Piedras

The movie begins a with mentally-challenged girl with bright yellow sneakers looking skyward on a Madrid street corner and being spellbound by a passing plane. The movie examines the life of five women—Adela, Leire, Maricarmen, Anita & Isabel—who have completely different lives and choices of shoes. Their shoes is the first superficial, yet affixed with some glancing meaning, clue we get at their fragile identities. In a theatrically embroidered and embellished way, a podiatrist tries to esoterically reveal the deepest secrets of a woman's souls by the sole of her feet. The premise is risky and slightly contrived, but the tone and depth of the movie takes a daring plunge for the good.

What may have been light-hearted and superficial, quickly switches gear with the a superb dysfunctional couple scene that leaves the viewer riveted for minutes, seeing the love or lack thereof, the pain, the confusion, the hope, the needs and escape mechanisms develop through minutes different rooms of the house and down to the street and eventually below... What a scene (!) , but there will be others as effective to follow and strengthen the strong characterization and directing displayed in this slice of life affair.

Moving along, a woman has lost the husband she loved and inherited his kids and his taxi, while another has completely lost her husband emotionally, sexually, intellectually, but not physically. A ghost, a pending divorce… reproach, regret & remorse. A new love? Can you love a mirage? Can you love the person in the mirror? Can you love someone you can't love? Or think you can't love? Can you love and live life even though it will always be somewhat hopeless? Yet isn't it exactly these hopes and dreams that keep us here grounded and in a spectrum of relative happiness? A lot of deep themes emerge and the final act brings people and ideas together to coalesce in an existential crisis with no clear cut solution, definitive decision or effective healing. Maybe a elusive thought, a fleeting feeling, but a lasting appreciation of life and of the artistry and intellect of the film. Live. Live again. Rewind the reel. Unveil the real, the important; the big stones (piedras) of life. The rest is just details.

This 2002 Spanish film has many interesting cinema moments, an elaborate structure, and good acting that makes it stand one step ahead of the crowd. Yet the lack of one convincing theme or story line makes the overall movie look a little bit dis-oriented. The structure of the movie - five parallel stories involving Madrid women fighting with the hardships of live and love, stories that are interleaved and synchronized together up to one point - seems a little bit too sophisticated for what is after all a collection of themes that seem to be combined from the soap operas or talk shows that we see some of the characters watching as some kind of common background, with stories of relationships reminding Almodovar, but without the extra step that makes the great director movies hard to forget. And yet, director Ramon Salazar shows a good control of the actors and artistic means, and I am really wondering why he had made so few films until now.

I had looked forward to more from this one. It is worth seeing, since it deals with parts in life many people come in contact with, such as breaking-up-couples, how to start over etc. It had some interesting parts for me, in that sense. It is more mainstream than I had thought. I feel that it is aimed at a large audience; it is populist in the modern South American movie style, and that includes the fact that it is slightly over-sentimental, and not completely non-Hollywood. And something that disturbed me is the overly bias for the bizarre family situations (for example, all young men in the movie are gay, and the families are all split up); I already had enough of the prostitutes, transvestites, you name it, in Almodovar's films...do I have see it in all modern Spanish films? Maybe it has something to do with historical reasons (the Franco years etc.), and clashes between the new contra old traditions in Spain today. To sum up; it was worthwhile, but no masterpiece.

Spanish films are into a, if not Golden, definitely a Silver Age. Piédras is another example of a movie that takes people and their conflicts seriously. Although the feelings are strong or nearly at life or death-level, they still aren't really melodramatic. This could happen.

There are different stories here, which become connected. One is about the retarded girl, who doesn't dare to pass the street to the next block. One is about the middle-aged woman who finds the lover of her life in a foot fetischist. Another is about the girl with drug problems who's lover leaves her. Still another one is about the madame of a brothel who (almost) finds true love.

Definitely worth seeing. It's in Spain the moviemakers take women seriously.

¨Piedras" turns out to be a moving drama well realized by Ramon Salazar about human relationships . A brooding story where predominates intense drama and above all , there's a good feeling . The tale introduces us lives of people under the focus of lower-middle and high class in a big capital , Madrid . The small, everyday stories of a group of citizens who live , work and suffer in a great city , and the little secrets that they hide . The flick gives a short description about their parallel existences . All of them are endeavoring to remove the stones that insistently appear in their path or , worst , that are in their shoes . They are five Cinderellas : Adela (Antonia San Juan) , Leire (Najwa Nimri) , Maricarmen (Vicky Peña) , Anita (Mónica Cervera) in search of prince charming and a new chance in this unfortunate lives .

The film tells the touching story of various protagonists , conflicting trajectory of various hapless women and their lovers . This is an interesting and thought-provoking drama in long length and yet with an air of naturalness and credibility . This is a thought-provoking as well as pleasant flick filmed with great sensitivity and feeling . This overlong film knows very well inter-cross these troublesome roles , five women who have not been able to organize the large "stones" in their fateful existences . The picture is very interesting as well as provoking , though some infinite sadness follows the film at times . The flick moves in fits and starts most of which would be desirable , with more traps the viewer resists any kind , and some moments of enjoyment and others quite a few disconcerting . It's an intelligent and touching story although sometimes is slow moving and tiring but is finely developed with sense of style and sensibility . Attractive drama filled with emotion , artistic scenes and plenty of sensitivity . The picture relies heavily on the unusual relationships among frustrated , unfortunate and betrayed women , but it doesn't makes boring , as it results to be entertaining . This is an attractive movie plenty of nice feeling , drama , stirring scenes and tragic love stories . Dramatic screenplay by the same filmmaker , including some autobiographic elements . The film enjoys a breeze as well as moving final , and gives us much to think about it and in which doesn't deceive or dramatize unnecessarily . Along these lines, it is clear that writer/filmmaker Salazar tries to create an unforgettable picture . Apart from that , it has a touch Pedro Almodovar that always feels good . Most of the film locations are around Lisbon , Almada , Portugal and Madrid city , which is location where director Salazar grow up , though he was born in Malaga . The picture is primarily supported by sensational players, as Angela Molina , Vicky Peña , Antonia San Juan , Najwa Nimri , both of whom give sensational acting . All of them carry out their characters to perfection and show a look that says it all . The support cast is frankly nice , such as Lola Dueñas , Andrés Gertrúdix , Maria Casal , Daniele Liotti , and Susi Sanchez , among others . Furthermore , there stands out Monica Cervera as mentally-handicapped daughter .

Emotive and stirring musical score by Parcal Gaigne , an expert composer who has composed and conducted a lot of scores such as ¨Mensaka¨ , ¨Silencio Roto¨ , ¨Lasa and Zabala¨, ¨Azuloscurocasinegro¨ , ¨Gordos¨ and many others . The soundtrack flows great with the film in every way , and creates a catching atmosphere in every moment , adding a sensitive leitmotif . Colorful as well as evocative cinematography by David Carretero , being shot on location , he has photographed known films as ¨Dalton versus Lucky Luke¨, ¨The nun¨, ¨Malas Temporadas¨ and ¨Utopia¨ . The motion picture was compellingly directed by Ramón Salazar . This Spanish director defines his first feature ¨Stones¨ in this way : "In life, we first organize large stones such as love, friendship, family, and a career ; in this way, we will find space between these to fit smaller stones, our small necessities ; if you act in an inverse way, you will not have the room for larger stones¨. Here he presents a fresh portrait with agreeable as well as dramatic moments , but mostly so that you shrink the heart with these unlucky people . Ramon Salazar has written various successful pictures such as : 2010 ¨Tres Metros Sobre El Cielo¨, 2012 ¨Tengo Ganas De Ti¨ , 2002 ¨Amnesia¨ and directed a few movies : ¨10.000 Noches En Ninguna Parte¨ , 2005 ¨Twenty Centímetros¨ and this ¨Piedras¨or ¨Stones¨ .