Last Call - Genio ribelle

F. Scott Fitzgerald was a literary genius, 'The Great Gatsby' especially being a favourite. Despite a lot of them being criticised for straying from the facts, there are a lot of biopics (film and television) that are good and more. Although a curious choice for Fitzgerald on paper, Jeremy Irons is very rarely less than watchable and is often very good and superb even when having been in too many projects that he is well above and don't properly do him justice.

The premise was also fascinating, so they were more than enough reasons in wanting to watch 'Last Call'. Regardless of whether it is accurate or does much new for the genre does not matter, because on its own merits 'Last Call' is well worth the watch in my view and should be known more. It was a very interesting look into the life, mind and work of Fitzgerald, one that entertained, moved and educated me, and have finally seen a film with such strong potential with execution that actually lived up to it after starting to lose faith. Inaccuracy has been done far worse elsewhere, even though with liberties it doesn't feel like a distortion, and actually to me it doesn't play it too safe when it does things that few biopics on literary figures do.

'Last Call' to me was at its weakest in the scenes featuring Zelda. Sissy Spacek plays her very well, with the right amount of enigmatic eeriness, and makes the most of her short screen time, but it was a plot device that could have been delved into more and done more subtly. Also wasn't particularly illuminated by them, we learnt more about her when Fitzgerald talked about her to Frances in that one part than in all her screen time put together. That's my view though.

Was a bit mixed on the music. Really liked the choices of music and the Jazz Age style to it, especially at the dinner/dance, though was a bit disconcerted at first that the sound and music in the very first scene sounded like they belonged in a horror film (now know that this was a deliberate choice to convey Fitzgerald's disturbed state of mind at that point). Was less taken on how some of it was placed, do agree that it didn't need to spell out the characters' inner thoughts the way it did.

However, for made for television, 'Last Call' looks great. The period detail is lovingly recreated and it's atmospherically and beautifully shot. Henry Bromell directs with a low-key but never plodding touch, approaching the material with much sensitivity while giving enough of it punch. The script is clearly written with a lot of care and thought, while the story even when deliberate is compelling and doesn't depict Fitzgerald with bias. Showing him as a flawed and unpredictable person, with a complicated tormented mind that is delved into pretty harrowingly at times (had not seen drunkenness this harrowing in a while on film). But not a completely unlikeable one as the relationship between him and Frances is done with a lot of charm without any sugar-coating. A great thing because that aspect was so crucial it would have made or broken the film.

It is genuinely moving at times, did tear up at the end, while not falling into sentimentality. And there is also a surprising frankness that has a lot of impact but still done in good taste, especially when Fitzgerald tells Frances his thoughts on her story and suggestions of improvement. There we see how his literary mind worked and how he created his work and is just one of the scenes where the writing process is depicted. As has been said this is where 'Last Call' stands out and does better than a lot of literary biopics, and it is truly insightful.

Regardless of not particularly looking like Fitzgerald and being too old in terms of age (to me he looks younger than he actually was at the time, but that's probably just me), Irons gives a deeply committed and really remarkable performance full of both force and nuance as Fitzgerald, one of his best post-'Lolita' performances but inexplicably one of his most overlooked. A role that is a good representation of his strengths, Irons played tormented (and twisted) characters better than most actors and one can see that here, and did him justice. Neve Campbell gives one of her better performances here as well, anyone who has any doubts as to whether she ever gave a performance that showed she was more than a "teenage idol" sort of character should look here as she proves she absolutely could. Her portrayal is charming and sensitive and she and Irons work a dream together from their first scene to their last. Together they portray a relationship that is neither idealistic or acrimonious, where the two characters have respect for each other while voicing frustration on occasions too.

Summarising, very interesting and very well done. 8/10

Checking the credits on writer/director Henry Bromell, it seems that we have someone who's written for "Chicago Hope", "Homicide" and "Northern Exposure". So a class act chooses to write about a screenplay about a writer, and the results are about what you'd expect. Pretty exceptional stuff. Jeremy Irons tosses his hat into the ring for an Emmy nom here. Another standout performance.

However..the big surprise to me is the performance of Neve Campbell. Get this girl off the "Scream-4" set and into some period pieces in a big hurry, fellas. She's ready to rock and roll. Pair her up with a decent script and an Oscar-caliber actor or two and she holds her own rather nicely, thank you.

Thanks to Showtime for the "Last Call" 15-minute addendum with Irons, the omni-present George Plimpton and Frances Kroll Ring briefly discussing F. Scott's greatest hits.

This portrait of F. Scott Fitzgerald's last days--as a wreck, battling alcoholism and trying to write "The Last Tycoon" with considerable help from his much younger new secretary--has some digressive scenes in the middle but is primarily intelligent and involving. Jeremy Irons is excellent (though at times his Yank accent can be a bit overdone) as the past-prime author, but the surprise is that Neve Campbell (whom I haven't very often been all that impressed before) does an excellent job as the secretary seduced into this sickly, washed-up but still highly intelligent and sometimes very charming man's spell. Sissy Spacek is effective enough as Zelda Fitzgerald, although her occasional appearances as a taunting/nagging phantom of sorts are a screen writing device that doesn't totally come off. It's a fine perspective on Fitzgerald that doesn't cast him as some kind of saintly victim but gives full weight to his talent and personal weaknesses.

In "Last Call", Jeremy Irons is, in short, F. Scott Fitzgerald himself. Very much like Phillip Seymour Hoffman in "Capote", Irons has captured every mannerism and the speech of the controversial writer.

A level of "classiness" is attained, often on accord of the dynamic chemistry between Irons and Campbell, who in my opinion surprised Hollywood with this great performance in an extended supporting role. Sissy Spacek was also impressive, despite her only being in the film for about twenty minutes, her appearances are very memorable, and she is absolutely magnificent.

Other than the acting by Irons, Campbell and Spacek, there's really nothing that jumps out about this film. However it is an interesting look into the life of the influential and controversial writer F. Scott Fitzgerald. 6/10

The always-superb Jeremy Irons is once again brilliant, this time as American writer F. Scott Fitzgerald, living out his final days - ravaged, raw, tragic and above all, sympathetic, even (or especially) at his worst. A shattering performance, the kind only Irons can give. The movie is extremely well-conceived; as a writer myself, I truly appreciate a movie about the ACTUAL WRITING PROCESS of being a writer, which is hardly ever depicted on screen - for fear, perhaps, of being boring. This film is anything but.