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Bobby

  • 2006
  • R
  • 1h 57min
VALUTAZIONE IMDb
7,0/10
43.515
LA TUA VALUTAZIONE
Bobby (2006)
Theatrical Trailer from Weinstein Co.
Riproduci trailer2: 22
3 video
99+ foto
BiografiaDrammaDramma politicoStoria

Aggiungi una trama nella tua linguaThe destinies of 22 people of different races, sexes, beliefs, and social classes are intertwined on the night that politician Robert F. Kennedy is assassinated.The destinies of 22 people of different races, sexes, beliefs, and social classes are intertwined on the night that politician Robert F. Kennedy is assassinated.The destinies of 22 people of different races, sexes, beliefs, and social classes are intertwined on the night that politician Robert F. Kennedy is assassinated.

  • Regia
    • Emilio Estevez
  • Sceneggiatura
    • Emilio Estevez
  • Star
    • Anthony Hopkins
    • Demi Moore
    • Sharon Stone
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,0/10
    43.515
    LA TUA VALUTAZIONE
    • Regia
      • Emilio Estevez
    • Sceneggiatura
      • Emilio Estevez
    • Star
      • Anthony Hopkins
      • Demi Moore
      • Sharon Stone
    • 281Recensioni degli utenti
    • 100Recensioni della critica
    • 54Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 6 vittorie e 25 candidature totali

    Video3

    Bobby (2006)
    Trailer 2:22
    Bobby (2006)
    Breaking Bobby Bones: Grand Canyon Cliffhanger
    Trailer 5:00
    Breaking Bobby Bones: Grand Canyon Cliffhanger
    Breaking Bobby Bones: Grand Canyon Cliffhanger
    Trailer 5:00
    Breaking Bobby Bones: Grand Canyon Cliffhanger
    Breaking Bobby Bones
    Trailer 1:03
    Breaking Bobby Bones

    Foto275

    Visualizza poster
    Visualizza poster
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    + 268
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    Interpreti principali90

    Modifica
    Anthony Hopkins
    Anthony Hopkins
    • John
    Demi Moore
    Demi Moore
    • Virginia
    Sharon Stone
    Sharon Stone
    • Miriam Ebbers
    Harry Belafonte
    Harry Belafonte
    • Nelson
    Joy Bryant
    Joy Bryant
    • Patricia
    Nick Cannon
    Nick Cannon
    • Dwayne
    Emilio Estevez
    Emilio Estevez
    • Tim
    Laurence Fishburne
    Laurence Fishburne
    • Edward
    Brian Geraghty
    Brian Geraghty
    • Jimmy
    Heather Graham
    Heather Graham
    • Angela
    Helen Hunt
    Helen Hunt
    • Samantha
    Joshua Jackson
    Joshua Jackson
    • Wade
    David Krumholtz
    David Krumholtz
    • Agent Phil
    Ashton Kutcher
    Ashton Kutcher
    • Fisher
    Shia LaBeouf
    Shia LaBeouf
    • Cooper
    Lindsay Lohan
    Lindsay Lohan
    • Diane
    William H. Macy
    William H. Macy
    • Paul
    Svetlana Metkina
    Svetlana Metkina
    • Lenka
    • Regia
      • Emilio Estevez
    • Sceneggiatura
      • Emilio Estevez
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti281

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    Recensioni in evidenza

    10highkite

    One of the best of the year

    If you're sitting in the back row of a theater, hiding your tears as the credits roll for a movie, you know it delivered the emotional effect it was aiming for. I was lucky enough to catch "Bobby" at the Toronto Film Festival -- its North American premier -- and what I got was an incredibly beautiful story, cinematically gripping to say the least.

    Like in all great ensemble movies, "Bobby" offers a stellar cast, none of whom disappoint. From the neurotic and self-conscious character of Samantha (played by Helen Hunt) to the outspoken, confident Edward Robinson (Laurence Fishburne), there is a vast mixture of personalities that work to provide a complex interwoven plot line. But the most notable performance (and the most surprising) is that of Virginia Fallon. Brillianty portrayed by Demi Moore, Virginia is a foul-mouthed, insecure alcoholic who sways around on screen in delicate form, both heartbreaking and beautiful to watch.

    Director-writer Emilio Estevez put his heart into this project. The direction is without a doubt highly impressive. The subtle colorful hues reflect the emotional grip of each scene, and extenuate a modern feel to the film. He puts us head-first in the crowd that witnessed the assassination of Robert F. Kennedy, on what would seem to be one of the most heartbreaking moments in American history.

    But what really stands out in this movie is not the screenplay, nor directing, nor acting. The emotional intensity is brilliantly brought out through the use of sound. An actual audio footage of RFK is heard in the background as the tense score sways by over the muted dialogue. And what works for this type of film-making is the amount of anticipation it builds up, and even after pivotal scenes, the impact it leaves on the audience.

    There is a key scene in the movie in which all the characters prepare to greet RFK when the energy of the entire screen seemingly drips with positivity towards the American society. It's as though we forget the fatal tragedy and give into the thought of this story having a happy ending. We are reminded of classic ensemble films such as "Short Cuts", "Magnolia" and "Crash" and immediately juxtapose that feeling.

    Though I do fear that politically this movie may not hit home for a lot of the critics once it hits a wide release, it is definitely going to leave a lasting impression on the majority who sees it. It's a movie that presents a magnificent cast, superb directing, and flawless scriptwriting. An undoubtedly obvious ingredient for the Awards season.
    9f_dodds

    A film that helps us understand what was lost in 1968

    "Fear not the path of truth for the lack of people walking on it." June 6th, 1968 (From the last speech Bobby gave) At a time when through out the world we seem to have lost our way and our belief in our political leaders is perhaps at its lowest ebb…. we see a reminder of what we had lost.

    The sixties saw the assassination of John, Martin Malcolm and Bobby. As one of the actors says in the film "Bobby …… our last chance". We can only imagine what a different world we might have had had they lived.

    When it premiered at the Venice Film Festival (http://www.labiennale.org/en/cinema/ ) it received a seven minute standing ovation. The film's tagline is He saw wrong and tried to right it. He saw suffering and tried to heal it. He saw war and tried to stop it.

    There are some icons of that time and one is the election poster of Robert F Kennedy from 1968 (http://www.rfkmemorial.org/ ).

    Bobby is written and directed surprisingly by Emilio Estevez and features an amazing cast of stars. It is a fictional account of the lives of several people affected by and during the final hours of Senator Robert F Kennedy's life on the 6th of June 1968 as he attempted to become the Democratic candidate for President of the US. The film includes Anthony Hopkins playing the former doorman at the hotel where Kennedy was killed; other stars include Elijah Wood, Demi Moore, Sharon Stone, Christian Slater, Heleb Hunt, Harry Belafonte and my favourite TV President, President Bartlet (Martin Sheen).

    "Our gross national product does not allow for the health of our children, the quality of their education, or the joy of their play. It does not include the beauty of our poetry or the strength of our marriages, the intelligence of our public debate or the integrity of our public officials. It measures neither our wit nor our courage, neither our wisdom nor our learning, neither our compassion nor our devotion to our country; it measures everything, in short, except that which makes life worth while. And it can tell us everything about America except why we are proud that we are Americans." 1967 RFK For a generation it was Bobby who represented dashed hopes and dreams of a better world we might have had, which was cruelly taken away. At the Ambassador Hotel in Los Angeles on June 4th 1968, he left the ballroom after having won the all important California and South Dakota Primaries. He went through a service area to greet supporters working in the hotel's kitchen. While moving through a crowded kitchen passageway, Sirhan B Sirhan a 24-year-old Palestinian, fired a .22 calibre revolver directly into the crowd surrounding Kennedy. Kennedy, who was shot in the head at close range and also six other people were wounded. Although wounded he remained conscious for about 20 minutes where his concern was about others he was heard to say "Is everybody all right?" He was taken to Central Receiving Hospital and then Good Samaritan Hospital for emergency brain surgery. I was at school at the time in Melbourne in Derbyshire and the school put a room aside for any children to watch the news throughout the day to see if he survived lessons were put aside. He died there at the age of 42 in the early morning hours.

    With his death the darkness seemed to descend having lost Martin Luther King already that year.

    "A revolution is coming--a revolution which will be peaceful if we are wise enough; compassionate if we care enough; successful if we are fortunate enough--But a revolution which is coming whether we will it or not. We can affect its character; we cannot alter its inevitability." 1966 RFK He had just completed three and half years as one of the Senators for New York. He had helped to start a successful redevelopment project in poverty stricken Bedford Stuyvsant in New York City bringing business back into areas of New York they had left years before.

    He had an ability to speak to people across divides in US society of the time which were strong. He managed to pull together a coalition of poor -- black and whites, middle class he spoke forcefully in favour of what he called the "disaffected," the impoverished, and "the excluded,".

    The film gives a wondrful feeling as if you are really still living that hope.

    "Few will have the greatness to bend history; but each of us can work to change a small portion of events, and in the total of all those acts will be written the history of this generation ... It is from numberless diverse acts of courage and belief that human history is thus shaped. Each time a man stands up for an ideal, or acts to improve the lot of others, or strikes out against injustice, he sends forth a tiny ripple of hope, and crossing each other from a million different centres of energy and daring, those ripples build a current which can sweep down the mightiest " RFK It is my hope that this film will help to inspire a new generation for public service.
    7tccandler

    An interesting, if somewhat cluttered, Altman-esquire film...

    This movie suffers from Attention Deficit Disorder... I feel like I missed out on the details of each character.

    You may not have suspected that this film is one of the biggest mysteries of 2006. I mean, how on earth did Emilio "Might Duck" Estevez command enough clout to assemble this stunning cast??? I am stumped. Nevertheless...

    "Bobby" feels very much like a stylistic copy of Robert Altman's work -- perhaps a lighter version of Paul Thomas Anderson's operatic ensembles. You know the types of films I am referring to -- "Nashville", "Magnolia", "Short Cuts", Boogie Nights" -- the huge casts, varying story lines, interconnectivity, etc.

    The events in this film all take place at Los Angeles' famed Ambassador Hotel in the moments leading up to the assassination of Robert Kennedy in 1968. There is the story of the nostalgic doorman who plays chess in the lobby. There is the story of the wasted night club singer. There is the story of a young girl who agrees to marry her friend so he doesn't have to go to Vietnam. There is the story of the racist food and beverage manager. There is the story of the bored married couple. There is the story of the political aides tripping on LSD. There is the story of the hairdresser... the cook.. the thief... his wife... and her lover -- Okay, fine... that's another film. There may even be a partridge in a pear tree somewhere along the way. "Bobby" is a sprawling film that may have jammed a little too much in between the credits.

    That being said, the film is a model of professionalism. There are some fine performances. The costuming and make-up is so colorful and vivid as to become a character in and of itself. The editing is the film's highlight, cleverly blending original footage with fictional scenes.

    The best performances come from William H. Macy, Anthony Hopkins, Lindsay Lohan & Svetlana Metkina. Hopkins plays wistful better than anyone ever has. Lohan has been called the "heart of the film" by Estevez himself. She gives the film an emotional connection and displays a level of acting talent that will surprise many audiences. Metkina has a few moments that will amuse you.

    A few performances stray a little over the top -- Demi Moore is a prime example of that. She breaks the understated tone of the film. Also, the entire trippy scene with Ashton Kutcher struck me as entirely wasted.

    The film winds down to the fateful event in the kitchen when Sirhan Sirhan ends the dream of many Americans. The film hints that this particular event may have been even more significant than the assassinations of either JFK or MLK. It hints that the course of the country shifted drastically that night. It hints, somewhat overtly, at the present situation we find ourselves in with world politics. And the words of Robert Kennedy echo sadly in the final chapter of the film.

    There is so much crammed into this movie that it almost demands a second viewing. It is not that one can't keep up, but that each character gets so little screen time that it feels necessary to visit them again in order to get their full effect. I think that Estevez shows great promise here, but he may have overloaded his buffet plate -- and who can blame him with so much talent at his disposal.

    © Written by TC Candler IndependentCritics.com
    Kirpianuscus

    impressive

    ...is the right word about this film who has three basic virtues - the touching story, the wise ideas and the great cast. it is not easy to say why this film is real special. maybe, for the change of perspective. about politic, about America and about the profound revolution changing a society. the only decent word - see it ! maybe, for discover a surprising director giving his film as pledge for values, as map of beautiful characters, as history lesson. and as useful support for reflection.
    8BCCDiva

    Good Snapshot of history

    I recently had a pre-screening for "Bobby" at my college and I have to say this was a good film. I didn't know what to expect with Emilo Estevez directing, writing and acting. But he pulled it off. To me he wrote a very real movie. He had everyday people with everyday problems. The characters even talked like "real" people, profanity and all. The movie didn't feel like a docudrama and that I think that made it even better. All the stories were complete and made you care about the characters. Most importantly you could tell how important Bobby Kennedy was to all these characters and America as a whole. This movie will be a great movie for high schoolers to see so they can know how life was during that time.(it was like a snapshot of history) I hope this movie does well at the box office. I gave it an eight but I almost gave it a seven. I gave it an eight because the next day my friends were still quoting the movie. That is a very good sign. Esp. if college students are doing it. If you like any of the actors in the movie it is worth a shot.

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    Trama

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    Lo sapevi?

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    • Quiz
      At one point during the script development, after developing a case of what writer and director Emilio Estevez called "paralyzing writer's block," Estevez set the script aside. Later, he checked into a remote hotel on the Central California Coast, near Pismo Beach, to work on the script. When he checked in, the woman at the desk recognized him, and asked what he was doing there. "I'm writing a script about the night Bobby Kennedy was killed," he told her. Tears instantly welled in her eyes. "I was there," she replied. Estevez interviewed the woman, who had been a volunteer for Robert F. Kennedy in 1968. He turned her personal story, which included marrying a young man to keep him out of Vietnam, into the Diane Howser character. Estevez said, "She really helped me crack the spine of the story and give it a beating heart. After that, it just started to flow."
    • Blooper
      The credits include the closing speech detailing the speech as "Robert F. Kennedy's speech, 'On The Mindless Menace of Violence.' The credits say it was delivered in Indianapolis, Indiana on April 5, 1968. This is incorrect; Robert Kennedy gave a speech on Martin Luther King, Jr.'s death in Indianapolis on the previous day but gave the speech presented on the recording at the City Club of Cleveland in Cleveland, Ohio.
    • Citazioni

      Robert F. Kennedy: [voiceover] This is a time of shame and sorrow. It is not a day for politics. I have saved this one opportunity, my only event of today, to speak briefly to you about the mindless menace of violence in America which again stains our land and every one of our lives. It is not the concern of any one race. The victims of the violence are black and white, rich and poor, young and old, famous and unknown. They are, most important of all, human beings whom other human beings loved and needed. No one - no matter where he lives or what he does - can be certain who will suffer from some senseless act of bloodshed. And yet it goes on and on and on in this country of ours. Why? What has violence ever accomplished? What has it ever created? No martyr's cause has ever been stilled by an assassin's bullet. No wrongs have ever been righted by riots and civil disorders. A sniper is only a coward, not a hero; and an uncontrolled, uncontrollable mob is only the voice of madness, not the voice of reason. Whenever any American's life is taken by another American unnecessarily - whether it is done in the name of the law or in the defiance of the law, by one man or a gang, in cold blood or in passion, in an attack of violence or in response to violence - whenever we tear at the fabric of the life which another man has painfully and clumsily woven for himself and his children, the whole nation is degraded. "Among free men," said Abraham Lincoln, "there can be no successful appeal from the ballot to the bullet; and those who take such appeal are sure to lose their cause and pay the costs." Yet we seemingly tolerate a rising level of violence that ignores our common humanity and our claims to civilization alike. We calmly accept newspaper reports of civilian slaughter in far-off lands. We glorify killing on movie and television screens and call it entertainment. We make it easy for men of all shades of sanity to acquire whatever weapons and ammunition they desire. Too often we honor swagger and bluster and wielders of force; too often we excuse those who are willing to build their own lives on the shattered dreams of others. Some Americans who preach non-violence abroad fail to practice it here at home. Some who accuse others of inciting riots have by their own conduct invited them. Some look for scapegoats, others look for conspiracies, but this much is clear: violence breeds violence, repression brings retaliation, and only a cleansing of our whole society can remove this sickness from our soul. For there is another kind of violence, slower but just as deadly destructive as the shot or the bomb in the night. This is the violence of institutions; indifference and inaction and slow decay. This is the violence that afflicts the poor, that poisons relations between men because their skin has different colors. This is the slow destruction of a child by hunger, and schools without books and homes without heat in the winter. This is the breaking of a man's spirit by denying him the chance to stand as a father and as a man among other men. And this too afflicts us all. I have not come here to propose a set of specific remedies nor is there a single set. For a broad and adequate outline we know what must be done. When you teach a man to hate and fear his brother, when you teach that he is a lesser man because of his color or his beliefs or the policies he pursues, when you teach that those who differ from you threaten your freedom or your job or your family, then you also learn to confront others not as fellow citizens but as enemies, to be met not with cooperation but with conquest; to be subjugated and mastered. We learn, at the last, to look at our brothers as aliens, men with whom we share a city, but not a community; men bound to us in common dwelling, but not in common effort. We learn to share only a common fear, only a common desire to retreat from each other, only a common impulse to meet disagreement with force. For all this, there are no final answers. Yet we know what we must do. It is to achieve true justice among our fellow citizens. The question is not what programs we should seek to enact. The question is whether we can find in our own midst and in our own hearts that leadership of humane purpose that will recognize the terrible truths of our existence. We must admit the vanity of our false distinctions among men and learn to find our own advancement in the search for the advancement of others. We must admit in ourselves that our own children's future cannot be built on the misfortunes of others. We must recognize that this short life can neither be ennobled or enriched by hatred or revenge. Our lives on this planet are too short and the work to be done too great to let this spirit flourish any longer in our land. Of course we cannot vanquish it with a program, nor with a resolution. But we can perhaps remember, if only for a time, that those who live with us are our brothers, that they share with us the same short moment of life; that they seek, as do we, nothing but the chance to live out their lives in purpose and in happiness, winning what satisfaction and fulfillment they can. Surely, this bond of common faith, this bond of common goal, can begin to teach us something. Surely, we can learn, at least, to look at those around us as fellow men, and surely we can begin to work a little harder to bind up the wounds among us and to become in our own hearts brothers and countrymen once again.

    • Connessioni
      Featured in Siskel & Ebert & the Movies: Casino Royale/Happy Feet/Bobby/Fast Food Nation/Candy/Come Early Morning (2006)
    • Colonne sonore
      Love and Light
      Written by Jeff Rona

      Performed by Luxurious

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    Dettagli

    Modifica
    • Data di uscita
      • 19 gennaio 2007 (Italia)
    • Paese di origine
      • Stati Uniti
    • Lingue
      • Inglese
      • Spagnolo
    • Celebre anche come
      • El día que mataron a Kennedy
    • Luoghi delle riprese
      • Ambassador Hotel - 3400 Wilshire Boulevard, Los Angeles, California, Stati Uniti
    • Aziende produttrici
      • The Weinstein Company
      • Bold Films
      • Bobby
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 14.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 11.242.801 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 69.039 USD
      • 19 nov 2006
    • Lordo in tutto il mondo
      • 20.718.608 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 57 minuti
    • Colore
      • Color
    • Mix di suoni
      • SDDS
      • Dolby Digital
      • DTS
    • Proporzioni
      • 2.35 : 1

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