I lunedì al sole

In an industrial city in Spain, five unemployed middle-aged friends daily meet in a bar, whose owner was also a former employee of the local shipyard, for drinking and small talk. Santa (Javier Barden) is their rebel leader, who dreams to move to Australia, and is being sued by the owner of the shipyard for breaking a 8,000 pesetas light. The insecure José (Luis Tosar) feels inferiority complex of his wife Ana (Nieve the Medina), who is supporting their home with a temporary work in a tuna can factory. Paulino (José Ángel Egido) is permanently trying to find a job through unsuccessful applications. The Russian Serguei (Serge Riaboukine) studied in Soviet Union to be an astronaut and seems to accept his life status. The depressed Amador (Celso Bugallo) misses his wife, who left him some time ago. For all of them, each jobless idle day looks like a Sunday.

"Los Lunes al Sol" is a bitter and sad worldwide contemporary story, with magnificent performances. I am marine engineer and Rio de Janeiro is the greatest Brazilian pole of naval construction. In the 80's and 90's, I saw many people of this sector, including friends and colleagues, losing their jobs and many of them changing their professions with the crisis in this sector. This type of situation happened in many other economical sectors, and Brazil has presently about a ten percent unemployment rate. I feel very sorrow for those who lost their jobs, and the large number of street vendors and slums in my hometown, associated to very low wages, reflect our present situation. The universe of Santa and his friends may be extended too to many other countries and sectors of the economy, therefore it is very easy to sympathize and understand the drama of the characters. This impressive film is also very well directed and watching it is a worthwhile experience, mainly for the younger generations. My vote is eight.

Title (Brazil): "Segunda-Feira ao Sol" ("Monday in the Sun")

It is really a pity that such a wonderful, compelling and important film, isn't able to get through to a bigger audience. But however.

"Los lunes al sol" is very calm and slow but all the more empathetic, touching and above all compelling.

The film shows the dull everyday life of a group of jobless deckhands, who try to get their lives back under control. One of them gets goes to job interviews almost every day, but gets refusal after refusal, because is too old. Another one has familial troubles because of his dismissal and another one drowns his frustration in regular boozing.

Despite the obvious socio-critical message of it, the film doesn't get polarizing or hostile to capitalism at any time, thanks to the terrific performances of all actors (above all Javier Bardem), and the sensitive script that particularly emphasizes the character's conflicts and their dealing with their situations. The note of the film is not a very political or even cynical one, it is very tranquil and melancholic. The actual brilliance of the film consists in the awesomely empathetic portrayal of the feelings of the jobless persons, that have to get used to the situation, that they are the scum of society from now on.

The beautiful soundtrack and the excellent editing and cinematography add to the sad but at times also hopeful atmosphere.

It's actually a great pity that no other film before has dealt with such an important issue that affects almost everybody's everyday life today.

Michael Moore could learn a lesson from Fernando León de Aranoa of how to combine social criticism and the affected person's fates. I wish there could be more films like this, that let you leave the theater with a comfortable feeling, but that give a thought provoking impulse at the same time.

No film has ever captured the depression and delight of the ordinary working man as realistically as "Mondays in the Sun". Watching it brought me back to the gray days of growing up when I would see my father's tired face and wonder what joy he can possibly be getting that pulls him through the pressure filled, cold and seemingly endless cycle of working hard day in, day out.

Javier Bardem plays the not-ever-to-be-defeated Santa, a strong-willed, but down on his luck guy who just got laid off from a comfortable job at a shipyard. He takes refuge in a buddy's bar with all his friends/co-workers who share the same misfortune. On top of all the problems anchoring him down, Santa must pay a hefty fine for destroying a light by the shipyard. For one week, he tries to run from these injustices and bothers, and he sojourns with his dreams.

What director Fernando Leon de Aranoa understands is that no matter how much joy we can have in a given amount of time, there is always the weight of work and responsibility to come back to. In the dreary life of the working man, things gets so routine that the magic of being young and having dreams is lost and gone forever. Aranoa's characters are all faced with the joy and bad luck of being unemployed. In this short time of pressure and paradise, they find escape and salvation in what seems like a limbo of meaninglessness. One of the film's best characters is a surreal, random friend of someone in the group who claims he was once an astronaut. By looking into his starry eyes, it is easy for the viewer to understand that this group of people have all found release in dreaming about getting to leave the earth as well.

It may not amount to the world, but I loved "Mondays in the Sun" because it knows the ordinary joys and pains of those struggling in the lower or middle class. What is truly beautiful about this film is how all of the characters seem at their most desperate, but somehow there is the assurance that maybe the light is not out forever.

(3 out of 4)

The Spanish ensemble film Los lunes al sol / Mondays in the Sun deals with a group of former workers who lost their jobs after the factory had to close. Every day they meet in a pub, worrying about future, money and problems in the family.

The film has great actors and the director does a terrific job in leading their performances in the most effective way. De Aranoa seems to have a perfect sense for timing, manifested in an inconspicuous but efficient cut. The well pointed, rough and bare dialogues come along as a subtle social criticism. De Aranoa surely can rely on his affectionate, wonderful figuration of the truly believable characters, and the shining, utterly charismatic Javier Bardem proves in here again that he is the doubtlessly best Spanish actor today.

How do you imagine the life of an unemployed without family, possession or future? Dull is certainly one of the answers, but this movie does the utmost of this basic story! It's a great achievement to tell something so boring without becoming itself dull and boring. At some points it is even funny and every minute is well done. Really intelligent script with great actors. Especially the actor of Santos! By far the best way to get a glimpse of a life nobody wants to have. It isn't a movie for everybody, because it isn't an easy popcorn movie. The presence of your mind is required but you will be certainly rewarded with an insight that you'll hopefully never experience.