Monsieur N.

Although I am a native English-speaker I usually have no trouble following dialogue in French but I found the dialogue of this film very hard to follow.

I agree with a previous reviewer that the background music is obtrusive. Another problem is the switching from English into French, Corsican Italian, English and back again, which makes it harder to "tune in" to the speaker, and the British actors speak French with a heavy accent.

There are only French subtitles, and these are only for the parts of the dialogue which are spoken in English. Also, they cannot be read unless you have your screen format set to full wide-screen, so you are watching the film through a letterbox slot!

I did not find this to be Richard E Grant's best performance, and I agree with another reviewer that the "ageing" make-up was clumsy.

I shall watch it again, to see if I can pick up any more of the dialogue. It could have been a good film, but it was let down by what I think they call post-production. Perhaps they ran out of money? I expect they spent a lot on the costumes and locations.

In the beginning of the Nineteenth Century, Napoleon Bonaparte is sent to Saint Helena, an island in the middle of the South Atlantic. "Monsieur N." presents a version of the last days of this great leader through the eyes of the British officer assigned to be his liaison with the British governor of St. Helena.

I do not know details of the life of Napoleon Bonaparte in his exile, but this movie is very confused and I have not caught the objective and reasons of the search of Basil Heathcote for the last days of Napoleon Bonaparte in St. Helena and his body. The movie has an awesome cinematography, but is also too long and boring in some parts. Last but not the least, the DVD released in Brazil by the distributor "Casablanca Filmes" has problems with the subtitles, presenting partially most of them. When the dialogs are in English, I do not have problem to understand, but I have practically lost most of those in French. Imagine the situation of an average Brazilian viewer that can not understand English. The DVD has also a bug on 92:02 minutes, and the alternative is to go to the next chapter, and return to 92:50 minutes. My vote is six.

Title (Brazil): "Monsieur N."

What a surprise.....who thought that Antoine de Caunes of eurotrash fame would deliver such a fantastic film. The actors are without exception fantastic notably Phillippe Torreton as a thoroughly convincing Napoleon and Siobhan Hewlett a young actress who just lights up the screen...she plays the english love of Napoleon from 15, 20 and 40 flipping from french to english dialogue and i hear this is only her second job..she is definitely one to watch. Aside from the acting the film is visually stunning and so true to the period..i researched a lot about napoleon when i did my history degree and it really captures the essence of st helena where napoleon was exiled . go and see it

Viewers of this film need to be aware that the movie is VERY speculative--sort of a "what if" version of history. In this case, the "what if" is whether or not Napoleon could have escaped from his second exile--the one on St. Helena. However, instead of a documentary-style piece, it is a dramatization of those who knew him in his final years. And, it does a pretty convincing job in this department.

The acting, direction and writing well all good, though I think the movie might have benefited by a little bit more energy. After all, if it is asking us to suspend belief regarding the plot, perhaps they could have infused a little more energy. Oh well, I still enjoyed it and think lovers of history out there will feel the same.

PS--for parents, there is a brief nude scene. It's not THAT explicit, but you might want to consider this when letting your kids see this.

Of the thousands of movies I've seen so far, this is the first one which made me think of the "wasted talents" expression. I had never EVER seen so many fine actors giving so dreadful performances (Frédéric Pierrot, Elsa Zylberstein,and so on). The "aging" make-up is quite awful and, to make it worse, lit broadly. The use of music (e.g. love at first sight for the young aide de camp) is at times so caricatural that I could feel most spectators around me smile awkwardly. So far, Antoine de Caunes has been quite a good actor, but seeing this one and "les morsures de l'aube" I think he should start considering quitting. Please Antoine, give up that "master of balantree" project ; I doubt you deserve it.