Shanghai Ghetto

Documentaries about the Holocaust tend to fall into two classes. The first is the wide view of central events and personalities, subjects that very many people recognize. Intriguingly, a second class of film emerges from time to time: documentaries that educate by illuminating a thread of history relatively or even almost totally unknown to most. Such a film is Dana Janklowicz-Mann and Amir Mann's subtly powerful "Shanghai Ghetto," the story of frightened German and Austrian Jews who after "Kristallnacht" and before the borders were sealed found refuge in Japanese-occupied Shanghai, the great Chinese port.

With documentary footage and well-edited interviews of men and women who trekked to Shanghai and now appear to live in comfort, as well as with commentary by several academics and narration by Martin Landau, the directors tell a fascinating story.

As Western European countries, Great Britain and the U.S. fell over themselves expressing sympathy for the plight of Germany's Jews while insuring that few would find refuge within their respective nations' borders, Shanghai was a destination where, miraculously, anyone could debark from a ship without passport or visa. Shanghai before 7 December 1941 was an odd city, a metropolis where the Japanese freely and without compunction murdered and brutalized Chinese residents while respecting the international enclaves that enjoyed extra-territorial status from the days of the Opium Wars.

Why the Japanese, in league with their Nazi partners, seemed to care little about the sudden influx of European Jews isn't clear. The film suggests that the Japanese had some sort of bizarre but fixed belief that the myths about Jewish hegemony over banks and industry would somehow benefit their Empire. I doubt that explanation has any validity. I suspect that at first the Japanese simply didn't much care about these refugees and then discovered they had to deal with them. After Pearl Harbor when both British and American nationals were interned the Jews dwelled in a twilight world with some restrictions but overall a remarkable degree of freedom.

The interviewees describe harsh living conditions but it's clear almost from the first comments how relative that concept is. That many if not all the escapees lost an affluent or at least middle class lifestyle is certain. There was disease and insanitary conditions abounded but these were largely endemic to pre-Maoist China, not the result of ghettoization as in Eastern Europe. An Israeli professor and several of the elderly interviewees can't even concur as to whether the Japanese actually established a ghetto. The professor says they didn't and the former residents use the term "ghetto" repeatedly.

There is a curious juxtaposition between the interviewees describing their travails and period footage and still photos showing a fairly vibrant Jewish community with music, art, literature and sports clubs. The Shanghai Jews were free to form their cultural groups and pursue their interests as they wished. This was not Theriesenstadt with its horrific Nazi-created Potemkin Village orchestra and drama company.

Of course the uprooted refugees suffered hardship and a few of them on this film suddenly draw a sharp breath before a sob and tears interrupt the flow of their narrative. In one of my favorite Manhattan theaters, (the small Quad on 13th Street between 5th and 6th) the house was packed people running in age from about thirteen to their eighties. The impact of learning this chapter of Hitlerian monstrosity was palpable.

Near the end of the film familiar stock footage of Nazi death camps and crematoria, replete with victims, is shown alternating with the interviewees' honest, to a degree anguished, reflection that, as several say, they were living in "paradise" compared to the many relatives they lost in the cauldron of evil. Or the survivors in Europe. Not until the war ended did the Shanghai refugees learn the fate of European Jewry.

Whatever the relative scales of suffering by widely separated survivors, the producers/directors have added a unique chapter of Holocaust history to the archives. "Shanghai Jews" is a thoroughly engrossing work, complemented by the music of Sujin Nam and largely performed on the Chinese erhu.

This film won't be shown in many venues but it ought to be widely televised and certainly made available for rental or purchase.

9/10.

I found this documentary by chance in my local public library and I was very impressed. The stories of the Jewish refugees are moving and offer insight into a little-known or discussed part of history. It is well worth seeking out and watching this film.

The only criticism I can make: I wish that the filmmakers had used an interpreter in order to speak with more Chinese people (not just the single English-speaking historian). It would have been fascinating to hear from some of the Chinese people who lived alongside the Jewish refugees during WWII and I think that would have really added to the film's reconstruction of history.

I had the pleasure of attending one of the first NYC screenings last night and attending a Q&A afterwards with the filmmakers. The film moves slow at times, using much footage and interviews from those who escaped Nazi occupation by fleeing to Shanghai. The survivors speak of their family, friends and their experiences as if it were yesterday remarking stories with countless details.

My father was one of the people originally interviewed for the film, although his tale did not make it past the editing room floor. Imagine my surprise though when images of people were shown and there right in front of my eyes was a young picture of my grandmother! Apparently she was close friends with the mother of one of the men interviewed.

Overall, while the story of the Holocaust has been retold before, never has it been shown from this most personal perspective. The filmmakers followed two of the survivors as they traveled back to Shanghai many years later to see the homes they left so long ago. This is a pilgrimage that only a handful have made as this is a reminder of a most painful time in their past.

I urge you to see this film and to encourage other new filmmakers to be daring and take a chance and tell their story. Much luck to Dana & Amir!

The stories of the interviewees were rather banal. (I guess we are too much exposed to a similar kind of testimony films nowadays.) But, more problematic is that the life of Shanghai natives at the time was too lightly handled. The Jews who had been better off moved to Shanghai, and now they talk about the hardship they had to go through there. But to me it seemed that their life was lot better than that of the Chinese who were under Japanese occupation and persecution. Those interviewees all left Shanghai after the war, and lived well off (maybe still worse than they used to in Europe, but). I didn't see why their personal stories are that important in that specific context. If there were more about culturally specific difficulties (of being in Shanghai on the other side of the world) rather than just complaints about heat and hygiene, I would be more appreciative about the film.

This film held my attention. It was very well done; the still photo's and moving pictures were well integrated with the narratives. This was a part of the "holocost" I was not famiiar with and as a result I did not feel that I had seen this before.