The Gatekeeper

Well, I liked so much about this movie...I was captivated, I was compelled, I thought the acting was tremendous, I was into it hook, line and sinker, and I think the filmmaker should be commended for an amazing job on a shoestring budget. I think most audiences will adore this film. Best of luck to "The Gatekeeper".

While I agree with many others that this film had many unrealistic lines and images, I feel the big picture frey was going for was achieved in showing a rarely seen take on illegal immigration. I know quite a few people who are 'half and half' and many are very conflicted about what to think of and/or how to deal with the illegal immigration problem. So I forgive many of the criticisms from a film making point of view because it did present a very realistic portrait of one man's struggle.

while I would not give him any directorial awards, I think he was the perfect choice to star in this. I sure would have selected an actual latina for the female role of Eva, but he financed the thing. I feel he would have had better luck by not going astroid with a pretty far out there 'work it off for a year' thing. 99% of the people coming across are let go the second money hits the coyote's palm. Same with the multiple murder. That makes for a great trailer, but how often does that happen? I guess when you do your own financing you can take a liberty or two. So I suggest it for those who have an interest in this topic. If you're in film school and desperately need ideas on how to become the next Scorcese, pick another flick.

I've just come from seeing "The Gatekeeper" and liked it. It's fairly (although not absolutely) obvious that it's low budget. Casting is good, direction seemed good. .

The issue of illegal immigrants is one I'm very interested in. I live in southern California, a transplant from the Pacific Northwest, and CANNOT understand Californians (Anglo) who otherwise seem intelligent, enlightened, progressive, but become incredible bigots and racists as soon as one mentions "mess-gans".

A progressive TV program here in CA done by PBS ("California Connected") attempted to address this issue a week or so ago and all it addressed was the strong opinions, pro and con, about the people coming here from across the border.

I'm still trying to understand and perhaps never will.

Ok, this is not a great film. It was shot on digital video in 18 days, with a budget of 200,000. However I scored this a 9, because it has more heart and passion than anything Hollywood has put out lately. It should be seen by everyone, especially if you live in a border state. It starts off with some truly awkward racist remarks that will make you squirm. Honestly, I was at first turned off and considered leaving. But stick with it, because after about 15 minutes you will be hooked. Low budget be damned. The director actor star should be applauded and rewarded for bringing this labor of compassion to the screen. It is an important issue, and my eyes were opened.

Although this engrossing film was, apparently, produced on a limited budget, John Carlos Frey, (writer, director, actor), has secured a good insight into illegal border hoppers, mercenary coyotes, and illicit drug manufacturing. The visuals are stunning and newsworthy realistic. All the major players, (particularly Frey himself), turn in exceptionally sensitive characterizations. The opening scenes of secret vigilantes and a rogue border patrolman voicing racial epithets, (and other vile racist attitudes), is difficult to watch. However, the final reclamation of the border cop's heritage and spiritual reformation make this a strong entry in the search for peace and security for everyone on both sides of the Rio Grande.