Love Actually - L'amore davvero

This was a lovely script, and I was surprised I hadn't heard much about this movie before I caught it on HBO. I turned it on to keep myself company while working and ended up glued to the screen. I really enjoyed it.

The movie is a series of vignettes about several different people that seemingly have no connection to one another, although by the end the connections are finally all present and accounted for. There's a fair amount of subtle satire and a generous portion of irony; the characters are quite human and often don't do the right thing. I was caught off-guard by the incredibly successful results of the trip to America, but I laughed pretty hard and decided I wouldn't have written the script any other way. Not everyone ends up getting what they want, but then again that's love, er, actually. Nice little film.

Like most guys I would never have seen this movie on my own or with male friends. However my girlfriend was in town and I thought a romantic comedy would make an ideal movie for us to see together.

I had heard about the reference to 9/11 made at the beginning of the movie and was dreading having to sit through that part. However I was pleasantly surprised to note that the reference was very minor and not particularly cringe worthy either so I am not quite sure why it annoyed some people so much.

As regards to the movie overall I quite enjoyed it and would definitely recommend it as an ideal date film. A lot of the reviews here have disparaged the movie because they thought it was too glib about love and very unrealistic. But I think you have to accept that the movie was made to make people laugh and bring the spirit of love into the Christmas holiday period. If you watch the film in that context then it does its job admirably well.

However for me the best moment in the film was the press conference given (standing side by side) by the American president and the British Prime Minister. I actually felt like standing up and cheering when Hugh Grant (as the Prime Minister) finally tells the American president to his face and in front of the worlds press that Britain will no longer kowtow to American wishes but will have an independent view of its own.

Considering that America is the biggest market for movies it was extremely brave of Richard Curtis to write this scene and he deserves a lot of credit for portraying the American president as rather loathsome and putting into context what the `Special Relationship' really is all about.

As Richard Curtis must have known the movie had done okay but not great in the States. However it has cleaned up here in the UK and I'm sure will do very well in the rest of the world too.

So Bravo Richard Curtis for standing up for your principals; you are a hero!

What I appreciated most about Love Actually was that for the most part, it realistically looks at relationships happy and sad, successful and unsuccessful, with a future and without. It addresses different forms and levels of love, sometimes straightforward and carefree, sometimes complex and contradictory. There are schmaltzy happy moments and touching sad ones, moments of great strength and moments of foolish weakness. The movie is made up of many threads, and of course some threads are stronger than others.

The most interesting parts of Love Actually are the times when it addresses the tragic situations where love is self-sacrificing, contradictory, or fragile. One character's unrequited love is revealed as a noble sacrifice made for another's happiness (the method of finally achieving closure and moving on, however, could only work in the movies). Another character is shown to be caught between conflicting duties that will, we are led to believe, prevent her from ever being truly happy. And the strength that a third shows when love is shown to be fragile and her world collapses around her is tragically inspiring.

These noble, tragic threads are interwoven with lighthearted comedic ones to produce a fabric that holds together well. While some characters have to fight for their love, others have simple, happy, straightforward relationships, with love (or whatever) falling in their laps like a parcel from Santa Claus. And the purely comic moments, like Rowan Atkinson's appearances and Hugh Grant's Christmas-caroling bodyguard, are delightful in and of themselves.

There are of course plenty of nits to pick. Hugh Grant doesn't make a very believable Prime Minister, and even his very pointed speech to his American counterpart -- especially relevant in light of Bush's recent state visit to England -- don't redeem the odd casting. Others in this forum have commented on the number of fat jokes in the film, and while I agree, I feel I should point out that the entire point of the first such joke is that the character who has fallen for the "fat" girl clearly doesn't think of her as fat, and doesn't understand at first who the other is talking about. It's true that calling her fat is ridiculous; she's only large in comparison to Keira Knightley, who must be carrying some vital organs around in her handbag because there's certainly not enough room in her torso! But that one time would have been enough; the "fat" theme gets tiresome later on in the movie. I also agree with those who have said that much of the nudity is completely unnecessary to the plot, and that at least some of the comedic threads in the movie are formulaic and unoriginal.

In the end, I feel that Love Actually is for the most part a thoughtful and entertaining look at relationships, which does not shy away from taking the bad with the good.

This movie does come off as a bit shallow, and it contains characters who are one- dimensional caricatures of themselves. But guess what -- this movie is clearly in the romantic, holiday fantasy genre -- just like It's a Wonderful Life and A Christmas Story are. And most people love those movies, so I don't get all the negative reviewing of this film. To me, this movie is clearly a fantasy piece, and as such it should not be subject to all the driveling negativity that would better be directed toward something terrible that masquerades as serious dramatic work. Would the British PM ever go knocking door to door with just one bodyguard? No Way! Do Londoners actually care what song is "number one for Christmas" more than Americans do?? (I'm seriously doubting it -- who other than a few teenagers and record promoters actually cares about charts?) This is clearly a work that's not to be taken as a "serious" movie, though it's seriously fun if you'll take it for the fantasy that it is.

I love this film. Despite the clearly fantastic story lines, I like the characters, and the amazing A-list cast does a great job. I caught it first in theatrical release, then I watched it three times back to back on a plane to London because the other choices were the abysmal "Cheaper by the Dozen" and "Duplex." Since I've caught it on HBO, and I've quickly realized it's one of those movies you can watch repeatedly when flipping channels for a quick "pick me up" that only fantasy movies can provide. My favorite movie of that sort is Groundhog Day, if that clues you into my argument.

The multi-threaded storytelling in this borrows from the likes of Magnolia, and the fact that it's a light hearted holiday theme flick place that device in interesting contrast.

I see Love Actually as a new holiday classic.

It has been a long time since I have seen a movie so rich in character that I did not want it to end. Love Actually is not a love story, it is a story about love. Love that reinvents itself, multiplies itself, opens itself up, and even devastates.

I am sure the film has its critics who say it drips in buttery corn. But when you are able to retreat inward and let it take you over, it is impossible not to feel. It is a rare treat - a film that makes you feel. During the process I was sad and happy and relieved. I was turned on, turned off, dizzy and grounded.

I was in love one time and it reminded me of that. The power of cinema can be that amazing, it can be that intense. The title of the movie is, perhaps, meant to confuse. Yet I believe it is designed to ask. Love Actually is ... what?

Is it lust? Or a deep appreciation of the past? Can it be conquered by language or political barriers? Race? Infidelity? Age? Can it be all of the above plus more? Maybe a mingling of several?

It is rare for a film of great acting to be married to a terrific script. Yet it is something else for it to speak right to the audience; not talk at them, not try to sell them a film. Let them experience the film. Let it wash over them little by little until there is nothing more of them left.

**** (A)