Good Bye Lenin!

This was a good film, and I think it needed to be made. A way of life disappeared in Europe, perhaps forever, and it seems appropriate that the fall of Communism has thus been documented.

The basic premise of "Goodbye Lenin" is that the young man's mother is in a coma over the months when the Berlin Wall is coming down. She wakes up (oblivious) in united Germany, but as she is so fragile she cannot be allowed to know that everything she held dear has collapsed. What ensues is a comic and moving scenario - her son does his best to pretend that nothing has changed.

Yes, the movie is a little drawn-out. And most of the comedy is lost on non-Germans, or those unaware of the political climate in the region. However, there are clear universal issues to be considered; idealism, hope, family. There is one particular scene which I thought encompassed exactly how the main protagonist feels - he is at a bank trying to change his mother's old East German currency into Deutschmarks but the deadline has passed. He becomes aggravated by the sheep-like behaviour of his peers. After all, this is their culture being crushed by McCapitalism, but their individual vaunting ambition blinds them from doing something about it. Very refreshing to see this on the big screen.

All in all, "Goodbye Lenin" is a nicely-rounded statement of where the European film industry is heading, and it will appeal to most independent-minded people on both an artistic and political level. 8/10.

While the walls come tumbling down, you have to build; as the progress will leave mother most un-thrilled, after falling in a coma, there should be no misnomer, to what will happen if she finds the party killed. It's a challenge going back to days of commune, all those delicacies so loved, have been consumed, no more censorship and lies (well, not as much perhaps), where the capitalist flag flies, we need to keep her in her room in a cocoon.

Still a wonderful piece of filmmaking with great performances and some genuinely laugh out loud moments and goes well with The Lives of Others as a companion piece, although not too much to bring a smile to your face in that piece.

Just as Rip Van Winkle slept through the American Revolution and woke up twenty years later to find himself a citizen of a brand new country, so Kathrin Sass, an East German woman, slips into a coma on the eve of the fall of the Berlin Wall only to wake up eight months later a member of a capitalist society. This is the premise of 'Good Bye Lenin,' a clever and affectionate tale about truth, love and family ties that transcends all national borders and boundaries.

Kathrin, a woman who has dedicated her life to the perpetuation of Communist Party ideology, suffers a major heart attack that plunges her into a comatose state a few months prior to the dissolution of the land she knows as East Germany. While she is 'asleep,' governments tumble, barriers crumble and a whole new tide of Western goods and values comes flooding eastwards to a ravenous, eagerly awaiting public. Then she wakes up. Fearing that the shock of finding such a radically changed world will lead to a second heart attack, her loving son, Alex, devises an elaborate scheme to shield her from the truth and to make her believe that the world she lives in now is the same world she knew eight months before (the basic premise is not that different from the one in 'Jacob the Liar').

'Good Bye Lenin!' is an amusing regional comedy that derives its laughs from two basic sources: the near-slapstick nature of the charade Alex is attempting to perpetrate, and the script's satirical view of a society rushing madly to embrace the joys of unbridled consumerism they have been so long denied. Given its gimmicky premise, 'Good Bye Lenin!' could have emerged as a one-joke comedy were it not for the fine sense of irony and absurdity that writer/director Wolfgang Becker (working with co-writer Bernd Lichtenberg) has brought to the project. In addition, young Daniel Bruhl as Alex and Katrin Sab as Kathrin deliver expert, moving performances that go to the very essence of the mother/child relationship.

I must confess that this film, despite its generally upbeat tone, brings with it a certain rueful sadness that the filmmakers may not exactly have intended. Could it really have been a mere fifteen years ago that the events depicted in this film actually happened - a mere fifteen years ago that the future of the human race seemed so full of joy, hope and promise? Now, in a post 9/11 world - where sectarian hatred and international terrorism rule the day - this image of people coming together to cast off the shackles of bondage and embrace freedom seems already like a quaint memory from the long distant past. In a strange way, the film has become something of a relic in its own time, outstripped by a world that has long since moved on to bigger and more dire concerns. 'Good Bye Lenin' reminds us of just how long ago and far away the Cold War really was.

This story has it all : family tragedy, growth (from child to adult and even growth as an adult), dealing with political and social change, and romance. I think the story gives one a good idea of just how much change occurred when the Iron Curtain fell over Eastern Europe and the difficulties and opportunities it brought. The story revolves around Alex, his sister and their mother. Their mother has a heart attack and then goes into a coma. During her coma, communism fell and then she wakes up. Advised by her doctor that she cannot take any form of excitement, Alex goes about creating the illusion that communism is alive and well. This often takes a comical twist on the differences between the communist east and capitalist west. There is also the subtle hint of discrimination by both sides against the other. In the end the story is about family and loved ones and what we are willing to do to make those around us happy. Go out and rent this movie.

-Celluloid Rehab

Last night I watched it for the second time. I'd seen it at the cinema two years ago, then last night my boyfriend, who hadn't seen it, decided to rent it. I loved it first time round, I loved it second time round, maybe even a tad more than I did originally. With wonderfully engaging characters all round, the film is endowed with a great sense of humour, both visual and verbal (and those Europhobic old Brits keep going on about how the Germans have no sense of humour!), it's socially relevant yet easier to watch than a straight comedy. The script is intelligent yet accessible to anyone, even a shallow teenager with no attention span whatsoever... yet IT is never shallow. And most of all, it's a deeply moving little gem of a film which however never abuses its secure grip on the heart-strings. I could see even my boyfriend was dewy-eyed at some points! And so was I, even more than two years ago. A small but perfectly formed film, it's actually not as small as one might think at first impact. Love (specifically, filial love) is its main theme, treated in a schmaltz-free, fresh, non-superficial and a non-clichéd manner.