The Way We Live Now

One of Trollope's longest tomes, 'The Way We Live Now' is a tale of greed and downfall in London during the 1880's boom. It tells the tale of a visiting conman, Melmotte, who decides this time to stay in his chosen destination after having been forced to leave Vienna in haste after causing another of the financial scandals in his long career. With many characters and subplots, this is a hard book to adapt to the screen. The BBC has managed a competent interpretation nontheless, squeezing the whole thing into only five hours.

David Suchet as the protagonist, Melmotte, is excellent: a dark and charismatic foil to the foppish aristocrats who disdain all about him except his money. His daughter, Marie Melmotte, is particularly sweet. Apart from a few quirks like Mrs Hurtle's bizarre American accent (did American ladies really talk with a Jerry Hall drawl in the nineteenth century)? this is an extremely pleasing production.

The Way We Live Now is yet another British TV adaptation of the works of Anthony Trollope. Like The Pallisers and The Barchester Chronicles this is yet another mini-series to savor. The rich setting of 1870's London society is boldly brought to the screen. David Suchet gives the performance of his career as scoundrel Augustus Malmotte. Equally brilliant is Shirley Henderson as his daughter Marie. Henderson has emerged as one of the more spellbinding thespians of the last ten years. Why she isn't a major star when performers with a tiny fraction of her talent are on the A-list is one of those mysteries that will never be explained. Still, this is not quite up there in the same league with The Pallisers. Some of the characters are not that interesting. Unfortunately, Miranda Otto as Mrs. Hurtle and Cillian Murphy as Paul Montague are miscast.

This is, by far, one of the best BBC Drama series that I have ever seen in my entire life. Although the story takes a while to start off, the series and especially the end will not disappoint you. I am no fan of the BBC costume drama's (they have made so many, I almost lost the count) but since I was a Poirot fan and therefore a David Suchet fan, I gave this a try and as I said, I was surprised by the effect it had on me.

The acting is at it's very best, and my attention again goes to David Suchet in particular, because he kept amazing me every time I saw him on screen in the role of Augustus Melmotte, I can't find the words to say how perfect his acting is. Not much actors get close to perfection... but David Suchet most certainly does.

Matthew MadFadyen, Cillian Murphy, Miranda Otto and a whole range of other actors also deserve to be praised. Just as the brilliant David Yates and the memorable music of Nicholas Hooper.

If you have never seen this series, don't hesitate for a moment and buy it on DVD. I'm sure you will agree with me ;) .

"The Way We Live Now", like most Victorian period satire, looks into the lives of numerous characters sorting through the intrigues and foibles of romance, wickedness, power, and the pursuit of peerage and property. A lightly perfumed costume flick which tilts unabashedly between comedy and drama, this story centers on a crude but rich businessman (Suchet) whose powerful performance is the backbone of the film. Side plots include an issue fraught romance, an attempt to marry into a fortune, a scheme to build a railroad from Utah to Mexico, cheating at love and cards, politics, a woman scorned, and much more. A four hour TV miniseries from the BBC, "The Way We Live Now" has plenty of time to sort through its many characters while tidying up at the end making it a busy and enjoyable Victorian period film. A should-see for anyone into BBC TV fare, Victorian period stories, and 19th century pulp fiction. (B+)

We're still talking at home about David Suchet's performance, he's repulsive, horrifying, lying, charismatic, ugly, likable, credible and incredible. If he had been in an A movie, he could of had all the awards. I thought there weren't any actors like this around anymore. His character is Citizen Kane combined with Dracula, and he inhabits it with a vengeance. And the story! It seems to always be consciously paralleling the dot-com or Enron debacles, but isn't that what business has been like ever since stocks began?