La diciannovenne Kimberly Corman è in viaggio con i suoi amici quando riescono a prevedere e scampare a un terribile incidente. Di nuovo i progetti della Morte sono stati cambiati, e i giova... Leggi tuttoLa diciannovenne Kimberly Corman è in viaggio con i suoi amici quando riescono a prevedere e scampare a un terribile incidente. Di nuovo i progetti della Morte sono stati cambiati, e i giovani quindi si ritrovano nel suo cammino di distruzione, cercando di trovare un modo per sal... Leggi tuttoLa diciannovenne Kimberly Corman è in viaggio con i suoi amici quando riescono a prevedere e scampare a un terribile incidente. Di nuovo i progetti della Morte sono stati cambiati, e i giovani quindi si ritrovano nel suo cammino di distruzione, cercando di trovare un modo per salvarsi.
- Regia
- Sceneggiatura
- Star
- Premi
- 4 candidature totali
- Eugene Dix
- (as T.C. Carson)
- Dano
- (as Alex Rae)
Riepilogo
Recensioni in evidenza
Following the success of the first Final Destination, then New Line Cinema President Toby Emmerich approached Jeffrey Reddick to commission a sequel which Reddick agreed to do. Reddick stated his intent with this entry was to "expand the mythology" in order to avoid telling the same story over again. Previous film's director and writers James Wong and Glen Morgan were unavailable as they were busy with their respective projects of Jet Li's The One and the Willard remake respectively. The film instead was helmed by David R. Ellis whose prior directing credit was Homeward Bound II in 1996 and had more frequently worked as a second unit director and stunt coordinator with writers Eric Bress and J. Mackye Gruber coming on board as co-writers. Upon release, the movie had a respectable opening weekend of $16 million at number 2 opening behind The Recruit and eventually made back $90 million worldwide against its $26 million budget, a slight step down from the original's $110 million haul but still profitable. Critical reception while still mixed was somewhat improved from the first one with some like Roger Ebert who gave the original three stars only gave one and a half to the sequel. While Final Destination is fairly similar to the first movie in terms of setup with a formula pretty settled at this point, it is well made and delivers and what you expect and it does continue on from the first film.
Unlike the first film whose cast of teen archetypes were very much molded by the late 90s framework of post-Screamsploitation that defined a number of horror films in terms of marketing and writing, the characters in Final Destination 2 are slightly more likable and less grating than they were in the first film, even ones who are supposed to be kind of abrasive have some redeeming moments. A. J. Cook is no surprise here a solid lead especially for anyone who's seen her work on Criminal Minds, and I also enjoyed Michael Landes as Burke and Ali Larter's reprise of the character Clear Rivers. Tony Todd also returns as the Mortician (credited as Mr. Bludworth) and much like the first film his creepy commanding presence is welcome and is probably the closest thing we have to the personification of an antagonist. The story is still pretty thin as it is mostly a lose chain of accidental deaths that follow some kind of path, but it does try to add new elements to avoid falling into a repeat such as the characters seeking a way to beat Death's plan by way of "new life" and while it's not 100% successful at avoiding sequel pitfalls it works well enough and the fact that the film has a relatively closed ending (albeit one with a very mean spirited joke) makes Final Destination 2 feel more like the closing half of a two parter rather than something overtly cynical as you've seen with some sequels.
If you liked Final Destination, odds are you'll probably like Final Destination 2. It doesn't stretch too far from what was established and there is some sense of "deja view" as is the case with most sequels, but there are attempts at doing things differently from how they were done the last time and the ending that eschews sequel baiting was rather refreshing so take that for what it's worth.
For a sequel to truly work well it has to come up with something fresh, otherwise why do a sequel eh? Well the makers of Final Destination 2 choose to use the basic same formula of the hugely enjoyable first film, only adding more black humour into the crazy death design broth. Opening with a quite horrific highway pile up, FD 2 then takes us on a journey that sees an assortment of folk offed in various and gruesome ways. The story remains the same as the first film, even though writers Bress and Gruber think they are being intricate by weaving this plot into the original story, but ultimately it's just a devilishly nonsense fun picture. Ali Larter returns for a second helping, and she in turn is joined by a bunch of no mark actors waiting for death, which is perfectly fine for the genre discerning fan.
This is a riot, and as long as you don't look too deep into it (why would you really?) you may just find yourself having a real good time. 7/10
Well the plot to this one, not all that different from the previous movie, only instead of an aeroplane, this time we get a traffic accident and the central character Kimberley (AJ Cook) has a vision much like Devon Sawa did in the first one. Only with a slight difference, this time the deaths work backwards.
Sequels are often associated with disappointment, as many often only manage to be pale imitations of their predecessors. The second Final Destination is anything but, as it's bigger, slicker, and altogether more fun than the original. Overall this one has a different tone to the first one, this one's more blood and a lot more gore, which is always a bonus in my eyes, another aspect is that the deaths are way over the top, which is awesome and something that was missing from the first movie.
The performances again doesn't fail to deliver, with yet again another group of interesting characters, AJ Cook is this time the main character and she hits all the right notes, she's resourceful and likable. Michael Landes plays it cool and low key but also comes across as likable and has great chemistry with AJ Cook. Ali Larter I enjoyed her in the first movie and I was glad they brought her back she gave a very credible performance and Jonathan Cherry plays the comic relief drug addict really well and came off as very natural.
All in all a brilliant follow up and companion to the first movie and them both even each other out really well.
Also, I am ALWAYS nervous when I pass a truck carrying logs or poles, or anything like that...just nope...get it as far in the rear view as possible!
Lo sapevi?
- QuizReal logs were tested for the crash sequence, but they "didn't bounce enough", therefore, the logs are CGI in this film.
- Blooper(at around 13 mins) After Kimberly has her first premonition (the highway), she parks her SUV across the on-ramp to block it. Yet, when her SUV gets hit by the truck, it has moved to being parked pointing onto the highway, and quite a ways out into traffic to have been hit so squarely by a passing truck.
- Citazioni
Kimberly Corman: Look, please... if you know of anything that could help us, what harm could it do?
William Bludworth: Only new life can defeat Death.
Burke: What the hell does that mean?
William Bludworth: Some people say there's a balance to everything. For every life there's a death, for every death, there is a life. But the introduction of life that was not meant to be, that can invalidate the list, force Death to start anew. You have to follow the signs, Kimberly.
Kimberly Corman: How do you know my name?
- Versioni alternativeThe Sci-Fi version is heavily edited; several deaths are shortened or removed:
- When Officer Burke's car gets hit by the log, the scene where his head gets crushed is removed.
- Eugene's death has no blood.
- The ladder impaling Evan's eye isn't shown.
- Tim's death is not shown.
- Nora's death is not shown.
- Viewers only get to see Rory's face when he is trisected.
- Kat's death is not shown.
- ConnessioniFeatured in Bits and Pieces: Bringing Death to Life (2003)
- Colonne sonoreDance With Me
Written by The Sounds
Performed by The Sounds
Courtesy of Scratchie Records / New Line Productions, Inc.
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Destino final 2
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 26.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 46.961.214 USD
- Fine settimana di apertura Stati Uniti e Canada
- 16.200.000 USD
- 2 feb 2003
- Lordo in tutto il mondo
- 90.941.129 USD
- Tempo di esecuzione
- 1h 30min(90 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1