Firefly

FOX must have the greatest talent scouts in the world, but the worst executives. "Firefly" is the best example. It was simultaneously the best new show, the best western series in decades, and the best sci-fi show on TV (and coming from a die-hard Trekkie, placing them above "Enterprise" is saying something). They didn't have a single bad episode, and some were spectacular. The premise, the characters, the plots and the dialogue were all top-notch. And FOX cancelled it without even really giving it a chance.

Maybe the show couldn't stand in the end. Maybe I'm alone in this, and there aren't enough fans to justify what the show cost. But making that call after half a season, with half of the episodes pre-empted for baseball playoffs was a phenomenally stupid thing to do. That show should have been here to stay, and it got axed without a chance to prove itself. I only pray the movie works out. At least we'll have something.

This series is an excellent series. However, like other high quality shows, this one was cancelled prematurely. Science fiction often takes time for people to warm upto it, but in the end, the fanbase makes up for the time lost. (Stargate SG-1 was tossed around from HBO to Fox and now to SciFi where it is now the hottest scifi show on television) The magnitude of Star Trek: The Original Series was not realized until it was prematurely cancelled. Look at the money Paramount is making off of the franchise. This show is like many others who deserve recognition in science fiction. I recommend anyone who appreciates science fiction to watch this series, however, I must warn you that the ending is exceptionally disappointing. It is unfinished... an abrupt ending with so many lose ends, it may leave you with a feeling of grave disappointment when you realize there's no more episodes to watch... when everything that has been building up in suspense comes to nothing. Networks sure know how to get people to stop watching TV... cancel anything of any value.

Series creator Joss Whedon took a somewhat familiar concept (science fiction as the new "wild west frontier") and freshened it up with a lively, chemistry-rich cast of characters, a richly detailed, plausible and interesting social setting, a dash of excitement, classic science fiction "find the better part of humanity" ideals, a goal to avoid or make light of most of the tired and worn-out genre cliches and a fantastic production team. The resulting product? An excellent piece of original artful entertainment that was a breath of fresh air in the stagnating science fiction scene on television (or anywhere else).

Today, where is Firefly? Canceled after airing about 11 episodes, out of order, of the mere 13 episodes contracted. Why? Fox executives considered the ratings to be "abysmal." Were they? This may be subjective. At the time, Fox was (and still is) pushing almost costless, content-free exploitative "reality television" (such as Joe Millionaire) and formula-reuse "genre simulation" eye candy (such as "John Doe"). In comparison, Firefly, with film quality special effects, a full cast, directors, writers, editors and so forth likely looked to be a much smaller payout. After all, television in the USA is not about art or entertainment; it is about making as much money from sponsors as possible.

Fox didn't think that the Firefly pilot was "exciting" enough. Joss Whedon made some changes to address their concerns. Then Fox didn't even bother to SHOW the pilot until the very last airdate of Firefly, prior to cancellation ("tonight's special: two hour celebration of the cancellation of Firefly!"). Promotion of Firefly was half-hearted at best. On a channel that tells its viewers "Hey, who needs drama?" is there any chance that the marketing people even know HOW to promote something other than sitcoms and exploitative reality shows? Fox is basically telling its own audience that it doesn't like its own programming, so why should people watch it??

As we face the homogenization of television content, Firefly was a brilliant spark of newness and excitement for those of us (the few) in the television audience that desire thought-provoking story-telling and entertainment that actually requires a viewer's mind to be active instead of blank. To some of us, the outcome was never really in question; how could something this good survive on networks (and with advertisers) that believe the lowest-common-denominator is their ideal target?

Knowing the likely outcome, the failure of Firefly hurts all the more because of just how good it actually was in such a short amount of time.

It wasn't about the space ships; it was about the life lived in and around them. It wasn't about the aliens (there weren't any); it was about the people. It wasn't about the struggle between the evil bad-guys and the super heros; it was about the daily struggle to BE a "good-guy" in a world filled with people who often didn't try very hard and the fact that sometimes the heros are just regular people afterall. It wasn't about the sex; it was about the attitudes people have about sex. It wasn't about the profits; it was about selling a good product and deserving the profits.

It is quite telling to see what kind of programming thrives in this economy and what kind of programming gets a sharp stick in the eye. If we are to believe the executives of Fox and other networks, the viewers of television in the USA are unintelligent, selfish and naive automatons that are only capable of being entertained by programs that exploit the failures, ignorance and stupidity of others.

What if they're right?

Luckily, we have the "hard-core" groups of fans to remind us that there are indeed a few active brains seeking stimulation out there. Not to say that all science fiction fans are the best of humanity, it is easy to see that they spend a little more time considering narrative and consequences of actions.

The fans of Firefly funded, organized and accomplished an advertisement in Variety magazine to support Firefly. Yes, that's right. The fans bought advertising for their favorite show.

Though it warmed the hearts of the Firefly production team, Fox wasn't impressed. Such groups of fandom are considered fringe and insignificant when compared to the mighty marketing numbers. Still, you have to admit, there must be something good about a show when the fans purchase advertising in major publications to support it.

The fans still hope that Joss Whedon gets another open-minded network to see that Firefly has great potential as a successful, revenue-generating series. Whedon's previous exploits, the highly successful "Buffy the Vampire Slayer" series and its spin-offs, started with a similar "abysmal outlook" but another network had the foresight to give it a healthy chance when Fox was too eager to give up after not seeing instant success and profit after a handful of out-of-order showings. They didn't even bother to show all 13 episodes completed. Maybe someone at Fox's accounting departments ought to make note that it's a waste of resources to pay for episodes and then do nothing with them.

The chance of recovery isn't good. People move on in search of more employment when the project they were on has been killed. The landscape of television business today has a tendency to portray intelligent programming as "unsuccessful" and "profit-less." Joss Whedon's past successes seem not to matter much to networks hell-bent on making huge profits on zero-product (much like the dot com explosion that ended spectacularly badly years back).

Networks say they are giving the audiences what they want. It may be more accurate to suggest that networks are limiting the audience's ability to choose anything other than what they're given. It's not likely that everyone will simply turn off the TV and go read a book in protest, is it?

Back to Firefly: If you like smart science fiction (or just smart fiction in general), well drawn characters and worlds, Firefly would have been a great show to escape into every Friday night as you relax from the daily rituals of work and responsibility. Too bad it never got much of a chance to entertain us.

With the failure of Firefly at the hands of businessmen and executives who do not even like to watch their own programming, it is clear that the "future Joss Whedons" of television will have a harder time selling their projects to the networks. The result? There's plenty more where "Joe Millionaire" came from; there are countless other profit-seeking formulas that are taking the place of intelligent programming everywhere, calling themselves "Entertainment."

Frightening.

Firefly is like no other television program. Only lasting one year, with episodes randomly thrown on strange nights on FOX, this series boasted a classic combination of science fiction with a western flair. How could it go wrong? A humorous program that had fun, fought bad guys, and harbored extremely dark secrets. Why did it only last one season? Marketing. FOX, as we all can learn from my review of Outfoxed, is not quite the "fair and balanced" type of programming that it promotes, but instead attaches itself to the hottest trend and pushes it nearly to the point of sickness. For those that would disagree, I ask you to check out how many predictable seasons of American Idol we will have to endure until someone realizes that it lost its steam a many a moon ago. Or how about the disaster of a series called Wife Swap? Honestly, did FOX just ignore the idea of creativity and push directly for insulting "reality" television? From what I see on television today, I could only assume the answer to be "yes". Firefly was a bold, unique, and highly original series that gave us powerful characters, detailed stories, and that Lost itch in the back of your mind that keeps you asking that age old question, "why". Yet, in all of its power, it was canceled.

Firefly is perfection on a stick. The twang of the guitar, the stone-face stare of Mal, the goofiness of Jayne (is that a girls name?), the questionable past of Shepard Book, the humor of Wash, the power of Zoe, and the innocence of Kaylee is exactly why I fell in love with this show. This is honestly, one of the few series that I could go back from the beginning and watch again, loving every moment of it. Whedon created a masterpiece in my eyes, and a huge opportunity was missed by several major networks to keep this imagination alive.

While some will argue that Firefly was full of nothing more than C-rated actors who were "shallow cut-outs, and whose dialogue never rises above the level of a so-so sitcom", I thought that they brought so much personality and charisma to a smorgasbord of unoriginal programming. I wanted to know the truth behind River and the darkness behind the good Shepard. I continually waited for a snappy comeback from Mal, and was excited whenever he showed humility. Jayne was a big favorite of mine, always questioning authority, yet as loyal as the family dog. The love between Zoe and Wash brought a new layer of honesty to this sci-fi series. It wasn't just about paying for the ship, flying through unmapped terrain, or stealing, it was about humanity. That sense of humanity could be found in the opening episode for this series aptly titled "Serenity". In it, the crew takes upon some passengers with some rather unknown cargo. Inside one of those crates is a girl that will change their lives forever. For this series to work successfully, as it did, we needed human characters that bled, felt compassion, and demonstrated connectiveness to each of us. Mal's ship, Serenity, was a living example of how television could be done creatively and originally.

The characters could only be as strong as the words that were handed to them. Listening to the words that pass through Mal's mouth, the charm of Wash, or even the inconsistent ramblings of River, you could only wonder where Whedon could have gone with all of them. In each of these characters, Whedon had written secrets. While, sadly, we may never know what they all were, that is what made you itch for more episodes. You not only wanted to see the creative "western" adventures that Whedon was sending his crew, but you also wanted to learn more about these band of renegades. They were good, but possibly darkness reigned inside of them. The character most guilty of this (outside of River) was Shepard Book. I loved this character. Whedon drew him with so much passion and conviction, yet with every episode you learned more about this man than imaginable. He is an excellent example of what this series was like. He represented the smart words of Whedon, the humanity of his character, and the secrets that each of these shared. He was a "priest", yet he knew more about the Alliance than anyone aboard that ship. If anyone were to ask me to describe the series in two words, I would simply say, "Shepard Book".

George Lucas is credited with creating this detailed futuristic world that gives us glimpses of a possible future, or a galaxy far far away, Whedon succeeded in this series by giving us a plausible future in the not-too-distant future of 500 years. Prostitution in legal, in fact respected in the community, the Chinese and Americans have forged one super power called the Alliance, and our hero is a war veteran, still not shaken by the loss that his side took due to the Alliance control. While Lucas gives us far-fetched characters and situations, Whedon gives us a imaginative look at our future. I think that is why this series worked so well for me. I could imagine this future. I could see it past the characters. I wasn't bogged down by dopey looking aliens, but instead a plausible man vs. man situation. Firefly was simple, yet so complex.

I could honestly go on forever about how much I enjoyed this show. I have never watched a series where I found myself prepared to watch over and over again. Firefly blends a power mixture of comedy, western, and action all together … and the characters bleed. Villains die in this series. How often do you see that? If you have not watched this series, or have not spent the money to support it, DO IT RIGHT NOW!

Grade:(proudly) ***** out of *****

As with BtVS, the world is divided into people who get Firefly and people who don't. In this series Joss Whedon created one of the most realistic post-war visions of the future ever committed to tape, that at the same time spoke about yesterday and today. Maybe a little too much today for its own good.

The series is anti-corporate, anti-government and, while it takes the stand that some things are worth fighting for, it is largely anti-war. No wonder FOX did everything in its power to kill it off, including airing episodes out of order, skipping weeks after airing only three eps and, inevitably canceling the show without even airing episodes 12, 13 and 14 (out of 15). This was particularly damaging, as Firefly had a greater sense of ongoing plot than any other Whedon series in its first year. Viewers were left wondering, on more than one occasion, when a character would reference something we hadn't seen yet.

The backstage dramatics aside, Firefly is intelligent and, like Buffy, mythic - except this time Whedon is dealing with the myth of America: the Frontier, the Civil War, the rise of the Corporation, etc . . .

Firefly is a demanding show. It asks its audience to appreciate the shades of grey in its characters' moral scale. The villains are not comfortingly dressed as an alien race. In 500 years mankind will still be its own worst enemy. Technology will be in the hands of a privileged few, and others will in "The Black" - Whedon's frontier third world - where it is possible to exist without the interference (or benefit) of civilization and government. Things will be dirty, and used. Firefly creates a universe that almost totally opposes that of (that bastion of television sci-fi) Star Trek: its Federation-like central power (the Alliance) is interpreted as being oppressive and dystopic. We are on the side of those who resisted (like the Maqui) and lost.

The acting is strong, the writing as excellent, funny and moving as on any Whedon show, and the effects and sets create a consistent, believable world. It is a shame the series didn't have a more hospitable environment in which to grow and become all it could have been.