn't because he's doing something that you desperately want to do.

Willard is a modern masterpiece, one that will thankfully find a huge audience on DVD.

My rating: 8/10

Rated PG-13 for terror/violence, some sexual content and language.

Mr. Culkin should have taken the role that this movie offered him. For an actor who is trying to prove something to the industry in Hollywood, this movie is an excellent example. Crispin Glover has had a reputation in the film industry as a strong, yet weird actor. Many of the roles that he has received makes Crispin look crazy if not odd. Here, Crispin shows his serious and comic side. The movie alone holds up as a gritty thriller. A horror movie none-the-less, Willard is an interesting film that we don't see too often. A well made movie with decent production value, the cast adds to its greatness. Much like River's Edge, the audience is left wondering where Crispin Glover came from. No longer a young actor, Crispin has worked his way up to become a veteran performer and a good actor.