Thumbsucker - Il succhiapollice

"Thumbsucker" doesn't suck, at all! It's also not just another teen-angst flick. It is a funny, thoughtful, and enjoyable movie. I would give this two thumbs up! Although the movie revolves around Justin, a thoughtful, sensitive, teenager who happens to have a rather nasty habit of sucking his thumb, it also shows his relationship with his parents, brother, teachers, his peers and his dentist, who all undergo their own personal development during the course of the movie.

Justin and his brother call their parents by their first names, and in the case of the Cobbs, this doesn't seem to increase or decrease the level of respect or obedience teenagers have for their parents. Justin and his mother Audrey seem to be alike - they both have crushes: he, for a girl in his debating class, and she, for an actor on daytime TV.

"Thumbsucker" shows that teenagers with a lot of parental love and support can also end up feeling alienated anyway. The path to adulthood is often fraught with anguish, mostly self-inflicted. But sometimes, meeting a mean girl who'd break your heart in a second can do that too.

The casting is excellent - I hadn't checked the cast list before watching it, and was pleasantly surprised to find so many known and good actors in it. Keanu Reaves was a surprise, and a hoot to watch. Tilda Swinton is one cool lady, and I will certainly be looking out for her other movies.

Mike Mills may not be the most prolific of filmmakers, (he's only made three feature films in the last 10 years), but he's certainly one of the most idiosyncratic. If "Thumbsucker", his debut feature, feels like the kind of small, quirky picture that sometimes gives independent movies a bad name it might simply be because it deals with aspects of growing up that even small, independent movies tend to overlook.

Our teenage hero, (an excellent Lou Taylor Pucci), has issues that tend to stem from his inability to stop sucking his thumb but that's only the tip of the iceberg. This is essentially a film about psychoses but it lacks the hysteria we tend to associate with American films on that subject. Even its attitude to teenagers and teenage sexuality is distinctly European. Good performances, too, from Tilda Swinton and Vincent D'Onofrio as Pucci's parents, (only to be expected), but also from Vince Vaughan, never better as Pucci's teacher though Keanu Reeves, woefully miscast as a hippy dentist, is his usual wooden self. Worth seeking out.

I saw Thumbsucker yesterday at Helsinki Movie Festival and was really positively surprised. I was not expecting much from a teen movie, but this one really made its way to my heart.

The story is about a 17-year-old Justin who has problems with his self confidence, and that causes him to suck his thumb. His tough guy father (Vincent D'Onofrio) of course does not like this, which makes it even worse. His mother (Tilda Swinton) lives in dreams and does not really seem to care what's going on in her family. His weirdo dentist (Keanu Reeves) uses even hypnosis to help him to get rid of his thumbsucking...

The story is about growing up, and Lou Taylor Pucci as Justin delivers a brilliant job. But the main thing are the "sidekicks": Reeves the dentist and Benjamin Bratt as a totally weird drug addict actor and Vince Vaughn as Justin's teacher just do it, give some laughter to the otherwise serious story, and make this movie enjoyment.

I was really expecting to not like Thumbsucker. I don't care for "teen angst" movies. Now having seen Thumbsucker, I'm really confused as to why Sony would market it in this genre (teen angst = teen $, I guess) and why its below the 5-star mark here at IMDb. It's really a remarkable movie. When it hits its stride, about 30 minutes in, it gets to places that few movies ever get to with respects to growing up, family dynamics, being a teen, being an adult, just generally being human.

When I saw Thumbsucker, the screening was followed up with Q&A with the director and a few of the actors. Apparently they were all pretty dedicated to their rehearsals and developing the character's relationships. Their hard work paid off with an exceptional movie.

Greetings again from the darkness. Very few things provide me the thrill of watching a movie with a great story, interesting characters, wonderful acting and professional direction. This is the case even when I realize that of all the people I know, 97 out of 100 will not see the film. Such is "Thumbsucker".

Director and co-writer Mike Mills presents the film version of Walter Kirn's novel and nails the issues we all face with relationships and life. So many teen angst movies provide us one dimensional adults or even one dimensional teens. This film shows the struggles we all face at every age and every stage in life. Catherine Hardwicke's "Thirteen" was a powerful movie focusing on girls. "Thumbsucker" is every bit as powerful, if not a bit softer in its approach.

Relative newcomer Lou Taylor Pucci is stunning and brilliant as Justin, the seventeen year old thumbsucker who, along with 98% of the others his age, just can't seem to figure out what its all about. His character turns out to be one of the lucky ones who finally determines that none of us really get it. That includes his friends, parents, teachers, orthodontist and celebrities.

The supporting actors are stellar and very well cast. Justin's parents are played well by the great Tilda Swinton (slightly underused here) and Vincent D'Onofrio. His hypnotist would-be guru orthodontist is hilariously played by Keanu Reeves and Benjamin Bratt is the TV celeb whom Justin's mom carries a torch for. Vince Vaughn flashes some real acting chops as Justin's Debate Team sponsor. This is not the typical punchline Vince that we have come to expect. A real standout is Kelli Garner as Rebecca, Justin's first crush. This role was originally going to Scarlett Johansson which would have been a mistake. Garner is so believable as the would be world saver if she could just understand why everyone acts the way they do. Looking forward to more of her work.

For a movie that tackles such tough subject matter, it does an amazing job of keeping the viewer from being depressed. There is actually hope in the message. The soundtrack was a bit of a distraction at times, but not enough to ruin any particular scene. Also, there is a story line about Ridlin and ADHD that would require a thesis to to describe my disgust. This is a film that deserves a bigger audience than it will reach. Sadly, too many will line up to see "Proof" which only impersonates an important film.