Aggiungi una trama nella tua linguaOrthodox Jewish hero teams up with a fierce beauty and a Kwanzaa activist to stop Santa's evil son from destroying Hanukkah. The unlikely trio must thwart Damian's nefarious plan and preserv... Leggi tuttoOrthodox Jewish hero teams up with a fierce beauty and a Kwanzaa activist to stop Santa's evil son from destroying Hanukkah. The unlikely trio must thwart Damian's nefarious plan and preserve the beloved holiday for Jews everywhere.Orthodox Jewish hero teams up with a fierce beauty and a Kwanzaa activist to stop Santa's evil son from destroying Hanukkah. The unlikely trio must thwart Damian's nefarious plan and preserve the beloved holiday for Jews everywhere.
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Recensioni in evidenza
This makes "Shakes the Clown" look like "Citizen Kane"! Avoid, avoid, avoid at all costs. Not one laugh, not even a grin. This movie will make your face come out in pimples and your eyes burst like the last remants of "Raiders". I can't even think of a worse movie, be it "Manos" or "Ishtar". As the Pythons beckoned, run away, run away! Why did anyone green light this unless they used their own money? The horror is that there is not ONE good line, not ONE good joke, and only ONE bad thing...the making of this movie.
I feel that, if made properly, this would have been hilarious. As it is, I need a new pancreas for retching so loud. Damn anyone involved in this travesty.
I approached this film with an open mind, and was interested in the way it began. The opening is well put together, and the first half of the film gave me many reasons to laugh, and this is good.
However, the humor soon became repetitive, the plot became confused and strained, and I realized I was no longer enjoying the film. I have tried to avoid saying this, but the movie became rather "cheap" - not a bad thing for a comedy if the humor holds up, but it didn't. I confess that I may have missed some of the humour, not being Jewish myself, and having little experience with Jewish culture. However, considering how heavily telegraphed the bulk of the humour was in this film, it's unlikely I missed much.
The idea is a good one, and perhaps if a little more thought was put into it the film would have been watchable all the way through. I wish I could give the movie a higher rating, but strictly speaking it would have been better as a TV series or as a series of skits. There was just not enough worthwhile fresh material for a full-length movie.
One thing to say about the casting - the lead role looked as if it had been designed with Ben Stiller in mind, but I don't think the movie would have been any more worthwhile if he had been in it.
For me, that means a mix of riches. First, it has to be brutal. There's no sense in toying with something stupid and at time showing sympathy for that stupidity. All the better if the targets of the thing have some sort of societal proscription.
MASH was funny (when it was) because it treated war like something completely without honor or value. Anything that Mel Brooks does fails the brutality test. He's merely juvenile, and not ashamed to shift perspectives for a giggle.
This is funny because it destroys two boundaries. The most obvious is the Jewish stereotype. Yes, it exists. Yes, like any other group, they identify themselves, quite actively bending their lives, by drifting toward those very characteristics as a matter of definition.
There's a long tradition of stage humor where Jews make fun of themselves and I assert that all these societal parodies spring from it, at least in the US.
But the other bit is ever so clever. What they've built on is a pastiche of blaxploitation movies (and a few others as well). Part of the cleverness is in revealing these things to be even dumber than we readily admit; they take us to extremes we wouldn't otherwise go. Its a bit risky, that.
So we have a triple layer here: Jews making fun of the kind of Jewishness they cling to. All of us making fun of a similar dynamic in blacks that black culture isn't mature enough to disparage. (Though half of Chris Rock's stuff comes close.) And on top of that we get some posturing, not much, but some that rigorously belittles us for being the moviewatchers we are. In recent memory the second Charlies Angels did it best, but there wasn't the delicious edge this has.
Ted's Evaluation -- 3 of 3: Worth watching.
This is one of those movies you should see multiple times. I guarantee you will catch more jokes and references making each viewing funny. So overall it was a cheap lo budget comedy. But a Funny cheap low budget comedy. A rare find indeed.
Lo sapevi?
- QuizAdam Goldberg claims that he knew he had to do this movie as soon as he read the line "Shabbat shalom, motherfuckers!"
- BlooperMordechai is portrayed as a faithful Orthodox Jew, but during a scene with his shirt off, the morning after Mordechai and Esther make love, it's clear that Mordechai has several tattoos, which are forbidden in traditional Judaism. Adam Goldberg has stated in interviews that the only reason for this is that he was too lazy to get up early in the morning to have the makeup artists cover up the tattoos. The tattoos go without comment in the dialogue because, according to director Jonathan Kesselman, the Hebrew Hammer has already gone against tradition by engaging in premarital sex, and so a couple tattoos are nothing compared to that.
- Citazioni
Mordechai Jefferson Carver: Shabbat shalom, motherfuckers!
- Curiosità sui crediti"No animals or gentiles were harmed in the making of this movie" appears in the closing credits.
- Versioni alternativeWhen the Hebrew Hammer enters the Duke's Nazi bar, he walks over to the Jukebox and plays a song. That song is played through the entire scene. However the Comedy Central and DVD versions of the movie each play a different song for the same scene.
- ConnessioniFollowed by The Hebrew Hammer vs. Hitler
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Dettagli
Botteghino
- Budget
- 2.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 82.157 USD
- Fine settimana di apertura Stati Uniti e Canada
- 19.539 USD
- 21 dic 2003
- Lordo in tutto il mondo
- 94.615 USD
- Tempo di esecuzione1 ora 25 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1