New York Taxi

A stupid detective that is not a good driver uses a terrific taxi driver, who dreams to be a pilot of racing car, to chase four bank robbers in a BMW. With this simple story line, "Taxi" is a very silly movie, but I laughed a lot. The greatest attraction for me was certainly the debut of the Brazilian top model Gisele Bündchen as "actress". But indeed Queen Latifah and Jimmy Fallon carry this dumb, ridiculous and absurd story in a very funny way. Another funny situation for the Brazilian viewers is to hear Ana Cristina de Oliveira speaking Portuguese with a strong accent from Portugal as if she were Brazilian. I laughed a lot with her pronunciation in Portuguese, which sounds very funny for us. I totally disagree with comments like "the worst movie ever made", probably made by persons without sense of humor as commented by another IMDb user. "Austin Powers" movies, just as an example, are dumber and less funny than "Taxi". If the viewer does not have much expectation about this film, he or she may probably have a good time. My vote is six.

Title (Brazil): "Taxi"

TAXI is the American remake of the quirky 1998 Luc Besson comedy. While the core of the film is still oriented around fast cars, hot chicks and zany humour, the film's light-hearted French comedic ambiance has been replaced with a dirtier, more strident, and somewhat more serious American action-comedy feel, which, although it tries hard, doesn't quite translate as it should. Queen Latifah leads as Belle Williams, a taxi driver who runs a souped-up Ford around the meaner streets of the city. Jimmy Fallon plays the unco New York cop who lands in her cab one day in pursuit of a bunch of foxy Brazilian bank robbers. Together, they muddle through car-crashes, shoot-outs and weirdly-decorated apartments to bring crooks to justice. While the plot sounds like a good premise for a decent comedy, the film is sorely lacking in script composition. The one-liners are crap, the jokes feel forced, and the script, which alternates between taking itself too seriously and sheer stupidity, does no justice whatsoever to the energetic and talented cast. A major disappointment from what looked to be a brilliant film. Someone should remake it in six more years - with a little more skill, I hope.

You can tell queen and Jimmy had fun making this movie. I've never seen the original movies but this was funny at times although some of the comedy was a bit bland. Still definitely check it out for yourself and don't Pat attention to the haters.

Tim Treakle

You know going in to this one that its just for the laughs. I really enjoyed "Taxi". They were in the garage with the nitrous, I almost came out of my seat laughing so hard. The actually taxi cab is better eye candy than the three model/bank robbers. I thought the new idea of how to get the money without being caught was clever. I also liked that Jimmy Fallon thought Jen Espositos character was madly in love with him. While she totally blew him off. Queen Latifah I always like,she gives it attitude w/a lil ummph. The music had you jumping,exciting to see what was coming up. The action was good because it wasn't overdone. The dialogue I thought was well balanced. I am not a fan of when they talk to much before something happens. If you like SNL you'll be the type wanting to see "taxi" over & over & over.

There wasn't much to ponder in the movie. Ahhh, who cares?? It was an excellent time. One I think you should share with a group of friends, then laugh over dinner.

Slick, flashy film, a semi-remake of Luc Besson's "Taxi" from 1998, here Americanized as an urban action-comedy. Queen Latifah plays smart-mouthed cabbie with a souped-up vehicle in New York City who inadvertently partners with stumble bum cop Jimmy Fallon to crack a major crime case. Film should have relied more on Latifah's natural sass and less on Fallon's white-bread, dim-witted act (race is a constant punchline in the script, and Fallon is just there as Exhibit A). Jennifer Esposito is wonderful as a no-nonsense police lieutenant, Ann-Margret is a stitch as Fallon's tippling mother, and John Sierros (Broadway actor shamefully credited as 'Fat Cop') shines as a bamboozled police officer, but what happened to Queen Latifah? She gets a few good cracks in, but there's no character here for her to play; she sticks to her sarcastic persona and puts everyone down, but her role is depressingly one-dimensional. Comedy has a fast pace, impressive cinematography (although the swooping crane shots in traffic get repetitive) and some good car chases, but the screenplay needed an overhaul. ** from ****