VALUTAZIONE IMDb
6,1/10
1131
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaNick is a district attorney investigating several deaths of AIDS sufferers in the gay community of New York City's Chelsea District. Each case suggests the use of assisted suicide, which is ... Leggi tuttoNick is a district attorney investigating several deaths of AIDS sufferers in the gay community of New York City's Chelsea District. Each case suggests the use of assisted suicide, which is illegal in New York.Nick is a district attorney investigating several deaths of AIDS sufferers in the gay community of New York City's Chelsea District. Each case suggests the use of assisted suicide, which is illegal in New York.
- Regia
- Sceneggiatura
- Star
- Premi
- 9 vittorie e 4 candidature totali
Joanna Adler
- Gaby Shapiro-Schnell
- (as Joanna P. Adler)
Rejean Cournoyer
- Rory Metzler
- (as Réjean Joseph Cournoyer)
Recensioni in evidenza
10KevNJeff
I was fortunate enough to see this film at the Sundance Film Festival, and while I was ostensibly in Park City for skiing, this film will stand out in my memory as the high point of the trip. Poignant, heartfelt, authentic, beautifully acted, outstanding direction, incredible script - I could go on...
When the director of the film came out to address the audience before the screening, he commented about all the love that went into this film. This "touchy-feely" stuff tends to make me a bit uneasy, but in fact, every frame of this picture showed that love.
This film is so utterly honest with it's subject - a gay man dying of AIDS, post 9/11 - that you wonder how a film like "Philadelphia" is still regarded in such high esteem. As a gay man, I felt "Philadelphia" was fraudulent - unreal - pure Hollywood sap. (I won't ever forget the scene when Hank's character, covered with KS lesions, is handed a newborn baby to cuddle. Yeah, that'd happen...)
If you want the real thing, check out this amazing, wonderful film - we now just have to pray this masterpiece finds a distributor.
The auditorium I saw this film in at Sundance probably held 1500 people. There wasn't a dry eye in the house.
When the director of the film came out to address the audience before the screening, he commented about all the love that went into this film. This "touchy-feely" stuff tends to make me a bit uneasy, but in fact, every frame of this picture showed that love.
This film is so utterly honest with it's subject - a gay man dying of AIDS, post 9/11 - that you wonder how a film like "Philadelphia" is still regarded in such high esteem. As a gay man, I felt "Philadelphia" was fraudulent - unreal - pure Hollywood sap. (I won't ever forget the scene when Hank's character, covered with KS lesions, is handed a newborn baby to cuddle. Yeah, that'd happen...)
If you want the real thing, check out this amazing, wonderful film - we now just have to pray this masterpiece finds a distributor.
The auditorium I saw this film in at Sundance probably held 1500 people. There wasn't a dry eye in the house.
A excellent film. The Event put a human face on what for many is only a social tragedy and statistics they encounter through the media. The director, Thom Fitzgerald, is due substantial credit for, while not opting for dramatic gimmicks and attempting to create a believable story, putting something togehter that neither collapsed into portraiture nor drolled on into docudrama. The cast performed well also in these regards with a luminous Olympia Dukakis bringing the import of the story front and center. A deeply touching film. Secondarily this film serves as a grave warning in particular to 17-24 year old men, a segment where the HIV infection rate has climbed dramatically during the past couple of years. Many such young men consider AIDS to be a managable disease and not a death sentence and forget that the side effects of many cocktails can all too easily include severe headaches, memory loss and dementia leaving infected individuals with a quality of life that is, in director Fitzgerald's words (who spoke after the film showing at the Quad Cinema in the West Village after the early evening showing on Oct 3) `just not there.' So, find out where this film is being played and go see it!
i heard of the movie by chance and caught it while it played (it was only here for a week). i had to go by myself because no one else would go with me. but i did, and i'm glad i did. what an amazing movie. it moved me in ways i never believed possible. i went because of don. i knew little of the plot. an old couple left mid-way through the movie. why? it was hard to watch. it was a hard concept to swallow. i cared about the characters from the start. when the sister reacted to her brother's news of his infection it hit me harder than a bus could have. that's the reaction i would have had.
it was a hard topic to deal with, but it was done so properly and it ws very beautiful. the acting, the filming, the writing, it drew emotion out of people.
it really is a must see. i can't wait for it to be released for home-viewing. bravo
it was a hard topic to deal with, but it was done so properly and it ws very beautiful. the acting, the filming, the writing, it drew emotion out of people.
it really is a must see. i can't wait for it to be released for home-viewing. bravo
This is not the kind of thing that attracts me: simple drama. Straight ahead, grinding humanity.
Why would people invest in watching something like this? For engagement, I suppose.
There's engagement in the story, for sure, if you need it. But there is a higher level of engagement in knowing that these players are pouring out their hearts for us.
Sarah Polley is extraordinary, just extraordinary. Olympia has a grace that matters. Parker is less open than usual until the end.
Coming to the event, the man's sister and mother talk about Shirley McLain's performance in "Tears of Endearment." The whole movie revolves around that line, that notion.
The thing is constructed so that there is a movie within the movie a movie of the event. Something clever.
Ted's Evaluation -- 2 of 3: Has some interesting elements.
Why would people invest in watching something like this? For engagement, I suppose.
There's engagement in the story, for sure, if you need it. But there is a higher level of engagement in knowing that these players are pouring out their hearts for us.
Sarah Polley is extraordinary, just extraordinary. Olympia has a grace that matters. Parker is less open than usual until the end.
Coming to the event, the man's sister and mother talk about Shirley McLain's performance in "Tears of Endearment." The whole movie revolves around that line, that notion.
The thing is constructed so that there is a movie within the movie a movie of the event. Something clever.
Ted's Evaluation -- 2 of 3: Has some interesting elements.
6=G=
Gay guy Matt has died from AIDS and Asst. D.A. Posey suspects something other than natural causes. In spite of these mysterious overtones, "The Event" spends most of it's time being a gay guy dying flick which deals with coming out to mom, visiting doc's, hanging with gay friends, talking about options, taking drug "cocktails", creeping symptoms, emotional contortions, philosophizing about life/death, etc. in a kind of muddled Mulligan stew of gay/straight family/friend relationship stuff via flashback. The ill focused story manages to pull itself together in the end and gives everyone in the audience (who is left) ample time to relish in the hopeful woe of the moment...and then ends all over again. Kinda sappy, full of stereotypes, quite disjointed, and poorly scripted, "The Event" has it's moments though they apparently went unnoticed by GLAAD. The bare bones DVD I watched also had no CC or subtitles or special features. Recommended for gays and anyone who have the stomach for another AIDS flick. (B-)
Lo sapevi?
- Curiosità sui creditiAfter the credits the screen is dark for a few seconds, then there's another scene (that is completely silent).
- Colonne sonoreSpirit in the Sky
Written and Performed by Norman Greenbaum
Courtesy Great Honesty Music
Courtesy Varese Sarabande Records Inc.
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 35.554 USD
- Fine settimana di apertura Stati Uniti e Canada
- 19.206 USD
- 5 ott 2003
- Lordo in tutto il mondo
- 35.554 USD
- Tempo di esecuzione1 ora 50 minuti
- Colore
- Mix di suoni
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