2 cavalieri a Londra

The implied promise of a sequel is that it will give you what you got from the first movie, but that promise is often broken. Shanghai Knights is an exception, giving the audience that same mix of goofy dialogue and slapstick martial arts that made the first movie so much fun. This time the duo heads to England, allowing them to make a bunch of incredibly silly jokes about England and Sherlock Holmes and Charlie Chaplin. The movie is essentially one long wink, and if you like that sort of humor your likely to find much of it amusing. At times I thought they pushed the anachronistic dialogue a little too far, as when Owen asks the gorgeous Fann Wong if she works out, but overall it works pretty well. Chan supplies a number of very entertaining fight sequences along with his usual goofy charm and the end result feels like a more actiony version of a Hope/Crosby road movie.

This sequel is actually better and funnier than the original. It also has cooler fight scenes too. It is actually a pretty good movie. I laughed really hard in the theater. The story is about a former chinese warrior Chon Wang (Jackie Chan) who after his father gets killed by a ruthless heir of the thrown, seek vengeance on him with the help of his old partner Roy O'Bannon (Owen Wilson) and his sister from China who told him about the death of his father. This one has actually more action and is more funny than the original by a long shot. I personally think that Shanghai Noon and Shanghai Knights are way better than the Rush Hour movies. I would say this is probably one of Jackie Chan's best movies, and his best comedy for sure. I would recommend this to fans of both Owen Wilson and Jackie Chan and Action/Comedy fans as well. Grade: B-.

Fresh out after his box-office bomb The Tuxedo, Jackie Chan is back, again playing the role of Chon Wang. In this sequel to Shanghai Noon, Wang and Roy O'Bannon (Owen Wilson) are in different parts of the country: Chon in Nevada, Roy in New York. However, after Chon's father is killed by Lord Rathbone (Aidan Gillen), he must go to London to find Rathbone to avenge the death of the father. Along the way, Chon's sister Lin (Fann Wong) comes in. Guess who is smitten by her?

Another reason why Chon has to kill Rathbone is that he has a sacred Seal of the Emperor. That's just thrown in to make the plot make more sense. Mucho fight scenes and hilarity ensues.

Chan does better in buddy action comedies like this, instead of straight action. He's noted for using props around him in his fight scenes; this movie is no exception. Chan just takes any old prop he sees and does, what looks like, improv. It's hard to imagine all of these scenes choreographed perfectly; they seem so slipshod (in a good way). All of the fight scenes have Chan's usual charm and wit, you can't help but smile whenever he does seemingly impossible stunts.

Many of the characters were one-dimensional. Rathbone doesn't really have any depth, except that everyone likes him. However, in movies like this, you don't really need twists and turns. Lin's beautiful, but what is her background? Someone working for Rathbone has no depth whatsoever and just pops in. And, of course, there's the little pickpocket (Aaron Johnson) whose name is quite funny. He just comes and goes.

The opening credits were almost exactly like the ones for Shanghai Noon, with sweeps over Chinese letters. Something I enjoyed was how they incorporated famous figures, though a little bit goes a long way. About halfway through, it takes one of those obligatory buddy turns, where they end up hating each other. However, this time, the roles are reversed from Shanghai Noon and it lasts for about two minutes, which leaves you wondering why it was even put in. They took the cliché light-heartedly. At times, it did get heavy-handed (especially at the beginning), but managed to pull through.

The sets were very authentic. Unlike the first, where they could just use cheap facades, they had to create a whole new world, and they did so. You could really believe that the clan was in England. I also liked the transitions in between scenes. They were all `swishes', but as the movie progressed and got more `complex', so did the transitions, from going out on both sides to diagonal. It may seem rather juvenile to put it in, and even more so to mention it, but I thought they were quite cool.

I do wish, however, that they had spent more time in the West. If they had had more about the horse from the first one (also, whatever happened to Chon's wife, Falling Leaves?), it would have been better. However, it almost immediately left the West for the East. Like The Tuxedo, Chan allows himself to be pushed around and beaten.

Chan is great, as usual. He's a great diversion from the real life. He can make us believe that what is done can be done. Technically, he can, because he does his own stunts. Wilson is in top comedic form here, as usual, also. He's quickly becoming an item in Hollywood, and his name's getting out there. Then again, he did do I Spy.

I laughed a lot during Shanghai Knights. Many came from the fight scenes, and others were from Wilson's one-liners. I love how the writers can merge action and comedy seamlessly. I hope for a Shanghai Five, where they go to Hawaii, or some sequel, since this franchise is going somewhere.

My rating: 7.5/10

Rated PG-13 for action violence and sexual content.

This second part is a follow-up to ¨Shangai noon¨with the likeable starring(Jackie Chan and Owen Wilson) . When the killers murder Chon's estranged father he flees. He goes London to retrieve a brilliant royal object that Jackie Chan's father guarded in the forbidden city Pekin when he was murdered by some Chinese rebels . Roy also escapes to England, and he and Chon make their way to London with revenge on their minds. And Chon's sister, Lin, has the same idea. They meet Victoria queen (Gemma Jones) and a roguish street boy called Charles Chaplin . They'll confront the villains (Aidan Gillen and Donnie Yen) which want to overthrow the British and China thrones and nasty Chinese Boxers and even Jack the Ripper (Oliver Cotton). Meanwhile, Owen Wilson falls in love with Chan's sister (Fam Wong).

Jackie Chan and Owen Wilson give a jolly and perfect couple . It's usual in Chan films create duos , a ¨buddy movie¨ type , as male : Chris Tucker (Rush hour I and II) , as female : Jennifer Love Hewitt (the Tuxedo) and Claire Forlani (The medallion) and here magnificently with Wilson . Here they uncover a worldwide conspiracy to murder the royal family but almost no one will believe them . The choreographic fights are excellent , they are made as musical numbers, there are remembrances to ¨singing in the rain¨dancing as well as Harold Lloyd , Keistone cops and to author Arthur Conan Doyle with his Sherlock Holmes creation . It's an agreeable picture but uneven comedy, works better when Jackie Chan goes into the action . It's a Chan vehicle for the continuous struggles in leaps and bounds .The final confrontation among the starring and the enemies on the Thames river with fireworks background and in the Big clock tower are overwhelming and breathtaking . Cinematography (Adrian Biddle) and music (Randy Edelman) are spectacular and atmospheric. Production set is extraordinary, it's very well designed along London epoch . The picture was rightly directed by David Dobkin. Rating : Nice and bemusing .

I saw this movie only to accompany my children, but I absolutely loved it! Had never seen a Jackie Chan movie, but now I want to see Shanghai Noon too, so we will rent that one. There were several adult references and I don't mean sexually, but funny references only adults would remember. Be sure to stay for the credits as the outtakes are great. I want to see it again!