Nella primavera del 1836, affrontando incredibili avversità, poco meno di 200 uomini, tra cui il leggendario David Crockett, difesero un piccolo forte texano per 13 giorni contro migliaiadi ... Leggi tuttoNella primavera del 1836, affrontando incredibili avversità, poco meno di 200 uomini, tra cui il leggendario David Crockett, difesero un piccolo forte texano per 13 giorni contro migliaiadi soldati guidati dal dittatore del Messico il generale Santa Anna.Nella primavera del 1836, affrontando incredibili avversità, poco meno di 200 uomini, tra cui il leggendario David Crockett, difesero un piccolo forte texano per 13 giorni contro migliaiadi soldati guidati dal dittatore del Messico il generale Santa Anna.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
- Private Gregorio Esparza
- (as Ricardo S. Chavira)
Recensioni in evidenza
I am very easily bored. At just over 2 hours, I found this film captivating. Poorly done? John Lee Hancock's film is one of the most effectively produced I can remember. Not one moment of this film was shot on a sound stage. They took 50 acres in Texas and actually rebuilt the entire city of San Antonio de Behar and the Alamo and shot the entire movie in situ.
But the most amazing aspect of these reviews is the repeated accusation of lack of character development. I came away from this film understanding for the first time who William Barrett Travis, David Crockett, James Bowie and Sam Houston really were. The human underneath the legend as it were. David Crockett (Billy Bob Thornton) has a great line in this movie: "If it were just me, simple David from Tennessee, I might go over that wall one night and take my chances. But this Davy Crockett feller - people are watching him". Lack of character development? I don't think so.
The piece de resistance, though, and the one that made me take fingers to keys and write this review (something I almost never do) was the review which claims there was no tribute given to Tejano assistance in the Texas Revolution. Did this person see the same film I did? Or did he/she take a bathroom break every time Juan Seguin's character was on screen? The PRIMARY thing I learned from this historically accurate-as-possible-when-making-a-movie film was ... ta da .... the involvement of the Tejanos! I had never really considered before that there was a brother-against-brother aspect to the Alamo, but it was very implicit in this film.
Ignore the negative reviews, particularly if you are a history buff, and see this film.
This film takes the middle road which, like all compromises, is guaranteed to leave both sides unsatisfied. I believe this simple fact underlies many of the poor reviews this film received.
It is to the film's credit that it presents the most historically credible version of the events leading up to the birth of the Republic of Texas. To be sure, there are still points which may be quibbled over. But without the benefit of a time machine, it's difficult to come up with a more reliable exposition of the known facts.
And that is, to many critics, another of the film's weaknesses. The average movie goer wants to be entertained and reacts negatively to any obvious attempt to educate him/her in the process. That's a sad commentary on our society, but that's the way it is. This movie could have been more entertaining, but then it wouldn't have been as educational. I appreciate accuracy and educational value in historical films, so I really liked it.
The bottom line is this... If you're looking for a familiar retelling of the Alamo story which sticks to the established mythology, this isn't for you. If you're looking for a complete retelling which turns the entire story on its ear, this isn't for you. If you're looking for mindless entertainment, this isn't for you. If you're looking for a real story of real people who changed the face of America, this is a really good film.
Lo sapevi?
- QuizSeveral people that played Texan extras in the movie are actual descendants of the defenders of the Alamo.
- BlooperContrary to the popular image, this movie accurately portrays the Alamo without its iconic bell-shaped facade atop the front wall of the church. That was added by the U.S. Army in 1850, 14 years after the battle. The John Wayne 1960 version made a half-hearted attempt to recreate the facade as it exists now, but in fact, the roof of the church was flat all the way across in 1836.
- Citazioni
Issac Millsaps: So, Davy, all your Indian fightin'... you ever get into a scrape like this?
Davy Crockett: I was never in but one real scrape in my life, fella.
Issac Millsaps: Yeah, but you was in the Red Stick war.
Davy Crockett: Yeah, it's true, I was in that. I sure was. I was just about your age when it broke out. The Creeks, uh, boxed up about 400 or 500 people at Fort Mims and, uh, massacred every one of 'em. 'Course this was big news around those parts, so I up and joined the volunteers. I did a little scoutin', but mostly I, I just fetched in venison for the cook fire, things of that nature. Well, we caught up with those redskins at Tallushatchee, surrounded the village, come in from all directions. Wasn't much of a fight, really. We just shot 'em down like dogs. Finally... what Injuns was left, they crowded into this little cabin. They wanted to surrender... but this squaw, she loosed an arrow and killed one of the fellas, and then we shot her, And then we set the cabin on fire. We could hear 'em screamin' for their gods in there. We smelled 'em burnin'. We'd had nary to eat but parched corn since October. And the next day, when we dug through the ashes, we found some potaters from the cellar. They'd been cooked by that grease that run off them Indians. And we ate till we nearly burst. Since then... you pass the taters and I pass 'em right back.
- ConnessioniFeatured in Return of the Legend: The Making of 'The Alamo' (2004)
- Colonne sonoreOpus 76-5 -- String Quartet No. 79 in D Major Final Presto
Written by Joseph Haydn
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- El Álamo
- Luoghi delle riprese
- Reimer's Ranch - 23610 Hamilton Pool Road, Dripping Springs, Texas, Stati Uniti(Alamo and Bexar scenes)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 107.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 22.414.961 USD
- Fine settimana di apertura Stati Uniti e Canada
- 9.124.701 USD
- 11 apr 2004
- Lordo in tutto il mondo
- 25.819.961 USD
- Tempo di esecuzione2 ore 17 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1