VALUTAZIONE IMDb
6,6/10
10.970
LA TUA VALUTAZIONE
Un gangster insensibile cerca di rovinare la vita di una giovane ragazza che lo ha rifiutato. La costringe a prostituirsi e la spia regolarmente, poi presto inizia a innamorarsi di lei.Un gangster insensibile cerca di rovinare la vita di una giovane ragazza che lo ha rifiutato. La costringe a prostituirsi e la spia regolarmente, poi presto inizia a innamorarsi di lei.Un gangster insensibile cerca di rovinare la vita di una giovane ragazza che lo ha rifiutato. La costringe a prostituirsi e la spia regolarmente, poi presto inizia a innamorarsi di lei.
- Regia
- Sceneggiatura
- Star
- Premi
- 4 vittorie e 3 candidature totali
Kim Yun-tae
- Yun-tae
- (as Yun-tae Kim)
Kim Jeong-yeong
- Eun-hye
- (as Kim Jung-young)
Min Nam-koong
- Hyun-su
- (as Gung-Min Nam)
Recensioni in evidenza
Another gem from Kim-Ki-Duk, very complex movie in terms of concept and screenplay. Even hard to digest, what is right, what is wrong...lines are blurred.
You'd like to hate the character of Han-Ki very much but you'll be forced to like him. Evoked a mixture of emotions in me...its brutal in its sense, sensual in its sense...a totally different grammar for emotions...
Once again, Kim-Ki-Duk beautifully used silence in the movie and the main character (as usual??) is silent for major part of the movie. This is not everyone's cup-of-tea, so beware if you are thinking of watching it...you may find it bad
You'd like to hate the character of Han-Ki very much but you'll be forced to like him. Evoked a mixture of emotions in me...its brutal in its sense, sensual in its sense...a totally different grammar for emotions...
Once again, Kim-Ki-Duk beautifully used silence in the movie and the main character (as usual??) is silent for major part of the movie. This is not everyone's cup-of-tea, so beware if you are thinking of watching it...you may find it bad
Kim Ki-duk's seventh movie could have been so much more. Romantising forced prostitution is not a very sensible decision. Lets face it the film is meant to be uncomfortable viewing, but by the end it was to much, and the final message put forth seemed a grave mistake - if you force sex on a girl enough she will eventually love you and stay with you forever even if she is still forced to sell herself (now thats shocking)!! As for the film making, in general it was disappointing, a horrible shaky POV shot to show a character's drunkenness - that is lazy film-making, and the use of bad music, added to the blatant romanticism of a serious issue. Some valid attempts made at portraying the nasty realism of the red light district were again undercut by cheesy romance! Although there is no doubt that Kim Ki-duk is a talented filmmaker (see 'Spring, Summer' for a fine example), this film showcases little of this.
10sain11
This is an extremely good film - highly recommended. It will not be to everyone's taste, but if you are not afraid of thinking during a film then you should find plenty to take away from this one.
Bad Guy is a film based on the central premise of a relationship built between what is effectively a hostage-taker and his hostage. What transpires is a stream of abuses, power-shifts, emotional turmoil, love, hate, violence, sex, and almost every other aspect of life. This is an extremely original story, well told, with fascinating characters that are extremely human... both the good and bad sides of humanity.
The production values are very high, great acting, direction, cinematography, script, music, everything is top notch.
Typically, Korean films are very much based in real characters, social issues, and have an earthy approach that humanises their films beyond those of most countries. Bad Guy is no exception... while it is violent, confrontational, and decidedly dark, it bristles with underlying emotion and shows life without the rose coloured glasses.
The characters are at times extremely emotional, and at others almost entirely emotionally void as they struggle constantly to keep their balance in circumstances that are spiraling around them.
This is not an 'easy' film, in that it does not hand feed the viewer, there are no 'Jaws' style music queues to let you know when to be scared. You will need to work out how to feel for yourself with this one, which is fairly rare in this day and age.
As said earlier, this movie is not for everyone, however if the concept sounds like something that interests you, then you should enjoy this film. If on the other hand you don't like the idea of watching a film based on the idea of a man forcing a woman into a life of sexual servitude, then stay well away from this film.
Bad Guy is a film based on the central premise of a relationship built between what is effectively a hostage-taker and his hostage. What transpires is a stream of abuses, power-shifts, emotional turmoil, love, hate, violence, sex, and almost every other aspect of life. This is an extremely original story, well told, with fascinating characters that are extremely human... both the good and bad sides of humanity.
The production values are very high, great acting, direction, cinematography, script, music, everything is top notch.
Typically, Korean films are very much based in real characters, social issues, and have an earthy approach that humanises their films beyond those of most countries. Bad Guy is no exception... while it is violent, confrontational, and decidedly dark, it bristles with underlying emotion and shows life without the rose coloured glasses.
The characters are at times extremely emotional, and at others almost entirely emotionally void as they struggle constantly to keep their balance in circumstances that are spiraling around them.
This is not an 'easy' film, in that it does not hand feed the viewer, there are no 'Jaws' style music queues to let you know when to be scared. You will need to work out how to feel for yourself with this one, which is fairly rare in this day and age.
As said earlier, this movie is not for everyone, however if the concept sounds like something that interests you, then you should enjoy this film. If on the other hand you don't like the idea of watching a film based on the idea of a man forcing a woman into a life of sexual servitude, then stay well away from this film.
I saw this at the Melbourne International Film Festival (2002) and I think it's safe to say that it was the most uncomfortable and unpleasant cinematic experience I have ever had (and I loved 'La Pianiste'). One hour into it I was praying it would finish soon - I watched people leave the cinema with envy and regret. Only sheer bloodymindedness kept me sitting there until the end but I would have been happy if someone could have told me what happened. It left me with a nasty taste in my mouth that even large amounts of comfort food could not shift. It wasn't explicit in the way 'Baise Moi' was (although I could hardly watch one particular scene). No, what made it repulsive was how the story played itself out. The plot was wafer-thin after the girl joined the brothel and the film just seemed to go on and on. Dialogue and interesting characters - don't expect them here. I cannot comment on the artistic quality of the film - to me, a few interesting images do not a great movie make.
Beauty and the Beast was an original tale written by a French author in 1756 and is considered the gold standard for "unusual" love stories.
(The best movie version of the original story was also done by a French film-maker and reviewed here by this writer -- La Belle et La Bete) I am guessing that if you go back far enough you will find many versions of equally twisted love stories through history, because love at its core is not always the stuff of Valentine cards.
This extraordinary film is about love, it is also about justice, it is also about impulse control.
It also gives a whole meaning to the term "unrequited love." I recommend it but suggest you leave your expectations at the door. Even the publicists for the film seem to have got it wrong -- the artwork for the DVD suggest a seamy sex movie and in fact that approach is completely wrong.
Amazing.
(The best movie version of the original story was also done by a French film-maker and reviewed here by this writer -- La Belle et La Bete) I am guessing that if you go back far enough you will find many versions of equally twisted love stories through history, because love at its core is not always the stuff of Valentine cards.
This extraordinary film is about love, it is also about justice, it is also about impulse control.
It also gives a whole meaning to the term "unrequited love." I recommend it but suggest you leave your expectations at the door. Even the publicists for the film seem to have got it wrong -- the artwork for the DVD suggest a seamy sex movie and in fact that approach is completely wrong.
Amazing.
Lo sapevi?
- QuizDirector Trademark (Kim Ki-duk): Han-ki remains a mute character for much of the film.
- Curiosità sui creditiThe last shot shows a truck with an orange cover going down a road in the distance. When the end credits begin, the truck becomes a small orange square that remains on the screen for the entire duration of the end credits.
- ConnessioniReferenced in Arirang (2011)
- Colonne sonoreI tuoi fiori
Written and Performed by Etta Scollo
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
- How long is Bad Guy?Powered by Alexa
Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Mal chico
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo in tutto il mondo
- 62.100 USD
- Tempo di esecuzione1 ora 40 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti