Leo

This film held my interest from beginning to the very end with Joseph Fiennes, (Stephen) leaving a prison after serving a sentence of murdering a man and has been given a job at a dinner with some very strange people running the establishment. Dennis Hopper,(Horace) plays the role of a very dirty filthy old man who abuses a young waitress in sexual ways to degrade her. There are two central characters who appear in this film which has flashbacks with Elizabeth Shue, (Mary Bloom) who is a very attractive young woman who is married to a professor and lives in a very comfortable home and has a young girl. Mary Bloom is told that her husband is having an affair and Mary reacts by making love to a man who is painting her home and from this point in the film everything begins to turn into many different kinds of mysterious events. Great acting by the entire cast and especially the performance of Elizabeth Shue. Enjoy

A quiet man who's a gifted writer (Joseph Fiennes) gets out of prison in Mississippi and immediately starts writing in his motel room while working at a nearby restaurant where he has to deal with the local loudmouth (Dennis Hopper). Meanwhile a woman struggles with her moral failings as she lives in an antebellum mansion (Elisabeth Shue). Sam Shepard, Justin Chambers, Deborah Kara Unger and Mary Stuart Masterson are also on hand.

"Leo" (2002) is Southern Gothic that mixes elements of "Sling Blade" (1996), "Blue Velvet" (1986) and "Two Moon Junction" (1988) with a little "Forrest Gump" (1994). While nowhere near the entertainment level of "Forrest," it's arguably on par with the others. It was Mehdi Norowzian's only feature-length film and his (currently) last one, which is a shame because it certainly shows that he knows how to make an aesthetically appealing motion picture.

If you appreciate those movies, give it a try. I value it for its artistic style and the quality cast, but the storytelling could've been more compelling and less ambiguous on certain points. I'll have to view it again soon to try to figure out those muddy aspects. I'd say more, but I don't want to give anything away.

The film runs 1 hour, 43 minutes, and was shot in Oxford, Mississippi, and Charleston, South Carolina.

GRADE: B-

I agree with the reviewer who wrote that "Leo" is vulnerable to charges of being pretentious. It also dips into melodrama in a couple scenes involving Dennis Hopper's stock villain, and some of the other characters needed to be fleshed out more. However, I would much rather see a first time director tackle a project with the complexity and ambition of "Leo" than to have them make yet another pseudo wry, post modern, Tarantino imitation, or, worse, a boring, routine slasher film. Therefore, I applaud Mehdi Norowzian for his effort, even if his reach may currently exceed his grasp. I will look forward to seeing future efforts from a director who obviously has talent. BTW, I think one of the "external reviews" makes an issue of Norowzian's background in commercial work. I don't understand the negative view of this. Many talented filmmakers got their start directing commercials or music videos. Robert Altman made industrial films before his first, undistinguished feature, which starred future "Billy Jack," Tom McLoughlin. A person has to learn their craft somewhere. There are only so many Orson Welles types who spring forth a genius in their first effort.

Why had I never heard of this movie until I saw it sitting on the video store shelf? I hadn't seen Elisabeth Shue in anything really good lately, and I hadn't seen Joseph Fiennes in anything since Shakespeare In Love, so I didn't have high hopes for this movie. But I'd have to say it's one of the best I've seen in a long time.

This is one of those movies in which different story lines converge into one towards the end of the film. Fiennes is a recently released convict, having served 15 years for murder. Shue portrays a lonely wife and, later, a seemingly heartless mother. While both actors are great in this movie, Shue in particular is shocking (in a good way). Shue is unfailingly likable, whether playing a babysitter or a hooker, so seeing her as Mommy Dearest is both unsettling and refreshing. Having been in the industry for nearly 2 decades when this movie was released, it's exciting to see the (still gorgeous) actress making yet another Leaving Las Vegas-style breakthrough.

I don't want to give away any important plot points, so suffice it to say that this movie left me with the same disturbed, depressed, yet greatly moved feeling that I get from movies like American Beauty. Don't let the fact that most people have never heard of it keep you from picking it up during your next trip to the video store.

The movie itself is a kind of southern Gothic drama with a very distinct cinematographic approach. The storyline is made up of two subtly intertwining narrative layers that make the movie as a whole hard to grasp at the first look, but thoroughly convincing as an independent character study at last. Very complex material in terms of plot and narrative style, very gloomy and depressing in terms of character portrayal and very distinct in terms of pace and cinematography. A convincing and experienced cast round off the movie's basic quality. The complexity and the unusual style might make it hard to digest for the masses, but it is a real gem for people who like to look beyond the surface and dive into the mind of the protagonist.