Nelle favelas di Rio de Janeiro, i percorsi di due giovani amici divergono quando uno sogna di diventare un fotoreporter e l'altro un re del crimine.Nelle favelas di Rio de Janeiro, i percorsi di due giovani amici divergono quando uno sogna di diventare un fotoreporter e l'altro un re del crimine.Nelle favelas di Rio de Janeiro, i percorsi di due giovani amici divergono quando uno sogna di diventare un fotoreporter e l'altro un re del crimine.
- Regia
- Sceneggiatura
- Star
- Candidato a 4 Oscar
- 75 vittorie e 50 candidature totali
Leandro Firmino
- Zé Pequeno
- (as Leandro Firmino da Hora)
Michel Gomes
- Bené Criança
- (as Michel De Souza Gomes)
Kiko Marques
- Cabeção
- (as Maurício Marques)
Riepilogo
Reviewers say 'City of God' is lauded for its gritty realism, powerful storytelling, and innovative cinematography, often drawing comparisons to 'Goodfellas' and 'Pulp Fiction'. The film is celebrated for its complex characters, compelling narrative, and raw depiction of Rio de Janeiro's favelas. However, some find the violence excessive and the script lacking depth. The use of non-professional actors and unflinching portrayal of poverty and crime are both praised and criticized. Pacing and length are also points of contention.
Recensioni in evidenza
I agree with the other positive reviews here. I just saw this again after 15 years - still far exceeds anything made today when it comes to struggles of troubled youth in urban slums plagued by drugs and violence. So raw. So shocking to the system. Highly recommended!
Wow, this is one of those different movies - meaning not run-of-mill by any means - and one of those which isn't pleasant to watch but one you might find yourself mesmerized by it.
This also is one of those "based on a true story" films which makes it even more shocking, if its mostly true. The story is of the many young (pre and early-teen) criminals inhabiting an area just outside the big city of Rio de Janeiro in Brazil. It has the feel of a documentary with real-life street kids but is upgraded considerably by fantastic camera-work, some very innovative cinematography. In other words: stylish.
Make no mistake: without that stylish look, the film might be too much of a downer. The street kids are interesting but really brutal, so be prepared. I mean, how often do you see 12-year-old killers portrayed on film? The violence, language and drug use are rough in here and what a sad comment on this social problem in Brazil, a country with a huge problem with these street gangs. Overall, a very tough but fascinating film.
This also is one of those "based on a true story" films which makes it even more shocking, if its mostly true. The story is of the many young (pre and early-teen) criminals inhabiting an area just outside the big city of Rio de Janeiro in Brazil. It has the feel of a documentary with real-life street kids but is upgraded considerably by fantastic camera-work, some very innovative cinematography. In other words: stylish.
Make no mistake: without that stylish look, the film might be too much of a downer. The street kids are interesting but really brutal, so be prepared. I mean, how often do you see 12-year-old killers portrayed on film? The violence, language and drug use are rough in here and what a sad comment on this social problem in Brazil, a country with a huge problem with these street gangs. Overall, a very tough but fascinating film.
I knew nothing of this film before I saw it by chance in a rare Pub open screening, but boy was I glad I got the chance to take a look. I was riveted all night - I completely ignored my friends! I thought it was an awesome re-enactment of a true story - powerful, moving, raw, real - and even funny in parts. I walked away afterwards, beaming. It's rare a great film like this is made, especially these days. I gave it ten out of ten. Please see it if you can.
Li'l Zé and his gang is having fun chasing a runaway chicken in a Rio favela called the Cidade de Deus "City of God". The chicken comes to Rocket with his camera. Then flashbacks to the 60s tell the story of Rocket who becomes the photographer of his friends. Li'l Zé and his best friend Benny grow up to be the crime boss of the city. There's Carrot who is a criminal leader tolerated by Benny and there's Knockout Ned who turned away from crime.
It is truly a new Godfather. It is the harsh brutality of the slums. It's the randomness of the world. It beats with a human heart. It's a little messy. It's visceral. The kids are played by kids. The criminals are remorseless. The amateur actors are authentic. The cinematography is terrific. The location can't get more real. It is a new crime masterpiece.
It is truly a new Godfather. It is the harsh brutality of the slums. It's the randomness of the world. It beats with a human heart. It's a little messy. It's visceral. The kids are played by kids. The criminals are remorseless. The amateur actors are authentic. The cinematography is terrific. The location can't get more real. It is a new crime masterpiece.
Cidade de Deus seems to have a lot of praise on the IMDb boards, and with good reason too. It simply is, in my opinion, one of the best contemporary films ever made.
Based on true events and characters who live in the overlooked and poverty stricken slums in the shadows of Rio de Janiero, where life expectancy doesn't reach the 30's and drug dealers are kings.
The tale of the City of God, and its myriad of characters is told by Rocket, a young man who struggles to make something of his life, other than to wind up another victim of drugs or gang wars.
Not only are the characters in City of God absolutely fascinating, and also very endearing, but also convincingly acted by groups of young and unknown actors. The stoies are well-told, and at times, funny, and at others, brutally shocking.
The cinematic style of the film gives a nod to Tarantino, with some clever time-jumping, freeze-framing, and texts indicating another chapter of the film. In every sense, a bit of a Brazillian "Pulp Fiction" or "Goodfellas", but with its own unique flavour to it.
The City of God is a marvel, and a highly recommended film to watch, but not recommended for the over-sensitive or easily distressed.
Based on true events and characters who live in the overlooked and poverty stricken slums in the shadows of Rio de Janiero, where life expectancy doesn't reach the 30's and drug dealers are kings.
The tale of the City of God, and its myriad of characters is told by Rocket, a young man who struggles to make something of his life, other than to wind up another victim of drugs or gang wars.
Not only are the characters in City of God absolutely fascinating, and also very endearing, but also convincingly acted by groups of young and unknown actors. The stoies are well-told, and at times, funny, and at others, brutally shocking.
The cinematic style of the film gives a nod to Tarantino, with some clever time-jumping, freeze-framing, and texts indicating another chapter of the film. In every sense, a bit of a Brazillian "Pulp Fiction" or "Goodfellas", but with its own unique flavour to it.
The City of God is a marvel, and a highly recommended film to watch, but not recommended for the over-sensitive or easily distressed.
Lo sapevi?
- QuizWhen we hear Buscapé (Alexandre Rodrigues) talking to Marina (Graziella Moretto) about how "he never took a hot bath", that was not scripted. Actually, that was Rodrigues and Moretto talking off camera, during a pause in the shooting, when the boy (who lived on the slums) was telling her about his life.
- BlooperZé Pequeno is taken into custody by the police, Buscapé runs after the police truck. The Police truck passes by a late - model Chevrolet S10, black, circa 2001. The movie is set in the seventies.
- Curiosità sui creditiThe closing credits shows pictures of the main actors, their name, their character's name and pictures of the real life characters (for the ones based on existing people).
- Versioni alternativeThe Indian Censor Board nonsensically deleted the visuals of frontal nudity in the motel scene and the dialogue of a woman talking about her sexual experiences for an 'A' (adults) rating.
- ConnessioniFeatured in Siskel & Ebert & the Movies: The Best Films of 2002 (2003)
- Colonne sonoreAlvorada
Written by Cartola / Carlos Cachaça / Hermínio Bello de Carvalho (as Hermínio B. Carvalho)
Performed by Cartola
Peer Music do Brasil Edições Musicais Ltda
Licensed by EMI Music Ltda
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Ciudad de Dios
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 3.300.000 BRL (previsto)
- Lordo Stati Uniti e Canada
- 7.564.459 USD
- Fine settimana di apertura Stati Uniti e Canada
- 88.292 USD
- 19 gen 2003
- Lordo in tutto il mondo
- 30.681.033 USD
- Tempo di esecuzione2 ore 10 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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