Jessica è una agente di polizia il cui padre ha ucciso sua madre e si è suicidato. Mentre indaga su un omicidio, si ritrova al centro della sua stessa indagine, quando i suoi ex amanti inizi... Leggi tuttoJessica è una agente di polizia il cui padre ha ucciso sua madre e si è suicidato. Mentre indaga su un omicidio, si ritrova al centro della sua stessa indagine, quando i suoi ex amanti iniziano a essere assassinati.Jessica è una agente di polizia il cui padre ha ucciso sua madre e si è suicidato. Mentre indaga su un omicidio, si ritrova al centro della sua stessa indagine, quando i suoi ex amanti iniziano a essere assassinati.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria in totale
- Bob Sherman
- (as James Hechim)
Recensioni in evidenza
Partner Andy Garcia (as Mike Delmarco), superior Samuel L. Jackson (as John Mills), ex-boyfriend Mark Pellegrino (as Jimmy Schmidt), and psychiatrist David Strathairn (as Melvin Frank) are among those you may think are either suspects, or victims. Camryn Manheim is one of the smaller stars shining, in her role as "Lisa" the crime lab worker. And, Peter Deming's San Francisco location photography is nice. But, because it's so dumb, "Twisted" may keep you guessing even after the final revelation.
***** Twisted (2/23/04) Philip Kaufman ~ Ashley Judd, Andy Garcia, Samuel L. Jackson, Mark Pellegrino
This had the makings of a good film. It starts off with a interesting premise but slowly looses its way. The story is way too long (even at 90 minutes) and there are pointless side trips--WHY does Judd visit the killer from the beginning at his cell? He has nothing to do with anything in the film! The film thinks it's more deep and important than it really is. Also Judd and Garcia (both good actors) are TERRIBLE here. And the final resolution was pretty silly and--if you think of it--unlikely.
There are a few good things here--Jackson is very good (even though he's hardly in the film); it's pretty well-directed; Camryn Manheim is amusing in a small role and drop dead handsome Joe Duer has a fairly explicit sex scene with Judd. But--that's not enough to make this film worth seeing. This came and went VERY quickly--it's easy to see why. Plays like an R rated made for TV movie. I give it a 5.
TWISTED is a film noir. Someone just sent me an excellent definition: "...a film noir is a crime story in which the characters in the grip of urgent appetites (sex, money and revenge are the most popular) are driven to perform extremely dangerous, complicated and often morally dubious acts, and in which the prevailing mood--a mixture of fear, desire and desperation-- is intensified by both a single-minded economy of narrative and an almost oppressive formality of graphic design.." TWISTED is not a typical Hollywood film, nor is it an Ashley Judd "woman in jeopardy" film. This is a bold role for a great actress.
I've read some extremely stupid and unfair things written here about the film. There is such a thing as a "black out" syndrome (just ask any psychologist) and everything seemed very accurate to me (I have friends who work in law enforcement who also enjoyed the film even though a cop is the killer). I think it's sort of like a political debate where everyone is trying to agree with each other instead of seeing the film for what it is. I hope people can see it and enjoy what the filmmakers clearly intended: a sexy, twisted film noir.
I've mentioned it before and I'll say it again; I'm a sucker for mystery thrillers, especially when they involve methodical serial killers. So despite the fact that Twisted was clearly one of the worst reviewed films of the year, I still rented it based on both my preference for the genre and for the film's cast, as I am huge fans of Samuel L. Jackson and Ashley Judd. Andy Garcia, Russell Wong, and Leland Orser are in the film, too, and that's definitely not a shabby supporting cast.
The film stars Judd as San Francisco patrol officer Tess Shepard. After busting a murderer, she's promoted to inspector by the commissioner (Samuel L. Jackson), who also happens to be her legal guardian thanks to a rather sordid past. Tess' new partner is Del Marco (Andy Garcia), and they're quickly assigned to their first case when a corpse is discovered by the shore. The crime is murder but there's a catch; Tess recognizes the dead man, a mere stranger she picked up at a bar a month ago. Another murder occurs, and it's yet another man Tess slept with. And considering she keeps blacking out the night each of the men is killed, she begins to suspect if she's the very own killer they're looking for.
For all that's very wrong with this film, Twisted isn't nearly as bad as I though it'd be. Don't take that as high praise, because the movie's still bad, just not horrible enough that I'd put it on any personal bottom 10 lists.
Because I saw this film just a day after Taking Lives, there was the occasional bit of déjà vu. Remember how I mentioned that film introduced us to the heroine by showing how clever and resourceful she was? Pretty much the same case here, except we also see that Judd's Tess Shepard can kick ass. Her cleverness is displayed through her ability to perfectly describe people and objects she's seen after a brief glance; a fine ability, no doubt, but not something that really impresses in terms of plot and characterization.
The movie's various attempts at building a sense of mystery are suspense are quite pathetic. Examples? Judd keeps hearing a metallic clinking outside her apartment every night before the murders, and she keeps drinking alcohol on those same nights and consequently blacks out. This is a repeated process, so you'd think it take her more than the majority of the film's running time to figure out her drink might be tainted with a drug or that whoever's making that noise might somehow be associated with her blackouts.
Figuring out the identity of the killer is almost too easy. Just follow Roger Ebert's little movie rule about how the culprit is almost always the person who has no other reason to be in the picture and you'll be able to narrow it down real fast.
Twisted is blessed with a surprisingly high-profile cast, and while most everyone is nothing less than decent, it's a bit of a surprise actors of such high-caliber would choose a script that plays out more like 'TV movie of the week' material. I can maybe see the appeal to Ashley Judd in playing a tortured but tough heroine, but Samuel L. Jackson has arguably the film's most thankless role, and he's barely in the picture for more than fifteen minutes. Competent acting is always a great plus in the genre, but it also takes plot and suspense to actually make a thriller with thrills and this movie has absolutely zilch in that department.
I also had heard that the ending was easy to figure out but I didn't find that. Actually, I thought I, but I guessed wrong and I assume others did as well. So, don't believe everything you hear; it's a decent film. Nothing to spend a lot of money on, but you could do a lot worse. With Judd, Andy Garcia, Samuel L. Jackson and David Strathairn, the same could be said about the cast
Lo sapevi?
- QuizJessica Shepard's promotion from Officer to Inspector isn't as big a jump as it sounds. The S.F.P.D., unlike nearly all other municipal police departments, does not have a traditional Detective rank. The Inspector rank is simply the next rank above Officer, and an Inspector's responsibilities are exactly like those of a Detective in most other police departments.
- BlooperOn Shepard's first call as a homicide detective, she and Delmarco investigate a body found by the water. The injuries to the victim's face are on his left side. Later in the coroner's lab the injury is on his right side.
- Citazioni
John Mills: [with the fellas] I mean, what kind of a moron tries to flush body parts down a toilet, especially when he's got a perfectly good furnace out back.
[laughter]
- Versioni alternativeDeleted scenes are included on the Region 1 DVD.
- ConnessioniEdited into Twisted: Cutting Room Floor (2004)
- Colonne sonoreGet Up (I Feel Like Being Like a) Sex Machine
by James Brown, Bobby Byrd & Ron Lenhoff (as Ronald Lenhoff)
Performed by James Brown
Courtesy of Universal Records
Under license from Universal Music Enterprises
I più visti
Dettagli
Botteghino
- Budget
- 50.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 25.198.598 USD
- Fine settimana di apertura Stati Uniti e Canada
- 8.904.299 USD
- 29 feb 2004
- Lordo in tutto il mondo
- 40.954.603 USD
- Tempo di esecuzione
- 1h 37min(97 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1