Blue Crush

In Hawaii, Anne Marie Chadwick (Kate Bosworth) is a local surfer girl, who had an accident three years ago when she was on the top of her career. She almost died in a huge wave, but now she is preparing for an international competition, with the support of the best friends Eden (Michelle Rodriguez) and Lena (Sanoe Lake), and her younger sister Penny Chadwick (Mika Boorem). Anne is traumatized with her accident, and is quite afraid of the big waves, but she aims to achieve a sponsor to follow her career and have the necessary financial support. Some days before the competition, she has a crush on the football player Matt Tollman (Matthew Davis). 'Blue Crush' is a good popcorn film, having a shallow story but compensated by the wonderful places and the big waves in Hawaii, and the very beautiful young cast. An excellent entertainment for a Saturday or Sunday afternoon for the whole family. My vote is six.

Title (Brazil): 'A Onda dos Sonhos' ('The Wave of the Dreams')

Pretty enjoyable story about beautiful women do extreme surfing to prepare for a competition and one of them (Kate Bosworth) falling in love with a football player. I love that John Stockwell directed this and a few years later directs Into the Blue which is also based around water with a different story I absolutely love that movie! Unfortunate how Blue Crush has a 5.7 it deserves better even a little.

Critic Ebert has a very complete and accurate review, and I will not repeat any of it here. I bought "Blue Crush" as a used rental DVD, real cheap, and it is a perfect disk. The basic story has been told many times, but it is done here better than many. However, there is one thing that moves it from the "ordinary" to "outstanding - the cimematography and the sound.

After most of the first hour of the film sets up the characters and the situations, we are treated to surfing the Hawaii "pipeline" by surfers. One DVD extra shows how they do "face replacement" so that the pro surfer appears to be star Kate Bosworth. With many cameras in the waves, and sometimes under them, we get a unique perspective of being on top of a giant wave, or being inside the wave as it is breaking. All the while a very aggressive sound mix makes you feel like you are there also. This is definitely a good DVD to have for demonstrating the quality of your digital 5.1 surround sound system with good powered subwoofer.

I suspect anyone who saw "Blue Crush" at home, on VHS or DVD, with sound fed into the TV speakers has seen a different movie. That's because the sound track plays such a key role. This isn't a great movie, but a very good one. I believe its most realistic IMDb rating is somewhere around "7" or "8".

For all you wanna-be critics out there trying to be negative about the directing and cinematography, lighten up! This film is excellent in the fact that it does not try to be more than it is... a surf flick. Its obviously not trying to win an Oscar or a bafta. cant any of you simply enjoy a feel good movie? the filming of the waves and the surfing was top class and even though the acting was not Oscar worthy in any way shape or form i think it was impressive that they embraced the surfing culture and used local people in this film.

For all of you out there who like to just enjoy a films and don't feel that you need to be completely baffled, shocked or made to think you will enjoy this. Yes it is predictable but who cares its just a bit of fun.

For all of you who hated this film just because the plot was predictable and the acting was substandard i draw your attention to a gentleman named Sigmund Frued; "Some times a cigar is just a cigar"

BLUE CRUSH (2002) **1/2 Kate Bosworth, Michelle Rodriguez, Matthew Davis, Sanoe Lake, Mika Boorem, Faizon Love. Better than anticipated surfer flick with the twist on the genre by focusing on a Hawaiian based determined young female athlete (Bosworth) attempting a requiem two years after a near fatal accident while competing is buoyed by her family of friends and a vacationing quarterback (Davis) factoring as an unexpected blossoming romance. The connect-the-dots plotline of social graces hinder the otherwise excellently lensed moments of visceral, adrenalized thrills in shooting a curl with massive walls of water in all its colorful fury by cinematographer David Hennings while director John Stockwell (who co-wrote the screenplay with Lizzy Weiss' adaptation of Susan Orlean's magazine article) balances the melodrama affectively with the totally awesome hydrodynamiques on display. One gripe: would it have killed the filmmakers to show some more of the paradise playland for a travelogue begging to be showcased?