Un'auto da corsa chiamata Lightning McQueen deve suo malgrado passare un periodo di tempo nella città di Radiator Springs, dove impara a conoscere il vero significato dell'amicizia e della f... Leggi tuttoUn'auto da corsa chiamata Lightning McQueen deve suo malgrado passare un periodo di tempo nella città di Radiator Springs, dove impara a conoscere il vero significato dell'amicizia e della famiglia.Un'auto da corsa chiamata Lightning McQueen deve suo malgrado passare un periodo di tempo nella città di Radiator Springs, dove impara a conoscere il vero significato dell'amicizia e della famiglia.
- Regia
- Sceneggiatura
- Star
- Candidato a 2 Oscar
- 28 vittorie e 34 candidature totali
Bonnie Hunt
- Sally Carrera
- (voce)
Paul Newman
- Doc Hudson
- (voce)
Larry the Cable Guy
- Mater
- (voce)
Cheech Marin
- Ramone
- (voce)
Tony Shalhoub
- Luigi
- (voce)
Guido Quaroni
- Guido
- (voce)
Jenifer Lewis
- Flo
- (voce)
Paul Dooley
- Sarge
- (voce)
Michael Wallis
- Sheriff
- (voce)
George Carlin
- Fillmore
- (voce)
Katherine Helmond
- Lizzie
- (voce)
John Ratzenberger
- Mack
- (voce)
- …
Richard Petty
- The King
- (voce)
Jeremy Piven
- Harv
- (voce)
Bob Costas
- Bob Cutlass
- (voce)
Recensioni in evidenza
Without giving away any of the story, here's my take. I attended the premiere of CARS at LMS on Friday, May 26. True to Disney form, the premiere itself was spectacular. Four giant screens, live entertainment,lots of fireworks, great inclusion of military personnel, and as good of a red carpet as you can do with chain link fenced areas... This movie rates right in the middle of Pixar releases for me. I place it above Monsters Inc, A Bug's Life and Toy Story 2, but not as good as the "original", the best ever, Toy Story, and The Incredibles. Everything just looks so real in this movie. The dust stirred up when Lightning drives off, the scenery around Route 66 (well, maybe not those mountains that look like the fins of old cars). Even the shine on the clean cars looks so real. As an adult, I enjoyed the story line. I can't tell you how the kids would like it, as by the time the movie finally started, my kids were asleep. As always, don't leave your seat until all of the credits roll. Sometimes they are some of the funniest clips in the movie! You'll love them this time, as they tie back to prior Pixar movies, in a car sort of way. This is definitely a movie we'll add to the DVD collection. I really hope this movie does well since it's the first release since Disney bought Pixar. Don't go in looking for the action or adult humor of The Incredibles. If you do you'll be disappointed. Just go in looking for the "Disney always has a good moral behind its animated movies" type of movie and you will really enjoy it. Paul Newman and Larry the Cable Guy really have the best characters in the movie. And while John Ratzenberger's character doesn't have a lot of screen time, I really enjoyed him! I'll be going back to see it when it releases in theaters so I can get a better feel for the sound, as it wasn't the best in an outdoor setting. In my opinion, it easily beats the other animated movies released over the past year or so.
This is EASILY the movie I've watched most in my life. Back when I was young, I would have this on repeat. My parents said I used to HAVE to watch this movie every day for a certain period of time or I would get mad. Well, until now, I hadn't seen it in like 6 years until now. It was just as I remember, and extremely nostalgic. I can't be bothered to wonder why this movie gets the hate that it does. In fact, it's one of the best Pixar films. Idk if the nostalgia is blinding me, but for me this was (so far) one of the better Pixar films. A great character arc for Lightning McQueen, an amazing redemption for Radiator Springs, just a magical movie. I will forever hold this movie close to me and never let go. Imo, this is one of THE movies.
Fun fact: I own all 36 original car action figures from the race at the beginning.
Fun fact: I own all 36 original car action figures from the race at the beginning.
As usual, you've gotta hand it to Pixar.
In "Cars," their latest film, they show why they are still the cream of the crop when it comes to the field they revolutionized more than a decade ago. Well, yeah, it doesn't have the sophistication and cleverness of "The Incredibles," nor the universal appeal of both "Toy Stories" and "Finding Nemo." And I have to admit that the idea of animated cars was the least riveting as far as Pixar film premises are concerned. But as with its predecessors, beneath those excellently rendered 3D images is the soul that sets Pixar apart from what has become of most animated films nowadays.
Up-and-coming rookie race car Lightning McQueen (voiced by Owen Wilson), is about to win the prestigious Piston Cup. The championship ends with Lightning finishing in a tie with legendary "The King" (Richard Petty), who is in his final race, and Chick Hicks (Michael Keaton); thus, a tie-breaking race is set in California.
But a road mishap leads Lightning to the forgotten town of Radiator Springs, a part of what was once Route 66, a place that once basked in glory, but has since been thrust into oblivion. There he meets an array of other cars - including Doc Hudson (Paul Newman!), Mater (Larry the Cable Guy), and Sally (Bonnie Hunt) - who teach him that "life isn't about the destination but about the journey."
First of all, Pixar's animation is first-rate. It's that sort of greatness among their artists I can only geek about and dream of grasping while in my 3D animation classes. The cars have a definite realistic look, especially with the rendering (man, the reflections!). The film is also vibrantly colored, making use of a whole variety of shades of dark colors during the race, and warm ones whenever the scenes shift to Radiator Springs. Even the old, vintage car models have that chic look that brings some of the essential charm of this film. There are lots to be admired on this film just for the brilliance in animation. But among those that stand out are the race itself, and when Doc Hudson gets to bring back his good old days. Somehow, it's like watching NASCAR on IMAX again, albeit minus the über-big screen and the 3-D effect.
But what's really nice about this film is how director John Lasseter and the writers effectively tell the story and how they pump up the visual feast with humor and sincere emotions. It still all boils down to the story and how it is told - the very essence of cinema. Granted, when it comes to the standards set by previous Pixar films, it isn't quite up there with it's predecessors; but considering how lofty the bar has reached and the mediocrity that has become of the genre in general, "Cars" more than gets the job done.
As for the voice cast, Wilson brings that sort of cockiness to the protagonist of the story and it fits with his smug humor. Larry the Cable Guy gives Mater an amusingly disoriented state without being irritatingly so. You can't help but care about him and arguably, he's the nicest member of the cast. Newman lends an authoritative quality to Doc Hudson. (During the end credits, there's an in-joke about John Ratzenberger, who has his voice featured in all Pixar films thus far.) However, ultimately, the cast is somewhat unmemorable and lacking in diversity. The rest of the voice talents are also underused. Keaton's Chick Hicks is a formulaic one-dimensional villain, which could have utilized his voice more with a little more motivation for the car's part. But then again, that may be beside the movie's point.
All in all, "Cars" is a visual feast outside and an effective storytelling inside. When it comes to the basis of their appeal, it doesn't keep up with the rest of Pixar films which have sped up far ahead and this may yet be their first underachiever. But for what it is and what it achieves, it's a nice ride.
In "Cars," their latest film, they show why they are still the cream of the crop when it comes to the field they revolutionized more than a decade ago. Well, yeah, it doesn't have the sophistication and cleverness of "The Incredibles," nor the universal appeal of both "Toy Stories" and "Finding Nemo." And I have to admit that the idea of animated cars was the least riveting as far as Pixar film premises are concerned. But as with its predecessors, beneath those excellently rendered 3D images is the soul that sets Pixar apart from what has become of most animated films nowadays.
Up-and-coming rookie race car Lightning McQueen (voiced by Owen Wilson), is about to win the prestigious Piston Cup. The championship ends with Lightning finishing in a tie with legendary "The King" (Richard Petty), who is in his final race, and Chick Hicks (Michael Keaton); thus, a tie-breaking race is set in California.
But a road mishap leads Lightning to the forgotten town of Radiator Springs, a part of what was once Route 66, a place that once basked in glory, but has since been thrust into oblivion. There he meets an array of other cars - including Doc Hudson (Paul Newman!), Mater (Larry the Cable Guy), and Sally (Bonnie Hunt) - who teach him that "life isn't about the destination but about the journey."
First of all, Pixar's animation is first-rate. It's that sort of greatness among their artists I can only geek about and dream of grasping while in my 3D animation classes. The cars have a definite realistic look, especially with the rendering (man, the reflections!). The film is also vibrantly colored, making use of a whole variety of shades of dark colors during the race, and warm ones whenever the scenes shift to Radiator Springs. Even the old, vintage car models have that chic look that brings some of the essential charm of this film. There are lots to be admired on this film just for the brilliance in animation. But among those that stand out are the race itself, and when Doc Hudson gets to bring back his good old days. Somehow, it's like watching NASCAR on IMAX again, albeit minus the über-big screen and the 3-D effect.
But what's really nice about this film is how director John Lasseter and the writers effectively tell the story and how they pump up the visual feast with humor and sincere emotions. It still all boils down to the story and how it is told - the very essence of cinema. Granted, when it comes to the standards set by previous Pixar films, it isn't quite up there with it's predecessors; but considering how lofty the bar has reached and the mediocrity that has become of the genre in general, "Cars" more than gets the job done.
As for the voice cast, Wilson brings that sort of cockiness to the protagonist of the story and it fits with his smug humor. Larry the Cable Guy gives Mater an amusingly disoriented state without being irritatingly so. You can't help but care about him and arguably, he's the nicest member of the cast. Newman lends an authoritative quality to Doc Hudson. (During the end credits, there's an in-joke about John Ratzenberger, who has his voice featured in all Pixar films thus far.) However, ultimately, the cast is somewhat unmemorable and lacking in diversity. The rest of the voice talents are also underused. Keaton's Chick Hicks is a formulaic one-dimensional villain, which could have utilized his voice more with a little more motivation for the car's part. But then again, that may be beside the movie's point.
All in all, "Cars" is a visual feast outside and an effective storytelling inside. When it comes to the basis of their appeal, it doesn't keep up with the rest of Pixar films which have sped up far ahead and this may yet be their first underachiever. But for what it is and what it achieves, it's a nice ride.
But WHY is it great?
1. Visually. From the very first moments of the film, my mouth was hanging open. I mean, what the hell? Nothing looks this good. I have no idea how they made the cars look so much like real cars, and STILL make them look so much like characters. And the settings? Having grown up and traveled all over the South West United States (including more than one pilgrimage down Route 66) They captured, not only the visuals, but the atmosphere and character America's Main Street Perfectly. Frankly, if you put real actors in many of the scenes, you wouldn't realize it was computer generated you know, if the landscape wasn't made up of old car parts.
2. Creativity. Talking animals. Every cartoon HAS to have talking animals. Only so many cartoons can be about talking animals trying to bamboozle around with humans. Thank goodness for Cars. They create an entirely believable world populated by machines, with tractor cows, and somehow they still have George Jones and Hendrix. The story IS quite predictable, but it's still quite creative. With this level of creative juice flowing in one of John's babies, I can't wait to see what he has in store for further feature animation and theme parks.
3. Characters. I have a beef with Hollywood. They have no idea what life in a small town is like. They either try and stuff their ideals and attitude into a western shirt, or else fill America's heartland with dolts, "we don't like outsiders" sheriffs, or crazed murderers. Thankfully, Pixar did their homework and featured small town folk as they really are: eclectic, eccentric, loyal, creative with their fun, friendly with visitors, and really worth while. The subtle touches, such as the lovable rivalry between the Hippie van and the Army truck, or the crazy old Model T talking to the memorial of her dead husband (very touching), gives a complex and wonderfully, realistically diverse view off small town life. The same is true with the racing world. Wilson and Newman are, of course, fantastic. It's funny how the gravel in Newman's voice fits perfectly with the rumble of his engine, likewise Wilson's distinct voice sounds just like the high-tuned growl of a race car. Every voice is so paired. Bottom line, you leave loving virtually every character in the movie.
4. Story. A little bit A Christmas Carol, a little bit The Sting. The story starts out fast and exciting, like the race it portrayed. The big second act meanders lazily from one fantastic story point to the next, just like Route 66 drives from one landmark to another. I can see why some may say it can get slow, but, as is one of the points of the story, the joy is in the ride. And again, the third act flows quickly and furiously like, well, another race.
I give it a score of 10 out of 10. I can't wait to see it again.
1. Visually. From the very first moments of the film, my mouth was hanging open. I mean, what the hell? Nothing looks this good. I have no idea how they made the cars look so much like real cars, and STILL make them look so much like characters. And the settings? Having grown up and traveled all over the South West United States (including more than one pilgrimage down Route 66) They captured, not only the visuals, but the atmosphere and character America's Main Street Perfectly. Frankly, if you put real actors in many of the scenes, you wouldn't realize it was computer generated you know, if the landscape wasn't made up of old car parts.
2. Creativity. Talking animals. Every cartoon HAS to have talking animals. Only so many cartoons can be about talking animals trying to bamboozle around with humans. Thank goodness for Cars. They create an entirely believable world populated by machines, with tractor cows, and somehow they still have George Jones and Hendrix. The story IS quite predictable, but it's still quite creative. With this level of creative juice flowing in one of John's babies, I can't wait to see what he has in store for further feature animation and theme parks.
3. Characters. I have a beef with Hollywood. They have no idea what life in a small town is like. They either try and stuff their ideals and attitude into a western shirt, or else fill America's heartland with dolts, "we don't like outsiders" sheriffs, or crazed murderers. Thankfully, Pixar did their homework and featured small town folk as they really are: eclectic, eccentric, loyal, creative with their fun, friendly with visitors, and really worth while. The subtle touches, such as the lovable rivalry between the Hippie van and the Army truck, or the crazy old Model T talking to the memorial of her dead husband (very touching), gives a complex and wonderfully, realistically diverse view off small town life. The same is true with the racing world. Wilson and Newman are, of course, fantastic. It's funny how the gravel in Newman's voice fits perfectly with the rumble of his engine, likewise Wilson's distinct voice sounds just like the high-tuned growl of a race car. Every voice is so paired. Bottom line, you leave loving virtually every character in the movie.
4. Story. A little bit A Christmas Carol, a little bit The Sting. The story starts out fast and exciting, like the race it portrayed. The big second act meanders lazily from one fantastic story point to the next, just like Route 66 drives from one landmark to another. I can see why some may say it can get slow, but, as is one of the points of the story, the joy is in the ride. And again, the third act flows quickly and furiously like, well, another race.
I give it a score of 10 out of 10. I can't wait to see it again.
Pixar just keeps hitting them out of the park. Larry the cable guy was a great cast as Mater. Owen Wilson as Lightining was another great decision for the makers of Cars. There is never a dull moment while watching this film. I guess that is obvious by the overwhelming success at the box office. Working at a movie theater I get to see the reactions of our patrons after seeing each film we show; Cars is a must see this summer. There are very few genuine family movies released now a days, this is a clean movie that families can come together and enjoy without worrying about having to screen the film before bringing the kids. I recommend everyone go see this film and then go see it again.
Lo sapevi?
- QuizThis was Paul Newman's last American feature film before his death of lung cancer in 2008. It turned out to be the highest-grossing movie of his career. George Carlin died of heart failure three months earlier. This was the highest-grossing film of his career as well.
- BlooperWhen Lightning McQueen wakes up in the impound yard, the boot is on the driver's side front tire. Mater hooks up to Lightning's rear to tow him in. He should have hooked to the front since one of front tires was incapacitated.
- Citazioni
Lightning McQueen: He's won three Piston Cups!
Mater: [spits out fuel] He did WHAT in his cup?
- Curiosità sui creditiThe credits contain a dedication and retrospective of characters voiced by Joe Ranft, a Pixar writer who died in 2005.
- Versioni alternativeThe UK version features Top Gear (1978) host Jeremy Clarkson as the voice of Harv instead of Jeremy Piven. This version is also available worldwide as an audio track on Disney+.
- ConnessioniFeatured in Pixar's 20th Anniversary Special (2006)
- Colonne sonoreLife Is a Highway
Written by Tom Cochrane (as Thomas Cochrane)
Performed by Rascal Flatts
Produced by Dann Huff and Rascal Flatts
Recorded by Justin Niebank and Mark Hagen
Mixed by Justin Niebank
Rascal Flatts appear courtesy of Lyric Street Records
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Dettagli
Botteghino
- Budget
- 120.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 244.082.982 USD
- Fine settimana di apertura Stati Uniti e Canada
- 60.119.509 USD
- 11 giu 2006
- Lordo in tutto il mondo
- 461.996.328 USD
- Tempo di esecuzione1 ora 56 minuti
- Colore
- Mix di suoni
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