Big Fish - Le storie di una vita incredibile

Big Fish is nowhere near a perfect movie. Sometimes the dialogue is awkward, the pacing drags at times, and Steve Buscemi is, as always, a weirdo. There are bizarre and fantastical ideas that can take you out of the movie. For all its flaws, I can't give it more than an 8. That being said, this is my favorite movie of all time.

Big Fish strikes a chord with me. It examines the value of a life, our modern-day myths, and, ultimately, the nature of our humanity. I don't cry easily, and I'm not just saying that - I didn't cry at Schindler's List, or Titanic; but Big Fish makes me sob every time. The ultimate catharsis, where a man's identity, value, integrity, and family are all validated, and his life has been a life worth living.

Tim Burton was definitely the man for the job on this film, and if you like his other classics like Pee-wee's Big Adventure, Beetlejuice, and Batman, you'll probably enjoy this one, too. What else can I say, this is my favorite movie.

I approach Tim Burton films with a certain trepidation. Will it be "Edward Scissorhands" or "Batman II?" With Burton you could get a quirky comedy, a dark thriller, or sweet morality tale. And there's always the possibility of Danny DeVito chomping down on a raw fish.

"Big Fish" combines Burton's unusual humor with a heart-wrenching story of a father-son deathbed reconciliation. Albert Finney and Ewan McGregor share the role of Ed Bloom, one of the big fish from the movie's title while an SUV-sized catfish plays the other. Bloom is a metaphorical and literal big fish in the small pond of Ashton, Alabama in this tale told mostly through flashback. Jessica Lange plays his wife and Billy Crudup plays the son, Will, estranged from his father for the past three years. Father and son are reunited as Finney lies dying of cancer.

Ed Bloom has spent his life spinning his personal history into mythological proportions: an early encounter with a very tall man becomes a battle with a house-sized giant; a rural village is depicted as heaven on earth; military service during the Korean War morphs into a behind-the-lines mission that would make Duke Nukem proud. Originally a true believer, Will now knows everything his father has told him was not just an exageration or even a tall tale but an outright lie. In his effort to understand the truth behind his father's stories he learns to love the man as well as the mythology. And Burton delivers a terrific punchline at the end of the film that left me both tickled and weeping, a truly weird emotional state.

Burton deals with mythic themes in "Big Fish." Besides the surface story of the generational tension between father and son he explores the metaphor of the big-fish-in-a-small-pond by examining the impact Ed Bloom has had on the lives he's touched in his workaday contacts with colleagues, customers (he's a traveling salesman), and people in the small towns across the South. Not exactly "It's A Wonderful Life," he still manages to show how all of us -- even the little fish -- have profound effects on the people around us. And of course love -- unrequited and reciprocated -- control almost all of Ed's many adventures.

The acting is wonderful. You will actually believe two Brits and a Scot (Finney, Helena Bonham Carter, and McGregor) are natives of small town Alabama. Lange brings dignity and brio to the role of the long "suffering" wife -- and she still looks great(!)-- you believe she has had a long and loving life with Finney/McGregor. DeVito is a delight in the role of a circus ringmaster. But the scene-stealer is Bonham Carter in the dual role of Jenny and the crone witch.

I rated this movie ten stars and when you see it you'll do the same.

I've had high hopes for this movie since I first heard about it some time ago. After all, most of the Tim Burton movies I've seen (barring Planet of the Apes) have been really wonderful. To say the least, Big Fish did not disappoint me. The story - by no means complex or suspenseful - was simple enough to allow the viewer to really take in the fantasy and mythology in Edward Bloom's tales. One didn't need a surprise ending or secret identities to make this film enjoyable. Rather, it was the simplicity and universal nature of the story that made it interesting. While some reviews have mentioned that the film can seem choppy at times, I didn't see this at all. The transition seemed smooth and logical, and while sometimes I found myself wishing for more scenes of younger Edward Bloom, I never felt bored by any of the movie. Nothing seemed to 'drag'. I was also quite impressed with the quality of acting in nearly the entire cast. Billy Crudup didn't really hit his stride until the end, but he was tolerable through the first three-quarters of the movie. Albert Finney did a great job of portraying a lion on his last legs, bigger than his body but unable to show it. Jessica Lange was amazing and added the emotional oomph that Billy Crudup often failed to provide. And while Ewan McGregor's role was not particularly difficult, at no point did he overplay the character, and his accent (to my ear anyway) never slipped. Though this wasn't as dark as Sleepy Hollow or as bizarre as Edward Scissorhands and Beetlejuice, Big Fish definitely had the Tim Burton touch in its scenery. The colors - whether dull for Elder Bloom's time or bright for Younger Bloom - matched the mood perfectly, and everywhere you looked (especially in Bloom the Younger's timeframe) there was something else to marvel at. Tim Burton fans will not be disappointed.

I often find that in order to be captivating, a film these days needs to be stressfully suspenseful or have a complicated story line. This film had neither, and yet I found myself hoping it wouldn't end while at the same time, anxiously awaiting its conclusion. I have to admit, I was distrustful of Burton as many of his more recent films have had less-than-satisfying conclusions. Nonetheless, I went to see Big Fish (3 days before its release in Canada) with no expectations and was astounded. This movie is an absolute treat for our hearts, ears and especially our eyes with each cartoon/fantasy-like scene painted with Tim Burton's reliable brilliance and magical touch. Ewan McGregor is pure sunshine and Albert Finney gives one of the greatest performances of the year- he *is* Big Fish. But I suppose that when you strip away the beauty, the doll-house sets and all the abracadabra of cinematography and modern day technology, all you have is a very simple story, and therein lies the heart of this film; that one can create their own legacy, "the story of my life." Not through either extreme of extraordinary adventure or unbelievable lies, but through the art of storytelling- and THAT is what this film is about. It is through our *stories* that we are immortal.

Go see this movie, bring the kids, bring your date, bring your parents! It is for everyone...everyone who appreciates a visually and emotionally beautiful irregular story about a regular person's life.

***** 5 stars!!

The whole story of a man's life is something large, but this movie managed to be entertaining and comical telling a story by dividing it into many stages so well told it feels like it's a little fairy tale, so many aspects and many temporal lines in 2 hours that feels like just a single hour.

The story itself is touching and beautiful while the time placement (involving the wardrobe used and design of the places as well) totally transports the audience to those years, it's colorful and complements the "adventure vibe"

This is undoubtedly a great movie to watch with the family, so every single member can appreciate each other stories and how they all got intertwined.