VALUTAZIONE IMDb
6,5/10
1280
LA TUA VALUTAZIONE
Stefania e Tommaso stanno per sposarsi. Si recano alla chiesa dell'infanzia di Stefania. Nella cerimonia, la coppia si confronta non solo con la bellezza del loro amore, ma anche con le sfid... Leggi tuttoStefania e Tommaso stanno per sposarsi. Si recano alla chiesa dell'infanzia di Stefania. Nella cerimonia, la coppia si confronta non solo con la bellezza del loro amore, ma anche con le sfide più oscure del matrimonio.Stefania e Tommaso stanno per sposarsi. Si recano alla chiesa dell'infanzia di Stefania. Nella cerimonia, la coppia si confronta non solo con la bellezza del loro amore, ma anche con le sfide più oscure del matrimonio.
- Regia
- Sceneggiatura
- Star
- Premi
- 4 vittorie e 11 candidature totali
Barbara Fusar-Poli
- Pattinatori
- (as Barbara Fusar Poli)
Evelina Manna
- Modella
- (as Evelyna Manna)
Recensioni in evidenza
I loved this movie and I happened to watch it twice in 2 months, in 2002. I already liked Stefania Rocca, but I didn't think Fabio Volo would have been a great actor (telling from his previous TV shows). Instead he was. And so was the priest. The soft simplicity with which the movies explores a whole love story, starting from the beginning, growing to the climax and then facing ever-increasing difficulties, to reach the final break... was really special. Some moments are really enjoyable, and some other moments will make you cry, as you are pulled, along with the 2 wed characters, into deep troubles, feeling love that vanishes minute after minute and, actually, without really knowing "why" they're not in love anymore.
I'd say 9 stars out of 10, even if I may understand that, to non-italian people, it may loose some of its beauty.
I'd say 9 stars out of 10, even if I may understand that, to non-italian people, it may loose some of its beauty.
Casomai opens with a young couple driving to a chapel somewhere in the hills to arrange to be married there. They meet the priest, who steals every scene he is in, and the ceremony is arranged. At the ceremony, the priest draws out of the couple and their friends and families their stories, told in flashbacks and flashforwards. We see the course of the couple's relationship through newly-married times, the birth of their first child, and onwards. Will the marriage survive the pressures of friends and family, of work, of child-care, of financial worries, and of cooling passion?
The movie starts promisingly, with the priest being the most interesting character. But once the movie concentrates on the couple, I found my interest and sympathy waning as their relationship became more unhappy. The movie might appeal if you delight in sharing other people's problems, but after about an hour I found myself wondering how much more I had to endure. I found the ending quite weak. I gave the movie 5 out of 10--neutral--the clever parts offsetting the flat parts.
The movie starts promisingly, with the priest being the most interesting character. But once the movie concentrates on the couple, I found my interest and sympathy waning as their relationship became more unhappy. The movie might appeal if you delight in sharing other people's problems, but after about an hour I found myself wondering how much more I had to endure. I found the ending quite weak. I gave the movie 5 out of 10--neutral--the clever parts offsetting the flat parts.
9Dubh
"Casomai" is a masterful tale depicting the story of a young couple who wade through the murky waters of marriage. The story is very believable in telling the strange see-saw between oblivion and continuous interference by others, which is fairly typical in Italy (one may wonder whether such happenings are different elsewhere, though). Pavignano and D'Alatri were very good at writing, and that is one of the strong points of the movie. Acting by Stefania Rocca and Fabio Volo is sober and gripping. And the figure of the sympathetic priest is funny and well-rounded. All in all, a truly deserving movie, probably one of the best Italian movies of the year.
The best film about marriage and family. This is a very interesting reflections to the couples that will be come to the dangerous and paradoxical fascinating world of marriage and family. This decision could be the better or the worst in our lives and the life of our kids. The real intrusion or help of 'friends' -or executioner if we leave-. The real role of families: they can help or they can destroy us. The mad priest who possibly is not much mad telling what could happen according the statistics and the reality. A couple who thinks in a 'special' marriage, live a painful story in their future own history.
Who likes contract marriage? Nobody, after the priest tells their own history if they leave the future in another hands, if they don't know WHAT is the marriage. That the problems are true, that the life demand a real engage, guaranties, from each one. That the real victims of the divorce are kids, with real name Andrea in the film- or names. That the abortion is only an easy exit: sadness, regrets and unhappiness will be there after abortion. That the state and social security thinks every time less in a real problems of the families. The gossip of the 'friends', the infidelity because of weakness and desperation of Steffania because Tomasso lives his life as if he were alone.
Maybe someone could think that this film is a pessimistic film, but not. Steffania and Tomasso, in the deep of their hearts, they like a beautiful marriage and family, if not, Why they like marriage? A truly and beautiful marriage depends only of the couple: of each one of their decisions, of each one actions in their lives. The family could be a place where each one feel loved because being his or her, only by existing. The screenplay is wonderful. The performances are great: Steffania and Tomasso, ¡the almost cynical priest! An excellent direction and script. The colors and the management of the cameras, superb.
Who likes contract marriage? Nobody, after the priest tells their own history if they leave the future in another hands, if they don't know WHAT is the marriage. That the problems are true, that the life demand a real engage, guaranties, from each one. That the real victims of the divorce are kids, with real name Andrea in the film- or names. That the abortion is only an easy exit: sadness, regrets and unhappiness will be there after abortion. That the state and social security thinks every time less in a real problems of the families. The gossip of the 'friends', the infidelity because of weakness and desperation of Steffania because Tomasso lives his life as if he were alone.
Maybe someone could think that this film is a pessimistic film, but not. Steffania and Tomasso, in the deep of their hearts, they like a beautiful marriage and family, if not, Why they like marriage? A truly and beautiful marriage depends only of the couple: of each one of their decisions, of each one actions in their lives. The family could be a place where each one feel loved because being his or her, only by existing. The screenplay is wonderful. The performances are great: Steffania and Tomasso, ¡the almost cynical priest! An excellent direction and script. The colors and the management of the cameras, superb.
I now that these days, some people wan't see a movie without movie styling, so much Dogma, Lars Von, Watchosky Brothers, are changed what we expect in a movie, perhaps, Casomai is no-one-more-Independent-non-american movie, the movie take all movies resources and language to tell us a simple history about love and marriage, but much more .. Fully of views, lectures and let you thinking ... and I'm sure, you can't fell boried any second of a long 116 minutes. I calculate that don't have a single scene longer that 3 o 2 1/2 minutes.
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- 3.084.771 USD
- Tempo di esecuzione
- 1h 54min(114 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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