VALUTAZIONE IMDb
3,7/10
21.560
LA TUA VALUTAZIONE
Due agenti dell'FBI e della DIA sono a caccia l'uno dell'altra, ma presto scopriranno di essere coinvolti in un comploto che ha come obbiettivo una nuova arma letale.Due agenti dell'FBI e della DIA sono a caccia l'uno dell'altra, ma presto scopriranno di essere coinvolti in un comploto che ha come obbiettivo una nuova arma letale.Due agenti dell'FBI e della DIA sono a caccia l'uno dell'altra, ma presto scopriranno di essere coinvolti in un comploto che ha come obbiettivo una nuova arma letale.
- Regia
- Sceneggiatura
- Star
- Premi
- 5 candidature totali
Roger Cross
- Zane
- (as Roger R. Cross)
Recensioni in evidenza
Oh my. Where do I start with this one. Let me just say, this is the film that turned me off from Hollywood action films for good. Swayed by the cool poster and sweet tv ads, I actually paid $10 to see this at the cinema. Boy, was I a fool. I was expecting to see a fun, enjoyable action flick, but that isn't what I got. This excuse for an action film has to be the most boring and dull excuses for a movie I've ever seen. Don't listen to those who tell you it's a fun, mindless action film... it's not. Sure, there are lots of explosions, guns, martial arts and what not... but it has nothing to back it up. The script is flat, the actors are terrible and the story is full of plotholes. Sure, Lucy Liu beats up a lot of people... but her character is so boring and emotionless that she doesn't come off as cool as she should have. I mean, she barely says a word throughout the whole movie. Yes, lines DO matter in an action film. It all plays out like a video game... and I can see why; it was intended to be one. They should'nt have made a movie out of it though. Avoid this one at all costs, unless you're too easily pleased.
When I say "Ballistic: Ecks vs. Sever" was incredible, I don't mean that in a good way. All the main characters are current or former US federal agents, presumably to keep it interesting, but all the action takes places in Vancouver, BC, which, last time I looked, was not in the United States. The basic storyline was fairly straightforward (and rather hackneyed), but the motivations of the various characters were utterly incomprehensible. The film was somewhat on the short side, and I couldn't escape the feeling that the three scenes which might have tied together the loose ends inexplicably ended up on the cutting room floor. Banderas phoned in his performance (for God's sake, enunciate, man), and the musical score was just irritating. The only two things "Ballistic" had going for it were the presence of some rarely-seen hardware (fun for you firearms buffs) and some spectacular action sequences (though these were plagued by some annoying clichés, such as a protective vest preventing all injury to a character, and henchmen showing complete disregard for personal safety), and these were simply not enough to save this turkey. Avoid.
Start out with the Lucy Liu character. Wear a long coat and slacks everywhere you go. Look into a mirror and erase every expression you have. Speak about once every few hours.
Then you can do the Banderas character. Don't shave. Muss your hair. Put 15 jumbo olives in your mouth when you speak. Shuffle when you walk.
Oh yeah special effects. Let the gas on your stove run for about 10 seconds without lighting it. Then light it. Say "Boom". Repeat 100 times.
You can get a copy of the script really easy: Buy 10 comic books. Tear a couple of pages out of each one and staple the pieces together. Be sure that they don't fit too well together. They don't even have to be right side up.
If you do this, you won't need to rent this stinker.
Then you can do the Banderas character. Don't shave. Muss your hair. Put 15 jumbo olives in your mouth when you speak. Shuffle when you walk.
Oh yeah special effects. Let the gas on your stove run for about 10 seconds without lighting it. Then light it. Say "Boom". Repeat 100 times.
You can get a copy of the script really easy: Buy 10 comic books. Tear a couple of pages out of each one and staple the pieces together. Be sure that they don't fit too well together. They don't even have to be right side up.
If you do this, you won't need to rent this stinker.
`Ballistic: Ecks vs. Sever' has been saddled with not only one of the worst movie titles in recent memory, but one of the worst screenplays as well. The film's third-rate espionage plot makes no sense at all and serves basically as a lame excuse for endless explosions, shootouts and double-flipping car chases, which have become the standard accoutrements for virtually every action picture since `Bullitt' in 1968.
The problem with `Ballistic' is that the viewer can never tell who is doing what to whom or why and we never care. The film is really all about style anyway. How else to account for the rather ludicrous image of Lucy Liu - looking more like a fashion model out on a shoot than a trained killer doing the shooting herself - strolling in elegant slow motion through the streets of Vancouver, wiping out what seems to be an entire hit squad with a combination of superhuman marksmanship and Matrix-like kickboxing moves? With her ankle-length designer coat and her icy-cool demeanor, she looks like Calvin Klein's idea of what the well-dressed assassin should be wearing this season. It's enough to reduce the whole enterprise to the level of comic absurdity and, indeed, I often found myself laughing out loud at many of the ostensibly serious shenanigans occurring in the film. The flashbacks, which are obviously intended to clarify the characters' relationships, are so poorly done that they actually end up making the whole story more muddled and confusing. (And, although the child-kidnapping scenario is never as offensive in this film as it is in `Trapped,' one can still question the propriety of filmmakers running to this theme with the kind of frequency they seem to have been doing of late).
Antonio Banderas makes up the other half of the film's title (he is Ecks, she Sever), and one only wonders what he could have been thinking about when he signed on to co-star in this particular project. `Ballistic' is utterly dispensable moviemaking: here today, forgotten tomorrow, a film utterly without distinction, conviction or purpose.
The problem with `Ballistic' is that the viewer can never tell who is doing what to whom or why and we never care. The film is really all about style anyway. How else to account for the rather ludicrous image of Lucy Liu - looking more like a fashion model out on a shoot than a trained killer doing the shooting herself - strolling in elegant slow motion through the streets of Vancouver, wiping out what seems to be an entire hit squad with a combination of superhuman marksmanship and Matrix-like kickboxing moves? With her ankle-length designer coat and her icy-cool demeanor, she looks like Calvin Klein's idea of what the well-dressed assassin should be wearing this season. It's enough to reduce the whole enterprise to the level of comic absurdity and, indeed, I often found myself laughing out loud at many of the ostensibly serious shenanigans occurring in the film. The flashbacks, which are obviously intended to clarify the characters' relationships, are so poorly done that they actually end up making the whole story more muddled and confusing. (And, although the child-kidnapping scenario is never as offensive in this film as it is in `Trapped,' one can still question the propriety of filmmakers running to this theme with the kind of frequency they seem to have been doing of late).
Antonio Banderas makes up the other half of the film's title (he is Ecks, she Sever), and one only wonders what he could have been thinking about when he signed on to co-star in this particular project. `Ballistic' is utterly dispensable moviemaking: here today, forgotten tomorrow, a film utterly without distinction, conviction or purpose.
1/2 out of ****
I'm not typically a particularly demanding moviegoer when it comes to action films; just give me well-choreographed mayhem set amidst a plot that makes a little bit of a sense or a few engaging characters and I'll probably be reasonably pleased. Ballistic fails to follow even that, which explains why the film bored the hell out of me. I'm almost hesitant to say this, but the latest straight-to-video Jean-Claude Van Damme schlock might actually be better than Ballistic, which was arguably 2002's worst film (I've never seen Rollerball).
There's something of a plot here, but I'm not entirely sure what the hell was going on. Antonio Banderas plays FBI Agent Ecks, Lucy Liu is Agent Sever, and the two of them are duking it out because they somehow have crossed paths with a wealthy man (Gregg Henry) who is determined to smuggle a small electronic device that can assassinate its intended victim via heart attack. Mixed up in it all is Talisa Soto as Banderas' supposedly dead wife, only she's not really dead. Much mayhen ensues.
Ballistic is directed by Kaos, a Thai filmmaker who apparently wanted his movies to live up to his name. This is his first American feature and he shows almost no ability in crafting an action sequence. Martial arts fights that should get the adrenaline-pumping are so stiltedly choreographed, it'll inspire either laughs or yawns. Kaos also goes overboard on the slow motion, ensuring there's never an opportunity for the fight scenes to build momentum. And this is the only film I can think of where the people involved in a car chase actually follow the speed limit!
I feel a bit sorry for the cast here, particularly Lucy Liu, whose martial arts talents are squandered here. To date, she hasn't been much of an actress, but she looks and convincingly acts tough so such a role here must have seemed like a good idea. For Banderas, this is the third film where he has trouble with mysterious women. I've heard of typecasting, but never to such a ridiculous extent. The only thing keeping this guy's career afloat is Robert Rodriguez and that Spy Kids franchise.
I'm not typically a particularly demanding moviegoer when it comes to action films; just give me well-choreographed mayhem set amidst a plot that makes a little bit of a sense or a few engaging characters and I'll probably be reasonably pleased. Ballistic fails to follow even that, which explains why the film bored the hell out of me. I'm almost hesitant to say this, but the latest straight-to-video Jean-Claude Van Damme schlock might actually be better than Ballistic, which was arguably 2002's worst film (I've never seen Rollerball).
There's something of a plot here, but I'm not entirely sure what the hell was going on. Antonio Banderas plays FBI Agent Ecks, Lucy Liu is Agent Sever, and the two of them are duking it out because they somehow have crossed paths with a wealthy man (Gregg Henry) who is determined to smuggle a small electronic device that can assassinate its intended victim via heart attack. Mixed up in it all is Talisa Soto as Banderas' supposedly dead wife, only she's not really dead. Much mayhen ensues.
Ballistic is directed by Kaos, a Thai filmmaker who apparently wanted his movies to live up to his name. This is his first American feature and he shows almost no ability in crafting an action sequence. Martial arts fights that should get the adrenaline-pumping are so stiltedly choreographed, it'll inspire either laughs or yawns. Kaos also goes overboard on the slow motion, ensuring there's never an opportunity for the fight scenes to build momentum. And this is the only film I can think of where the people involved in a car chase actually follow the speed limit!
I feel a bit sorry for the cast here, particularly Lucy Liu, whose martial arts talents are squandered here. To date, she hasn't been much of an actress, but she looks and convincingly acts tough so such a role here must have seemed like a good idea. For Banderas, this is the third film where he has trouble with mysterious women. I've heard of typecasting, but never to such a ridiculous extent. The only thing keeping this guy's career afloat is Robert Rodriguez and that Spy Kids franchise.
Lo sapevi?
- QuizThe film grossed less than 30% of its budget at the box office, making it one of the biggest box-office failures in film history.
- BlooperEcks lets the BMW bike fall when he stops in front of the car. It's standing upright in the next shot.
- Colonne sonoreThe Name Of The Game
Performed by The Crystal Method
Composed by Ken Jordan (as K. Jordan), Scott Kirkland (as S. Kirkland),
Tom Morello (as T. Morello)
Published by EMI Virgin Music, Harder Faster Music, EMI Virgin Songs, Inc., Drug Money Music and LBV Songs
Courtesy of Geffen Records under license from Universal Music Enterprises
(P) 2001 Outpost Recordings
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Dettagli
- Data di uscita
- Paesi di origine
- Lingua
- Celebre anche come
- Permiso para matar
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 70.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 14.307.963 USD
- Fine settimana di apertura Stati Uniti e Canada
- 7.010.474 USD
- 22 set 2002
- Lordo in tutto il mondo
- 20.154.899 USD
- Tempo di esecuzione
- 1h 31min(91 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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