Aggiungi una trama nella tua linguaOn April 2, 1982, Britain went to war to regain the Falkland Islands. This movie is a gripping account of how Prime Minister Rt Hon Margaret Thatcher MP's government handled the biggest cris... Leggi tuttoOn April 2, 1982, Britain went to war to regain the Falkland Islands. This movie is a gripping account of how Prime Minister Rt Hon Margaret Thatcher MP's government handled the biggest crisis in British foreign affairs since the Suez Canal. It tells the story of how Argentina, a... Leggi tuttoOn April 2, 1982, Britain went to war to regain the Falkland Islands. This movie is a gripping account of how Prime Minister Rt Hon Margaret Thatcher MP's government handled the biggest crisis in British foreign affairs since the Suez Canal. It tells the story of how Argentina, an ally of the British, fought the Conservative government and invaded the Falklands. This ... Leggi tutto
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Originally written by Ian Curteis shortly after the war ended but the BBC declined to produce it, officially because it wasn't good enough, but widely believed to be because it was too pro-Conservative just before a General Election in the UK. Watching it now it's even harder to believe that it wasn't good enough to make years ago.
Telling the story of the British politics immediately before and during the conflict Patricia Hodge is brilliant in her role as Mrs. Thatcher. So scarily like her that during the recreated news clips it's hard to remember which one is the actress. Although some of the other lead characters look and sound nothing like their alter-egos, they still manage to recreate the right atmosphere.
Deliberately supposed to show the conflict from `our side' I'm not sure if the emotional side of Margaret Thatcher isn't over played slightly.
The film certainly has a fine cast. Patricia Hodge excels as Thatcher or at the very least playing the Thatcher portrayed in the script. Hodge's Thatcher is a strong willed woman who refuses to back down under any circumstances. The supporting cast includes strong performances from James Fox as Foreign Secretary Lord Peter Carrington, Clive Merrison as Defence Minister John Nott, Colin Stinton as US Secretary of State Alexander Haig, John Woodvine as Admiral Sir Terence Lewin and Tom Chadbon as Admiral Sir John Fieldhouse. Each of their performances, and those of much of the rest of the cast, gives the film a strength that it needs.
The production values of The Falklands Play are strong as well. Melanie Allen's production design captures the real life settings of the film including an excellently done set of the House of Commons. The film's cinematography is exceptional as well with its cinema verite approach. The result is that the film is given a strong documentary feel to the entire film, giving the viewer the sense of watching history unfolding before them. The film also makes strong use of documentary footage from the time as well, mixing it skillfully into the drama. Like the performances, these elements give the film a strength that it needs.
The script by Ian Curteis is at the heart of the film. The script after all was the single most controversial aspect of the production for almost twenty years. Back in the 1980s, the BBC deemed the script to be too pro-Thatcher and jingoistic in its tone. Looking at the film itself, it is very easy to see how that came about. The strong willed portrayal of Thatcher and her handling of her the situation is certainly pro-Thatcher. Also the film's portrayal of the decisions leading to the sinking of the Argentinian warship the General Belgrano, one of the most controversial events of the war, can certainly be seen to be pro-Thatcher. Surprisingly, the script used in the film isn't even the one originally written in the 1980s as it removes all the scenes involving the Argentinian Junta and the Pope. One suspects that the reaction the film would have gotten in the 1980s when it was supposed to have aired would have been similar to the reception that the 2003 Showtime film DC 9/11: Time Of Crisis (a film about President George W. Bush's handling of the 9/11 attacks and the lead up to the invasion of Afghanistan) received when it aired: being seen overwhelmingly as a piece of propaganda. The Falklands Play definitely isn't that but it is all too easy to see how it could have been seen as such.
The Falklands Play is an interesting film. It has strong performances from its entire cast and also features strong productions values especially with its cinematography. The script however is the film's most interesting point as it was the source of controversy that kept the film from originally being made to begin with. With hindsight, it is easy to see why the script proved so controversial at the time and why it could remain so today. The Falklands Play therefore is an interesting film about a controversial war and a intriguing piece of historical drama.
As noted by a reviewer above, Thatcher's political position was very weak at the time. She was seen by the country and many of her "wet" cabinet ministers as being a right wing liability who would sink the Tories at the next election because she had worsened, not improved, Britain's economy. Unemployment had sky-rocketed.
The decision to withdraw HMS Endeavour from the South Atlantic (the supply ship for the Falklands) was made by her right wing Defence Minister John Nott on grounds of cost- cutting. Both the Foreign Office under Carrington and I believe the Chiefs of Staff and the Intelligence Services opposed it on the grounds that the Argentinians would interpret the withdrawal as a sign that the UK was not serious about maintaining its Falklands colony and this would greatly encourage them to invade. Thatcher overruled them and backed Nott. She therefore had direct responsibility for this mistaken decision and should, on the Argentinian invasion, have resigned.
This was known at the time of the Saturday House of Commons debate by many people, especially on the Conservative back benches. There was great unease on them, and talk of replacing her. What saved her probably was Michael Foot's highly patriotic support of her in his speech and the fact that the debate only lasted 4 hours rather than the more usual 8. (Clever work probably by the Whips). If it had been 8, it is very likely that this unease about Thatcher would have surfaced from both wets and right wingers who suspected she was an incompetent woman who had blundered into a war.
Then, had she been replaced - probably by a wet ("wets" by and large were of an older generation than the supporters of Thatcher and had fought in the 2nd War and would have been thought "reliable" to fight another war) - the war would have gone ahead, Britain would again probably have won, and a "wet" rather than Thatcher would have been in charge of Britain and subsequent history would have been radically different. But it is through ironies like this that history operates. As it was, it was those who had been originally been right on "Endeavour" who were forced to resign like Carrington, and Thatcher, the British politician (along with Nott) most responsible for allowing the war to break out, the person who went on to be lionised as a great Churchillian war leader.
The Saturday Commons debate was the great turning point. Curteis presents the debate falsely as a straight patriotic piece of Churchillian stiff upper-lip tub thumping. (This is understandable, the Left had been and was caricaturing Thatcher mercilessly in their propaganda and Curteis's play is his right-wing propaganda blast back). But it would have been far more interesting - and dramatic - to go for neither villains or heroes, but what history really consists of - human beings. And by showing complexities and ironies, rather than pieties and propaganda.
Within minutes I knew this is great TV. Who cares if shows the Rt Hon Margaret Thatcher as a great PM or not. The acting is what I was watching Patricia Hodge is just so good at Playing Maggie & as for Shaughan Seymour as Adm Sir Henry Leach is he a good actor or is Carrie Hilton, Casting Director one of the greats or maybe Michael Samuels the Director who knows how to get the best out of the actors or just maybe all three.
I am waiting for this to come out on DVD. I will buy it, great viewing great acting.
Ohh how lucky was I again, this was on on Friday 8 th March 2006 & this time I had the VRC ready. It was just as good as the 1 st time I watched it, no that is wrong, it was better, I have seen it twice since Friday, there are bits I never noticed the 1 st time & not even the 2 nd time. I can only say again what great TV & so well acted.
Thank you BBC 4 for showing this.
Update March 2007 now on DVD & yes i have bought a copy.
I have since bought "An Ungentlemanly Act" on DVD, great well worth the £4.99p from Play.com.
Lo sapevi?
- QuizOriginally commissioned by the BBC in 1987, but wasn't filmed until 2002.
- BlooperAdmiral Lewin is wearing the South Atlantic Medal. Before the war had even begun.
- Citazioni
[in a War Cabinet meeting]
Margaret Thatcher: Do we send those ships? Do we still have the will to fight aggression by force of arms, even halfway across the world, even at huge risk of world opinion turning against us? Because if we don't have it any more, for God's sake say so now and pull out before we start. It may be we *are* going to war. People *will* get killed. Innocent people. Young soldiers, many of whom won't even know what it is we are fighting for. Are we really prepared to do that? Do we still believe what we certainly believed in in 1940? Or is that now just the romance of history, nothing to do with the cold reality of Britain in 1982, part of a nation that has, actually, quietly died, as Greece died, as Spain died? Because if in our hearts we really believe that Britain is dead, then it would be a crime of the direst and blackest sort to send those men to fight, a crime of which the country would very soon find us guilty, because their hearts won't be in it. The first death will light the fuse that will blow us sky-high and clean out of office at the next election. Now, do we send the signal or not?
[each cabinet minister, with some hesitation, says "yes"]
- Curiosità sui creditiThe first names of Nicholas Ridley and Jeanne Kirkpatrick were mis-spelled as Nicolas and Jeane in the closing credits.
- ConnessioniFeatured in When TV Goes to War (2011)