Phileine chiede scusa

I have not read the novel but I liked this picture because of the many quick mood changes.

There are so many emotions that change quickly all the time. One time the characters in the picture are serious and then one minute later everyone is laughing. And the next minute Philene and Max have some sort of serious conversation. You maintain watching this picture because all emotions occur so fast after one another.

What I also liked in this picture was the age of the characters. It looks like they are in their mid-twenties or something. I can imagine that the same story could apply to teenagers but also to people above 60.

That's my opinion. Nice movie!

Sex sells. That is something Dutch author Ronald Giphart is very well aware of. This was evident in the first filmed novel by the author: 'Ik Ook Van Jou' but even more in 'Phileine Zegt Sorry' (Phileine Says Sorry).

The original novel is hilarious, quick, witty, from a female perspective, but written by a heterosexual male author. The novel is full of quick one-liners and so is this move ('I believe in sex at first sight' and 'We don't care you have a low self-esteem, just don't bother us with it').

The thing is a quite weak story as 'Phileine' demands a quick witty approach, which Robert-Jan Westdijk (the director) seems to be perfectly able at. He seems to have understood what the story is all about: Phileine, a super-bitch, follows her boyfriend Max to New York, where she finds out about the rather exclusive approach he's giving to Shakespeare's 'Romeo and Juliet'.

Although the movie is quick it has quite some flaws. Westdijk doesn't take enough time to finish off some crucial scenes. The final scene has been handled off quite fast and almost messy and the movie really lacks emotion at times. Westdijk doesn't seem to wanna fall in the pit called 'false sentiment' but in stead of carefully avoiding it he doesn't seem to use any of it in 'Phileine'. To be perfectly honest one wouldn't care less whether or not Phileine regains the love of Max or how she handles it. She's a bitch, so she'll survive and go on with her live.

Kim van Kooten however is perfectly cast and throws in the one-liners one at a time from scratch. Michiel Huisman may be nice to look at (all pumped up) but is rather disappointing as the flat character of Max. This is also due to his rather poor acting qualities. Roeland Fernhout's part as the androgynous Jules is unforgettable and could have used deserved more screen time.

The novel already makes use of too many character with their individual story-lines that push away the main story-line: the one between Phileine and Max, but in the movie this gets annoying at points.

Fortunately Westdijk's quick approach makes up for a lot but not for everything. 'Sometimes the movie is just better than the movie', says author Giphart in a cameo (please no more cameos in any of his movies!). I am afraid I have to disagree with him. But then again: is the movie ever better than the novel?

Still 'Phileine Zegt Sorry' speeds up hope for the Dutch movie industry (especially now that governmental finance has been abolished) and especially for Dutch rom-coms.

This film is rather absurd and weird at times, having opposite effects. At some moments the absurdness of the film, works in it's favor and at other moments it clearly does not. The introduction sequence, for instance, which at first seems to be an homage to James Bond, quickly becomes strange (maybe unappetizing) for many people and if you ask me, there is no sense in that scene with the ‘oldies' whatsoever. Another perfect example is the scene in which Phileine is in outer space ‘dancing' to some music. This scene does make a bit more sense than the one described before, but is just too lengthy as are other scenes in the film and as a matter of fact, the ending as well. But no feat, not everything is bad in this film. The film is pretty good, until Phileine (Kim van Kooten) meets Joanne (Leona Philippo). From that point on there appear the first signs of weakness, the mentioned lengthy and sometimes unnecessary scenes. From that point on the film manages to go on on a pretty good level, but I found it to be less than the first bit and the film actually hits rock-bottom in it's end, which is way too lengthy. If it wouldn't have been for the ‘screamer' ending, this one would have gotten a 7 out of 10. But the way it is it does not deserve it. Sure the film delivers some laughs, sure there is a lot of female sex talk, but in the end it is only moderately enjoyable, due to the unsatisfying ending that remains in mind. Even females, who are in fact the target audience, should see that.

6,75 out of 10

PS: At least it COULD have been better

Well, I have to admit that I (like most of the people from Holland) think most of the Dutch movies are plain bad. Seriously. Most of the time, I even got a good reason for that because most Dutch movies are bad. But it wouldn't be fair if I'd call this movie bad.

Phileine zegt sorry is a very good movie to Dutch standards. OK, Ronald Giphart is definitely not the most literal Dutch writer and he really overuses sex in his books, but isn't that typical for Dutch writers? In fact, aren't Dutch movies known for that too? Turkish Delight is a good Dutch movie, yet has a lot of sex in it. Oh well, I think I should tell you what makes me like this movie, not what makes it less bad.

I think Kim van Kooten is great as Phileine. OK, she might overdo the bitchiness sometimes, but most of the time the girl's just good. She has a good timing for one-liners and even though even I (as a 16 year old... No, we're not brainless) think Ronald Giphart overuses cursing in his books, Kim van Kooten makes Phileine enjoyable to look at and listen to.

I really like the movie's soundtrack, as, throughout the movie, it just seems to fit in the place where it is.

I like a lot of the scenes in the movie, as I think there's enough emotion in it to make it an enjoyable movie. Yes, call me crazy, but I thought the end-scene was very emotional. This might be because I'm still young and I have no life-experience whatsoever, or something, but just because I'm a teenager doesn't mean I'm emotionless.

But there are some bad points in the movie too. For example, the dutch actors that pretend to be American. Bad English or American accents in a movie really irritate me, and because a lot of Dutch people don't have a perfect English accent I don't think they should be portrayed as English or American. I found this especially annoying in Kenan Raven's case. But then again, I think Kenan Raven is annoying to begin with. His face looks completely emotionless to me.

I thought some scenes in the movie were pointless. For example, you had Gulpje and the guy from the restaurant. The whole restaurant scene was rather pointless, just like a few other scenes.

But I liked most of the movie. I don't think everyone will like it as it's dutch and therefore a bit sexistic, but I do recommend it to people my age.

7/10.

Too little depth, too bad. Following the book by Ronald Giphart word for word, this movie doesn't have much to say. It doesn't fascinate the viewer, it's just another love story that has been tried to make interesting by making the main character talk into the camera in the middle of some scenes. Makes you remember Saved by the bell and Ally McBeal. The Lead-role is played by Kim van Kooten, and if you like brunettes you'll probably like her. Good for you because the sex-scenes could make up for lack of story / plot-line. She ends up saying she's sorry for all the things she's done, big deal. This scene (which should be the climax of the movie) doesn't seem to express it's importance to the viewer. An average movie that has some humorous scenes in it and Kim van Kooten is a very attractive woman ;)