Yee dou hung gaan

Don't let the put downs deter you. Decide for yourself. This DVD is worth the patience it takes to watch. IF you like the Tomie series, Sixth Sense - etc. - then you will most likely be very pleased with this film. This is a Superb Ghost Story in the tradition of the above - and Ringu! I found it truly moving. It has some truly chilling moments! (The over-the-shoulder-apparition is a classic!) This is a Ten - for me.

Good horror film with a serious plot about people who cannot recover from the losses in their pasts. The film builds up very slowly to build character but also produces some genuinely creepy scenes in the third act. The subplot about the landlord (which also acts as a catalyst for the main character) is a little under-explored, which is a shame, but other than that it's a very accomplished film. More Dark Water than, say, Ju-on: The Grudge.

Also Leslie Chungs last film before he threw himself out of a window...a little spooky considering some of the scenes in this film, which are similar.

I've just completed watching all of Cheung's films now, phew....

Yes, it's true that there are many echoes of this film already out there, but I guess it's hard to be unique when producing a ghost story these days!

I thought the film had a reasonably plausable plotline. But most of all, I thought the main actors gave a thoroughly good performance. It's not always easy to discuss the topic of mental disorder in Asian societies, and you also felt that the two main protagonists were quite isolated from everyday events around them. Everything that goes on revolves around them and they have a powerful story to tell.

Cheung is looking more mature than in most of his other roles. He is not a happy-go-lucky comic playboy any more. In fact there is no humour in this film at all, and the tone just gets darker and darker as it progresses. It's a little sad to see how the fate of Cheung's character came to perhaps resemble the final moments in Cheung's real life. I would have loved to see Cheung continue playing in film roles for ever and ever.

A proud career end for Leslie Cheung.

Jim is a psychiatrist that convinces people that ghosts are just in their mind and doesn't truly exist. Yan is a girl with a troubled past that haunts her. She sees ghosts in her new Apartment, but Jim convinces her that these are all in her imagination. The psychiatric part of the film never gets dull and repetitive, and some if it is actually quite convincing. Jim talking to himself about his patients and this and that of psychology is one of the most interesting parts in the film. It never gets forced or unnecessary.

The horror parts of the film are usually just jump scares and most of it has to do with music, but it's still effective. The first part that made me jump was when the title appeared. So, it's pretty much expected to be jumping up and down throughout the whole film. The plot isn't original. But then it doesn't have to. It's simply about people thinking that they're seeing ghosts. It's not entirely a horror film. The scares come in quite surprisingly, and all of them are just the imagination of the characters. Nothing really memorable, but still effective.

I liked how the film tried to stay away from the clichés that most Asian horror have: A girl in a dress slowly walking with her long hair covering her face. I'm quite convinced that they made the long dead girlfriend of Jim's hair to be very short so that they wouldn't end up with that effect (which is pretty much unavoidable, long hair or not).

The characters are played excellently by the actors. Leslie Cheung (his last film, to which after making this movie, is said to have completely changed and got severely depressed. Jumped off a building and died soon in the hospital) is fantastic as Jim, the psychiatrist with the troubled past. Karena Lam and other supporting roles give out excellent performances as well.

Although the film has great performances and a pretty good story to tell, it's the ending where it fell apart. The movie suddenly becomes a lovestory with lots of cheese. It truly felt very, very different, and was quite unnecessary to end it that way. Yes, Jim overcoming and accepting, instead of forgetting, his past was how he was able to be cured. I loved the part when the character's roles are switched after Yan has recovered. After facing her parents, Jim is now the one that needs help. But the ending was simply a disappointment.

But the film does give out some great messages. Ghosts aren't what horror films, T.V. shows or books would have us believe to be. It's our troubled past that haunts us. And letting go of this past and not remembering it isn't the only thing you can do. You can simply accept it and choose to live a normal life. This is the conflict that almost all the characters are facing. We find out that the landlord, in what could possibly be the creepiest part of the film, actually prepares his long dead wife and kid's slippers in the doorway and cooks extra food for them.

7.5

People who are expecting unrelenting scares and a general feeling of creepiness should probably avoid this one. It's good, but it's more of a character study than anything else. The ghosts are real, but then, we're all haunted by our own personal demons, aren't we?

A young woman with the frightening ability to see ghosts seeks help from a handsome young doctor. The two soon fall in love and begin a relationship. However, as her ability lessens, his increases, and soon he is plagued by the vengeful ghost of a teenage girl he once wronged. The doctor, who never before believed in ghosts, begins to fall apart. Will he be driven to suicide by the restless spirit, or will he find a way to put both her and himself at peace?

This film is methodical in its careful construction of its characters. Some might prefer the term "slow moving." It's a ghost story with bookend ghosts, one of which strongly resembles Sadako of "Ringu" fame. Perhaps the creepiest aspect of this film is the fact that Leslie Cheung, in the role of the tormented Jim, committed suicide not long after this film was released. It is most disconcerting to see his character pushed to the brink of suicide by a ghost who wants him to jump off of a building when you know in advance that he actually did leap to his death from a tall building! This sad fact definitely lends the movie an unsettling quality.

The performances are all strong and quite believable, and the ghosts (when they appear) are frightening. This is a good, strong story of guilt and shame and the way in which they come back to "haunt" us. Fans of fast-paced, gore- splattered fare might find themselves bored silly by this one, but for the intellectual ghost lover "Inner Senses" just might be their thing.