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IMDbPro

Firefly

  • Serie TV
  • 2002–2003
  • T
  • 45min
VALUTAZIONE IMDb
8,9/10
292.516
LA TUA VALUTAZIONE
POPOLARITÀ
237
25
Adam Baldwin, Nathan Fillion, Ron Glass, Sean Maher, Jewel Staite, Gina Torres, Alan Tudyk, Morena Baccarin, and Summer Glau in Firefly (2002)
Firefly Season 1 Trailer
Riproduci trailer1: 01
5 video
99+ foto
Space Sci-FiAdventureDramaSci-Fi

500 anni nel futuro, un gruppo di criminali a bordo di una piccola astronave tenta di sopravvivere viaggiando attraverso parti inesplorate della galassia ed evitando gli agenti che cercano d... Leggi tutto500 anni nel futuro, un gruppo di criminali a bordo di una piccola astronave tenta di sopravvivere viaggiando attraverso parti inesplorate della galassia ed evitando gli agenti che cercano di catturarli.500 anni nel futuro, un gruppo di criminali a bordo di una piccola astronave tenta di sopravvivere viaggiando attraverso parti inesplorate della galassia ed evitando gli agenti che cercano di catturarli.

  • Creazione
    • Joss Whedon
  • Star
    • Nathan Fillion
    • Gina Torres
    • Alan Tudyk
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    8,9/10
    292.516
    LA TUA VALUTAZIONE
    POPOLARITÀ
    237
    25
    • Creazione
      • Joss Whedon
    • Star
      • Nathan Fillion
      • Gina Torres
      • Alan Tudyk
    • 897Recensioni degli utenti
    • 67Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Serie TV più votata #35
    • Vincitore di 1 Primetime Emmy
      • 5 vittorie e 8 candidature totali

    Episodi14

    Sfoglia gli episodi
    InizioI più votati1 stagione

    Video5

    Season 1 Trailer
    Trailer 1:01
    Season 1 Trailer
    Firefly: Safe
    Trailer 1:33
    Firefly: Safe
    Firefly: Safe
    Trailer 1:33
    Firefly: Safe
    Firefly: Our Mrs. Reynolds
    Trailer 1:25
    Firefly: Our Mrs. Reynolds
    Firefly: The Train Job
    Trailer 1:01
    Firefly: The Train Job
    Firefly: Serenity
    Trailer 1:31
    Firefly: Serenity

    Foto283

    Visualizza poster
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    + 277
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    Interpreti principali99+

    Modifica
    Nathan Fillion
    Nathan Fillion
    • Captain Malcolm 'Mal' Reynolds
    • 2002–2003
    Gina Torres
    Gina Torres
    • Zoë Washburne
    • 2002–2003
    Alan Tudyk
    Alan Tudyk
    • Hoban 'Wash' Washburne
    • 2002–2003
    Morena Baccarin
    Morena Baccarin
    • Inara Serra
    • 2002–2003
    Adam Baldwin
    Adam Baldwin
    • Jayne Cobb
    • 2002–2003
    Jewel Staite
    Jewel Staite
    • Kaylee Frye
    • 2002–2003
    Sean Maher
    Sean Maher
    • Dr. Simon Tam
    • 2002–2003
    Summer Glau
    Summer Glau
    • River Tam
    • 2002–2003
    Ron Glass
    Ron Glass
    • Shepherd Derrial Book
    • 2002–2003
    Christina Hendricks
    Christina Hendricks
    • Saffron
    • 2002–2003
    Mark Sheppard
    Mark Sheppard
    • Badger
    • 2002
    Michael Fairman
    Michael Fairman
    • Adelai Niska
    • 2002
    Jeff Ricketts
    Jeff Ricketts
    • Man
    • 2002
    Dennis Cockrum
    Dennis Cockrum
    • Other Man
    • 2002
    Doug Savant
    Doug Savant
    • Commander Harken
    • 2002
    Gregory Itzin
    Gregory Itzin
    • Magistrate Higgins
    • 2002
    Richard Brooks
    Richard Brooks
    • Jubal Early
    • 2002
    Isabella Hofmann
    Isabella Hofmann
    • Regan Tam
    • 2002
    • Creazione
      • Joss Whedon
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti897

    8,9292.5K
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    Riepilogo

    Reviewers say 'Firefly' is acclaimed for its innovative fusion of sci-fi and western genres, delivering a compelling futuristic narrative. The show is lauded for its deep character development and ensemble performances, particularly Nathan Fillion's Captain Mal Reynolds. The crew's camaraderie and unique personalities create a strong emotional connection. Central themes of family, survival, and resistance against an oppressive regime enrich the storyline. Despite its short run, 'Firefly' has garnered a loyal fanbase for its creative storytelling and character-focused plots.
    Generato dall’IA a partire dal testo delle recensioni degli utenti

    Recensioni in evidenza

    Darknessinthesky

    You will either love it, or hate it - read why...

    There is one big premise that you have to swallow in order to like this show. If you can't cope with it, you won't like it, because it will smack you in the face in every episode.

    It is like the James Bond movies, if you don't accept, as a premise, that Bond, James Bond, can do everything, fly, drive, shoot, use *every* piece of machinery on the planet, that he can shoot better than all his adversaries (who all miss, all the time) and gets *all* the babes, if you don't accept this, you have to hate James Bond movies, because they are ridiculous. We talk about suspense of disbelief.

    The one thing you have to swallow, without thinking about it, is, that in this particular science fiction universe, the future looks like this:

    You have core planets, which are like one would imagine future worlds: Big, beautiful buildings, hight tech gadgets, spaceships and shuttles, modern weapons (some that don't kill by using some kind of sonic boom), flat displays, a modern, digital credit system instead of localised currency, a totally diverse people influenced by every imaginable culture, heavily influenced by the chinese society, the only remaining superpower besides the USA and so forth.

    But, and this is a capitalized BUT: There are also the outer rim planets. They don't have a developed infrastructure and such. Settlers are dumped on planets with next to nothing, exploited to recover raw materials, used as cheap labor, trying to survive. Still sounds reasonable, no? The catch is: all these outer rim worlds look like you have been thrown into a cheap spaghetti WESTERN movie.

    They trade cows, they use old revolvers, drive horses and dress in western-style garments. You have little, old, dirty small villages with a saloon and stuff. These outer rim planets, out of reach of the civilised Alliance, are a no-mans-land, with superstitious, uneducated fools, where the strong fist rules - if you have the most men and guns behind you, you are the law. The poor grunt is like the cowboy in a typical western movie.

    Hard to accept? Partially yes, of course. But there is logic in almost everything: there are future references everywhere! Real food (as opposed to synthesized proteins) is a rare commodity, the RICH guys have laser guns or state of the art display devices.

    And - they stay true to this premise throughout the show, which is a rare thing in today's entertainment.

    But apart from this (for some) hard to accept premise, this show is the most entertaining, clever, realistic(!), funny, imaginative, creative, thrilling piece of entertainment I had the pleasure of viewing (by downloading it from the internet) in years (don't get me wrong: I downloaded it because I live in Germany and the show was never aired here, and I asked my brother, who lives in the USA, to get me the DVD as a christmas present - and he did)

    As for realism: Why do they still use guns to kill people, why not lasers like in Star Trek (which i am avid fan of)? I say: guns kill people, bullets are cheap. Guns get the killing done. (And there are modern (bullet) guns and lasers in the show, they exist, they are simply not widespread and only available to the rich.

    No sound in space - a little thing with big impact. Not only is it realistic, but it adds to the atmosphere. Instead of ridiculous sound effects the scenes in space are underlaid with vivid music, only emphasising the vastness and nothingness of space.

    The basics of the universe comply with our world. In the outer rim, where modern civilization hasn't gotten a foothold yet, things - which are to us - common, are valuable merchandise! Just imagine the third world... How much worth are medicine, guns, food there? There are (to us) barbaric customs in uncivilised areas of the world and all this is being portrayed in the show.

    The Plots are great, not like in Enterprise where you seem to have seen everything somewhere before, these plots are unique, thrilling and exciting. I have seen episodes where I thought "ok, I get it" and then *wham* the story turns into a totally different direction. Surprises at every corner.

    The show is so refreshingly politically incorrect, I don't want to give away plot details, but there are situations you know from your movie/series experience and think OMG there we go again (Hostage situations someone?) and then*boom* - the protagonist does EXACTLY what WE would wish to do but which every movie/series is afraid of doing because it is not PC.

    The characters are three dimensional and so well laid out. This "family" on board a little spaceship, a confined space(!), with all their motivations, quirks and problems, trying to get along and achieve their goals, are so believable and make for a hell of a ride.

    The creators of this show have, in the first 14 episodes, established plots, characters and atmosphere that other science fiction series have only managed to achieve - if ever - in the last seasons of their time on air.

    Such a pity that most American viewers couldn't see behind a bold, unique, hilarious - if difficult to accept at first glance - premise... and see the beautiful gem of a show behind it.
    nchanter

    addicting

    I felt I had to comment on this show because of another persons negative opinion on it(target audience of 8 or 9 years). I find this show addicting and the characters far more interesting than many sci-fi shows that have gained far more publicity because of their special effects. Each character is very well developed and entices the audience to want to find out more about them. As a personal response as to why weapons haven't developed beyond the space western....several of the episodes show scenes of past and current technology far more advanced than the weapons used in the show on a regular basis.laser guns,magnetic grapplers,floating cities,multiple brain surgeries involving nerve manipulation,killer sonic tech,and much more. The show is set on the frontier of known space with characters that are not rich. A regular western gun is all that can be safely used on a spaceship. Another gun, whether laser or high caliber projectile weapon will pierce the hull and cause major problems for the crew..if not kill them outright.

    The social intricacies of the companions and the "Houses" they come from, the military training of the "shepherd" preacher, the developing psionic powers of "the crazy sister-river" and all the others leads me to believe that Whedon put a lot of planning and thought into each character and the personal world they live in. They all seem to have a substantial, believable past. They all seem to have personal goals that are not necessarily tied to the show...as if they could leave at any time if their lives and beliefs take them that way. This comes across as very believable.

    While others are entitled to their own opinion, all of this, in my opinion, makes me think this show is worth every penny spent to produce it. I also own it.
    attlcox

    Excellent, unique DVD

    Never heard of Firefly? Get your hands on the DVD.

    Saw some, weren't that impressed? Get your hands on the DVD.

    Loved it? Well, you don't need convincing.

    Fox did an incredible disservice to this show by showing the episodes out of order. They still made sense on a very low level, i.e., there weren't a lot of plot points that were part of the continuing arc that ended up being out of order in the order they were aired, but this show is so much better if you see it in the order intended. In the aired episodes, characters would sometimes do things that either seemed out of character or really weird, or sometimes even just boring, that make so much more sense on the DVDs, even though there's a grand total of one scene (and only about 3 lines of that scene) that's different between the DVD and the aired version.

    That said, this show is the most innovative thing I've ever seen on TV, even despite its mistreatment. It has nine main characters, all of which are fairly well developed in the pilot episode, who then grow and change but remain true to their characters as originally conceived throughout the rest of the series. I could talk about the incredible attention to detail for the special effects, etc., but special effects are getting really good, so that doesn't really set this apart from a lot of movies out there. The concept seems odd at first, but is amazingly well done, with each world they go to having its own quirks, charms and dangers, but it always comes back to the characters and their relationships with each other.
    securis

    Excellent Series

    This series is an excellent series. However, like other high quality shows, this one was cancelled prematurely. Science fiction often takes time for people to warm upto it, but in the end, the fanbase makes up for the time lost. (Stargate SG-1 was tossed around from HBO to Fox and now to SciFi where it is now the hottest scifi show on television) The magnitude of Star Trek: The Original Series was not realized until it was prematurely cancelled. Look at the money Paramount is making off of the franchise. This show is like many others who deserve recognition in science fiction. I recommend anyone who appreciates science fiction to watch this series, however, I must warn you that the ending is exceptionally disappointing. It is unfinished... an abrupt ending with so many lose ends, it may leave you with a feeling of grave disappointment when you realize there's no more episodes to watch... when everything that has been building up in suspense comes to nothing. Networks sure know how to get people to stop watching TV... cancel anything of any value.
    film-critic

    If you can't run, you crawl, and if you can't do that...

    Firefly is like no other television program. Only lasting one year, with episodes randomly thrown on strange nights on FOX, this series boasted a classic combination of science fiction with a western flair. How could it go wrong? A humorous program that had fun, fought bad guys, and harbored extremely dark secrets. Why did it only last one season? Marketing. FOX, as we all can learn from my review of Outfoxed, is not quite the "fair and balanced" type of programming that it promotes, but instead attaches itself to the hottest trend and pushes it nearly to the point of sickness. For those that would disagree, I ask you to check out how many predictable seasons of American Idol we will have to endure until someone realizes that it lost its steam a many a moon ago. Or how about the disaster of a series called Wife Swap? Honestly, did FOX just ignore the idea of creativity and push directly for insulting "reality" television? From what I see on television today, I could only assume the answer to be "yes". Firefly was a bold, unique, and highly original series that gave us powerful characters, detailed stories, and that Lost itch in the back of your mind that keeps you asking that age old question, "why". Yet, in all of its power, it was canceled.

    Firefly is perfection on a stick. The twang of the guitar, the stone-face stare of Mal, the goofiness of Jayne (is that a girls name?), the questionable past of Shepard Book, the humor of Wash, the power of Zoe, and the innocence of Kaylee is exactly why I fell in love with this show. This is honestly, one of the few series that I could go back from the beginning and watch again, loving every moment of it. Whedon created a masterpiece in my eyes, and a huge opportunity was missed by several major networks to keep this imagination alive.

    While some will argue that Firefly was full of nothing more than C-rated actors who were "shallow cut-outs, and whose dialogue never rises above the level of a so-so sitcom", I thought that they brought so much personality and charisma to a smorgasbord of unoriginal programming. I wanted to know the truth behind River and the darkness behind the good Shepard. I continually waited for a snappy comeback from Mal, and was excited whenever he showed humility. Jayne was a big favorite of mine, always questioning authority, yet as loyal as the family dog. The love between Zoe and Wash brought a new layer of honesty to this sci-fi series. It wasn't just about paying for the ship, flying through unmapped terrain, or stealing, it was about humanity. That sense of humanity could be found in the opening episode for this series aptly titled "Serenity". In it, the crew takes upon some passengers with some rather unknown cargo. Inside one of those crates is a girl that will change their lives forever. For this series to work successfully, as it did, we needed human characters that bled, felt compassion, and demonstrated connectiveness to each of us. Mal's ship, Serenity, was a living example of how television could be done creatively and originally.

    The characters could only be as strong as the words that were handed to them. Listening to the words that pass through Mal's mouth, the charm of Wash, or even the inconsistent ramblings of River, you could only wonder where Whedon could have gone with all of them. In each of these characters, Whedon had written secrets. While, sadly, we may never know what they all were, that is what made you itch for more episodes. You not only wanted to see the creative "western" adventures that Whedon was sending his crew, but you also wanted to learn more about these band of renegades. They were good, but possibly darkness reigned inside of them. The character most guilty of this (outside of River) was Shepard Book. I loved this character. Whedon drew him with so much passion and conviction, yet with every episode you learned more about this man than imaginable. He is an excellent example of what this series was like. He represented the smart words of Whedon, the humanity of his character, and the secrets that each of these shared. He was a "priest", yet he knew more about the Alliance than anyone aboard that ship. If anyone were to ask me to describe the series in two words, I would simply say, "Shepard Book".

    George Lucas is credited with creating this detailed futuristic world that gives us glimpses of a possible future, or a galaxy far far away, Whedon succeeded in this series by giving us a plausible future in the not-too-distant future of 500 years. Prostitution in legal, in fact respected in the community, the Chinese and Americans have forged one super power called the Alliance, and our hero is a war veteran, still not shaken by the loss that his side took due to the Alliance control. While Lucas gives us far-fetched characters and situations, Whedon gives us a imaginative look at our future. I think that is why this series worked so well for me. I could imagine this future. I could see it past the characters. I wasn't bogged down by dopey looking aliens, but instead a plausible man vs. man situation. Firefly was simple, yet so complex.

    I could honestly go on forever about how much I enjoyed this show. I have never watched a series where I found myself prepared to watch over and over again. Firefly blends a power mixture of comedy, western, and action all together … and the characters bleed. Villains die in this series. How often do you see that? If you have not watched this series, or have not spent the money to support it, DO IT RIGHT NOW!

    Grade:(proudly) ***** out of *****

    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Between shots, the cast preferred to wait in the ship's lounge instead of their trailers/dressing rooms.
    • Blooper
      The Chinese characters for "Blue Sun" change from throughout the series. On Jayne's T-shirt, "Blue Sun" is Qing Ri, but in logo signs, it's Lan Ri. In ancient China, as well as Japan, green and blue were seen as different shades of the same color. The character Qing was used to represent both green and blue. In modern China, Lan is the character used for blue.
    • Citazioni

      opening song: Take my love, take my land / Take me where I cannot stand / I don't care, I'm still free / You can't take the sky from me / Take me out to the black / Tell 'em I ain't comin' back / Burn the land and boil the sea / You can't take the sky from me / There's no place I can be / Since I found serenity / But you can't take the sky from me

    • Versioni alternative
      The DVD episodes end with Joss Whedon and Tim Minear's Executive Producer credit washing across the screen, left to right. On the television episodes, instead of their names, a wireframe model of Serenity fades up.
    • Connessioni
      Featured in The Rotten Tomatoes Show: Prince of Persia: The Sands of Time/Sex and the City 2/MacGruber (2010)
    • Colonne sonore
      The Ballad of Serenity
      Performed by Sonny Rhodes

      Written by Joss Whedon

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    Dettagli

    Modifica
    • Data di uscita
      • 17 febbraio 2006 (Italia)
    • Paese di origine
      • Stati Uniti
    • Siti ufficiali
      • Hulu
      • Official Facebook
    • Lingue
      • Inglese
      • Mandarino
      • Catonese
    • Celebre anche come
      • Firefly: The Series
    • Luoghi delle riprese
      • Mojave Desert, Arizona, Stati Uniti
    • Aziende produttrici
      • Mutant Enemy
      • 20th Century Fox Television
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      45 minuti
    • Colore
      • Color
    • Mix di suoni
      • Dolby Digital
    • Proporzioni
      • 1.78 : 1

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