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IMDbPro

The Hebrew Hammer

  • 2003
  • R
  • 1h 25min
VALUTAZIONE IMDb
6,1/10
5225
LA TUA VALUTAZIONE
Adam Goldberg in The Hebrew Hammer (2003)
An orthodox Jewish blaxploitation hero saves Hanukkah from the clutches of Santa Claus' evil son.
Riproduci trailer1: 28
1 video
4 foto
CommediaParodiaSatira

Aggiungi una trama nella tua linguaOrthodox Jewish hero teams up with a fierce beauty and a Kwanzaa activist to stop Santa's evil son from destroying Hanukkah. The unlikely trio must thwart Damian's nefarious plan and preserv... Leggi tuttoOrthodox Jewish hero teams up with a fierce beauty and a Kwanzaa activist to stop Santa's evil son from destroying Hanukkah. The unlikely trio must thwart Damian's nefarious plan and preserve the beloved holiday for Jews everywhere.Orthodox Jewish hero teams up with a fierce beauty and a Kwanzaa activist to stop Santa's evil son from destroying Hanukkah. The unlikely trio must thwart Damian's nefarious plan and preserve the beloved holiday for Jews everywhere.

  • Regia
    • Jonathan Kesselman
  • Sceneggiatura
    • Jonathan Kesselman
  • Star
    • Adam Goldberg
    • Andy Dick
    • Judy Greer
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,1/10
    5225
    LA TUA VALUTAZIONE
    • Regia
      • Jonathan Kesselman
    • Sceneggiatura
      • Jonathan Kesselman
    • Star
      • Adam Goldberg
      • Andy Dick
      • Judy Greer
    • 57Recensioni degli utenti
    • 38Recensioni della critica
    • 41Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
  • Video1

    Trailer
    Trailer 1:28
    Trailer

    Foto3

    Visualizza poster
    Visualizza poster
    Visualizza poster

    Interpreti principali63

    Modifica
    Adam Goldberg
    Adam Goldberg
    • Mordechai Jefferson Carver
    Andy Dick
    Andy Dick
    • Damian Claus
    Judy Greer
    Judy Greer
    • Esther Bloomenbergensteinenthal
    Mario Van Peebles
    Mario Van Peebles
    • Mohammed Ali Paula Abdul Rahim
    Peter Coyote
    Peter Coyote
    • JJL Chief Bloomenbergensteinenthal
    Nora Dunn
    Nora Dunn
    • Mrs. Carver
    Sean Whalen
    Sean Whalen
    • Tiny Tim
    Tony Cox
    Tony Cox
    • Jamal
    Richard Riehle
    Richard Riehle
    • Santa
    Melvin Van Peebles
    Melvin Van Peebles
    • Sweetback
    Rachel Dratch
    Rachel Dratch
    • Tikva
    Harrison Chad
    • Schlomo
    Jim Petersmith
    • Skinhead Bartender
    Annie McEnroe
    Annie McEnroe
    • Mrs. Highsmith
    Grant Rosenmeyer
    Grant Rosenmeyer
    • Young Mordechai
    Elaine Hendrix
    Elaine Hendrix
    • Blonde Bombshell
    Ayelet Ben-Hur
    • Israeli Rental Agent
    Alex Corrado
    Alex Corrado
    • Tony
    • Regia
      • Jonathan Kesselman
    • Sceneggiatura
      • Jonathan Kesselman
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti57

    6,15.2K
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    Recensioni in evidenza

    denverbarndude

    Oh the humanity, the humility, the gullibilty!!

    I saw the *star* of this movie on The Daily Show, and thought I might tune in (the movie premiered on Comedy Central, Then went into theaters). Oh Vey!

    This makes "Shakes the Clown" look like "Citizen Kane"! Avoid, avoid, avoid at all costs. Not one laugh, not even a grin. This movie will make your face come out in pimples and your eyes burst like the last remants of "Raiders". I can't even think of a worse movie, be it "Manos" or "Ishtar". As the Pythons beckoned, run away, run away! Why did anyone green light this unless they used their own money? The horror is that there is not ONE good line, not ONE good joke, and only ONE bad thing...the making of this movie.

    I feel that, if made properly, this would have been hilarious. As it is, I need a new pancreas for retching so loud. Damn anyone involved in this travesty.
    RicardoTheWonk

    Jokes wore thin very quickly

    I picked up this movie because it caught my eye as movie with a Jewish comedy focus - something I had not seen before.

    I approached this film with an open mind, and was interested in the way it began. The opening is well put together, and the first half of the film gave me many reasons to laugh, and this is good.

    However, the humor soon became repetitive, the plot became confused and strained, and I realized I was no longer enjoying the film. I have tried to avoid saying this, but the movie became rather "cheap" - not a bad thing for a comedy if the humor holds up, but it didn't. I confess that I may have missed some of the humour, not being Jewish myself, and having little experience with Jewish culture. However, considering how heavily telegraphed the bulk of the humour was in this film, it's unlikely I missed much.

    The idea is a good one, and perhaps if a little more thought was put into it the film would have been watchable all the way through. I wish I could give the movie a higher rating, but strictly speaking it would have been better as a TV series or as a series of skits. There was just not enough worthwhile fresh material for a full-length movie.

    One thing to say about the casting - the lead role looked as if it had been designed with Ben Stiller in mind, but I don't think the movie would have been any more worthwhile if he had been in it.
    tedg

    Serious Business, This

    I admit a weakness for these types of self-conscious parodies when done well.

    For me, that means a mix of riches. First, it has to be brutal. There's no sense in toying with something stupid and at time showing sympathy for that stupidity. All the better if the targets of the thing have some sort of societal proscription.

    MASH was funny (when it was) because it treated war like something completely without honor or value. Anything that Mel Brooks does fails the brutality test. He's merely juvenile, and not ashamed to shift perspectives for a giggle.

    This is funny because it destroys two boundaries. The most obvious is the Jewish stereotype. Yes, it exists. Yes, like any other group, they identify themselves, quite actively bending their lives, by drifting toward those very characteristics as a matter of definition.

    There's a long tradition of stage humor where Jews make fun of themselves and I assert that all these societal parodies spring from it, at least in the US.

    But the other bit is ever so clever. What they've built on is a pastiche of blaxploitation movies (and a few others as well). Part of the cleverness is in revealing these things to be even dumber than we readily admit; they take us to extremes we wouldn't otherwise go. Its a bit risky, that.

    So we have a triple layer here: Jews making fun of the kind of Jewishness they cling to. All of us making fun of a similar dynamic in blacks that black culture isn't mature enough to disparage. (Though half of Chris Rock's stuff comes close.) And on top of that we get some posturing, not much, but some that rigorously belittles us for being the moviewatchers we are. In recent memory the second Charlies Angels did it best, but there wasn't the delicious edge this has.

    Ted's Evaluation -- 3 of 3: Worth watching.
    7shumiluvr

    Well Executed comedy.

    This movie reminded me of "UnderCover Brother". Sure, this movie was rather tasteless and obviously a low budget film. It was very funny. I myself am Jewish and was able to laugh and relate to this movie. I do not know if you would enjoy it if you were of another religion, but I still recommend this movie. There were many hidden references and of course some basic Yiddish humor packaged in. It easily could have been a modern Mel Brooks movie, and if you enjoy his humor i recommend this film. Although some jokes became repetitive, and were overdone, there are many MANY funny jokes that I could laugh about.

    This is one of those movies you should see multiple times. I guarantee you will catch more jokes and references making each viewing funny. So overall it was a cheap lo budget comedy. But a Funny cheap low budget comedy. A rare find indeed.
    6siderite

    Mel Brooks meets Hammer in this Jewsploitation movie that fails to deliver good comedy

    The Hebrew Hammer, the toughest Jew in the hood, singlehandedly (but with the support of the entire Jewish League and some black brothers) saves Hanukkah from the new evil and racist Santa. A lot of Jewish self deprecation and cliches, some of them are really funny, but overall it all felt kind of bland. I don't know, you probably have to be Jewish to get the jokes or something. To me it all felt just really racist without being funny most of the time.

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    The Hebrew Hammer vs. Hitler
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    Cocoon - Il ritorno
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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Adam Goldberg claims that he knew he had to do this movie as soon as he read the line "Shabbat shalom, motherfuckers!"
    • Blooper
      Mordechai is portrayed as a faithful Orthodox Jew, but during a scene with his shirt off, the morning after Mordechai and Esther make love, it's clear that Mordechai has several tattoos, which are forbidden in traditional Judaism. Adam Goldberg has stated in interviews that the only reason for this is that he was too lazy to get up early in the morning to have the makeup artists cover up the tattoos. The tattoos go without comment in the dialogue because, according to director Jonathan Kesselman, the Hebrew Hammer has already gone against tradition by engaging in premarital sex, and so a couple tattoos are nothing compared to that.
    • Citazioni

      Mordechai Jefferson Carver: Shabbat shalom, motherfuckers!

    • Curiosità sui crediti
      "No animals or gentiles were harmed in the making of this movie" appears in the closing credits.
    • Versioni alternative
      When the Hebrew Hammer enters the Duke's Nazi bar, he walks over to the Jukebox and plays a song. That song is played through the entire scene. However the Comedy Central and DVD versions of the movie each play a different song for the same scene.
    • Connessioni
      Followed by The Hebrew Hammer vs. Hitler

    I più visti

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    Domande frequenti18

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    Dettagli

    Modifica
    • Data di uscita
      • 25 marzo 2004 (Australia)
    • Paese di origine
      • Stati Uniti
    • Sito ufficiale
      • official site
    • Lingue
      • Inglese
      • Ebraico
      • Yiddish
    • Celebre anche come
      • Убойный молот
    • Luoghi delle riprese
      • Israele
    • Aziende produttrici
      • Intrinsic Value Films
      • Comedy Central Films
      • ContentFilm
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 2.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 82.157 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 19.539 USD
      • 21 dic 2003
    • Lordo in tutto il mondo
      • 94.615 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 25 minuti
    • Colore
      • Black and White
      • Color
    • Mix di suoni
      • Dolby Digital
    • Proporzioni
      • 1.85 : 1

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