Oligarkh

it is realistic and for Eastern public, full of memories. because it is not only a Russian story. it is the story of a period. pictures from transition to democracy, images about solutions after Communism, fight for power, success and fall. if it is a Russian slice from victory of a new generation, in same measure it is a beautiful film. action, love, friendship and old emotion of East. politic, crime and poetry. and interesting acting, smart script - not a surprise for the director of Ostrov. it is a special film for its flavor of atmosphere. common at first sigh, it represents a form of testimony and reflection of a dark reality who makes deep difference between East and West Europe.

I'm absolutely surprised that people in the West and especially in US watch this movie. Equally, I'm surprised they read War and Peace, Idiot, Crime and Punishment, Fathers and Sons etc.

This is not to say the movie is of the same magnitude as the books in the list, rather that it's equally deep and ought to be equally strange for a westerner. And, as usual, the moral of the story is ( kind of ) based on a piece of ( Galich, "One more time about the devil" ) poetry, and poetry is never easy to translate.

From my point of view, the story is entertaining and educating - to me. It's a little scary - to me, meaning "thank god I was too young to be a part of it", but it certainly is not "herky-jerky", characters are definitely well-developed. I was actually quite surprised how convincing the acting and the dialogs were.

Someone said the movie "asks more questions than it answers", I'd say it's what a good movie should do! Art is actually about asking questions, not answering them. If you want answers, turn to religion.

I rate the movie 10 out of 10 ( though it would be about 96 out of 100, some minor technicalities ).

Well, the good news is that this is definitely a very fun and entertaining piece of cinema. The bad news is that, like most movies with very few exceptions, it took a cool premise and failed short in delivering it. Storytelling needs a lot of polish, plot resolutions may seem dumb at times, and acting can range from very good to absolutely horrible from scene to scene and from actor to actor. There's very little that this "Russian Godfather" has to say that wasn't already said many times (and much better) in "Godfather", "Scarface", and "Once Upon a Time in America".

None of that matters when it comes to the fun factor - unless of course you're one of those self-professed "critics" who spend more time ogling pretty ladies than following the story twists that are neither confusing nor overly complicated, or people who think that any movie that talks about a serious and controversial topic should be strictly unbiased documentary. Be neither, and don't take the movie too seriously.

Oligarkh, is an average movie about a group of friends taking advantage of the opportunities "new Russia" offered after the dissolution of the Soviet Union. The movie has certain value in giving a rough sketch of how the vacuum left by the collapsed communist system was filled by various criminal elements. However, it fails to do that comprehensively, possibly because, as it targets the Russian audience, it assumes too much information. The transformation of the 'naive, jolly group of friends" into a vicious, ruthless, hierarchical criminal organization is not well demonstrated, phases of changes in characters' world views and emotions largely left to the imagination of the audience. Since the story is told going back and forth in time, some of the criticism can be overlooked, but one cannot help but notice some plot holes. Moreover, it ends in a quite cheesy way, reminding a cheap Hollywood B-movie, something I do not hope to see in a supposedly-sophisticated Russian movie.

The acting is generally good, but not outstanding. I thought supporting characters were more impressive than the hero, and I especially liked the commissar and his style. Direction is not bad, and actually it made me think that it was directed by a talented, but inexperienced director. It seems Lungin has a longer career than I expected.

Pavel Lungin's "Oligarkh" (alternately called "Tycoon" and "Tycoon: A New Russian" in English) looks at the free-for-all that dominated post-Soviet Russia. The protagonist becomes the richest man in the country through all manner of vile means. It was unfortunate that Boris Yeltsin, initially seen as a champion of democracy, sold his country off to the old functionaries who became oligarchs. Some have fallen from grace and even faced criminal prosecution, depending on which ones the government favors.

I understand that Platon Makovsky is based on Boris Berezovsky. It probably could have just as easily focused on any of the magnates who rose to prominence in the 1990s. The point is, these ruthless people turned the Russian Federation into their playground.

It's not a masterpiece, but worth seeing.