Gomgashtei dar Aragh

I really liked this Ghobadi movie about life for the Kurds on the Iraq-Iran border. One thing I really enjoy in movies from that neck of the world is the fact that we're not dealing with professional actors here. Most of the characters are played by regular Joes and it adds on to the experience. "Marooned in Iraq" also shows the daily life of the Kurds, being bombarded by Saddam's planes. Interesting look at the culture, at the way of making a living, like at the brick work. As in "A Time for Drunken Horses", I was also very moved by the look in the children's eyes. The cinematography is also beautiful. And I enjoyed the traditional music. Rent this one (or get it at your local library like I did) and see for yourself Mirza's odyssey. It plays almost like a treasure hunt. One negative note though: I saw the film on DVD and I suspect that the subtitles didn't really captured what the characters were saying. Unless Kurds are using 10 words for 1 English or French one, I got robbed of a lot of the dialog. Too bad.

Seen at home, in Toronto, on September 16th, 2005.

80/100 (***)

I must say that this film really amazed me. Marooned in Iraq did not have the best cinematography, or acting. What really amazed me were the characters Bahman Ghobadi created. The Kurdish culture defies all expectations of people living in a war torn area with so much grief upon them. Mizra a famous Kurdish singer and his two talented musician sons Barat and Audeh go on a journey to find Mizra's ex-wife. The journey takes place on the Iran-Iraq border during Saddam Hussein's attack on the Kurds. During the journey the results of Hussein's terror is seen as a constant reminder of the hardships that the Kurds have to endure. Even with all the reminders the trio set out on their journey and on their way comfort many grief stricken Kurds with their wonderful music.

The music in the film is so amazing that without knowing the lyrics I still felt entranced and could easily understand why music of the like is so cherished in a place torn apart by war. When ever music is not being played, and dialog not being spoken, you can hear the sounds of bombs and jets in the background. This addition of background sound creates much more than a setting. The sounds seem to be integrated with the Kurdish way of life.

It seems unbelievable that people that have gone through so much still have the heart for music and comedy in their lives. The ending of the film is very bitter sweet to me. The director leaves much to be imagined by the viewer. I like to think that everyone got exactly what they were looking for, even though they were not expecting to find it on the journey.

There where two very powerful scenes in the movie for me. The first being when the children threw the paper airplanes off the cliff side and the second being Mizra stomping over the Iran-Iraq border. They both feel like its the Kurds way of saying they cannot be bound to the land, and they won't be oppressed.

I would recommend this movie to anyone with an open mind, interested in learning about the Kurds from the Kurds, and willing to read subtitles. I do caution however, that the ending is typical of a middle eastern films, so do not expect the closure that comes with most western films.

Marooned in Iraq was a movie that surprised me. I knew it was a story about a famous Iranian singer and his sons, also members of what used to be his band, traveling to Iraq to help his ex-wife who ran off with his best friend, both of whom were also in the band. But I also knew that it served as a political statement about the war. For this reason I assumed it would be somewhat sad, and kind of boring as movies about war put me to sleep. But I was pleasantly surprised to realize that it was actually an interesting, funny movie. Of course it was serious at times, but the interaction between the characters was hilarious. It kept my attention and did not focus too strongly on the war.

All of the actors in the movie were new to acting, and with some characters you could tell. But the main characters do an amazing job! They get really into their roles, especially the men that play the sons, Barat and Audeh. The music in the movie is very good as well. The background music makes you almost feel like you're there, and when the characters start playing music, it makes you wish you were there. Although the movie was made with a very small budget, I didn't see any problems with how it was made. I thought it looked fantastic.

Marooned in Iraq is a story about duty, endurance, and hope. Mirza knows it is his duty to help Hanareh, the ex-wife he still loves. She asked for help and he did not think twice about immediately leaving on a long, dangerous mission to aid her. Barat and Audeh know it is their duty to help their father. Although Audeh complains the entire time, he never the less goes with his father to retain the honor of his family. Endurance and hope is prevalent in everyone in the movie. Their homes, families, and lives are destroyed, but they keep going. They help each other and keep hoping that things will get better because that's all they can do.

This movie is very good and I highly recommend it to anyone with an interest in the Middle East. It does a great job of showing the effects of war on the land and homes, and in the people themselves. It's also great for anyone who enjoys a good laugh and can stand subtitled movies. Although what was happening in Iran and Iraq at the time is depressing, it is an uplifting movie because it shows that even through tragedy life goes on.

Family, laughter, music and unlikely endings, "Marooned in Iraq" is a fill that offers a much different point of view of the Middle East than most American's are accustomed to. This story of a father and his two son's search for happiness by leaving their homes in Iran to cross the border into war torn Iraq shows a more humanistic view of the effects of war. Each man is searching for something to fulfill their lives amidst the great turmoil.

The film really focused on how small people are by themselves and how they really have no control over what happens. He often showed scenes where the characters were traveling alone along broad backdrops of huge landscapes. The director really seemed to want to get the point across that these men might be together, but they were such a small part of this enormous world.

It was surprising how light-hearted some of the film was. For instance, the time spent with the orphans was not a dark gloomy time, but a time of music, dancing and happiness. At the same time, the sound of actual jets brought the viewer back to the reality that all of these children had lost their families because of this brutal war.

From the view of an American, this movie was extremely interesting. Sometimes I think we would like to think that war in the Middle East does not affect many, because many of us are not directly affected, but this film shows the other side. People who are interested in seeing the other side of this Middle Eastern conflict should watch this movie and witness the hardship these people must live through on a daily basis.

I went to see this at a festival as a good-for-you topical film - kind of like eating brussels sprouts or something (apologies to those for whom brussels sprouts are a particular favorite). The filmmaker is an Iranian Kurd, and the film involves a journey from Iranian Kurdistan into Iraq.

Much to my surprise, it inspires a fair amount of laughter even in the context of extreme difficulties: a tent refugee camp for orphans in knee-deep mountain snow; voices and faces (never shown, but instead hidden in shame) disfigured by chemical weapons attacks and so on. These are present simply as part of the story's background, rather than like the shrill preachiness more typically seen on U.S. television news reports. Though I suppose one can't really fault journalists for being intensely serious when reporting on that part of the world.

The story is slim: someone is looking for something. They don't find it (her actually), but find other things which turn out to be of value. The man and his two (grown) sons have a larger-than-life bluster and recurring pratfalls which are a bit reminiscent of the Three Stooges. Laughter is good medicine, and these people have certainly earned the right to a heavy dose thereof. One example of the silliness: Our three travelers have their motorbike, clothes and musical instruments stolen by highway bandits disguised as police. Later, they get a ride on a truck and encounter two guys running through the snow in pastel-colored long undies and handcuffed together. They turn up a few times, always claiming to be cops but no one believes them, and they can't get any help.

Overall, an unexpected pleasure. Worth seeing.