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Mona Lisa Smile

  • 2003
  • T
  • 1h 57min
VALUTAZIONE IMDb
6,6/10
96.250
LA TUA VALUTAZIONE
POPOLARITÀ
2896
926
Julia Roberts in Mona Lisa Smile (2003)
Trailer for Mona Lisa Smile
Riproduci trailer2: 32
9 video
78 foto
Coming-of-AgeWorkplace DramaDrama

Una docente libera pensatrice di storia dell'arte insegna alle ragazze conservatrici di Wellesley degli anni cinquanta a mettere in discussione i propri ruoli tradizionali all'interno della ... Leggi tuttoUna docente libera pensatrice di storia dell'arte insegna alle ragazze conservatrici di Wellesley degli anni cinquanta a mettere in discussione i propri ruoli tradizionali all'interno della società.Una docente libera pensatrice di storia dell'arte insegna alle ragazze conservatrici di Wellesley degli anni cinquanta a mettere in discussione i propri ruoli tradizionali all'interno della società.

  • Regia
    • Mike Newell
  • Sceneggiatura
    • Lawrence Konner
    • Mark Rosenthal
  • Star
    • Julia Roberts
    • Kirsten Dunst
    • Julia Stiles
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,6/10
    96.250
    LA TUA VALUTAZIONE
    POPOLARITÀ
    2896
    926
    • Regia
      • Mike Newell
    • Sceneggiatura
      • Lawrence Konner
      • Mark Rosenthal
    • Star
      • Julia Roberts
      • Kirsten Dunst
      • Julia Stiles
    • 317Recensioni degli utenti
    • 93Recensioni della critica
    • 45Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 6 candidature totali

    Video9

    Mona Lisa Smile
    Trailer 2:32
    Mona Lisa Smile
    Mona Lisa Smile
    Trailer 2:30
    Mona Lisa Smile
    Mona Lisa Smile
    Trailer 2:30
    Mona Lisa Smile
    Mona Lisa Smile Scene: I'm Educating You
    Clip 1:17
    Mona Lisa Smile Scene: I'm Educating You
    Mona Lisa Smile Scene: You're Not Required To Like It
    Clip 1:17
    Mona Lisa Smile Scene: You're Not Required To Like It
    Mona Lisa Smile Scene: Do I Look Like Her?
    Clip 0:55
    Mona Lisa Smile Scene: Do I Look Like Her?
    Mona Lisa Smile Scene: Ladies Choice
    Clip 1:00
    Mona Lisa Smile Scene: Ladies Choice

    Foto78

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
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    + 71
    Visualizza poster

    Interpreti principali99+

    Modifica
    Julia Roberts
    Julia Roberts
    • Katherine Ann Watson
    Kirsten Dunst
    Kirsten Dunst
    • Betty Warren
    Julia Stiles
    Julia Stiles
    • Joan Brandwyn
    Maggie Gyllenhaal
    Maggie Gyllenhaal
    • Giselle Levy
    Ginnifer Goodwin
    Ginnifer Goodwin
    • Connie Baker
    Dominic West
    Dominic West
    • Bill Dunbar
    Juliet Stevenson
    Juliet Stevenson
    • Amanda Armstrong
    Marcia Gay Harden
    Marcia Gay Harden
    • Nancy Abbey
    John Slattery
    John Slattery
    • Paul Moore
    Marian Seldes
    Marian Seldes
    • President Jocelyn Carr
    Donna Mitchell
    Donna Mitchell
    • Mrs. Warren
    Terence Rigby
    Terence Rigby
    • Dr. Edward Staunton
    Jennie Eisenhower
    Jennie Eisenhower
    • Girl at the Station
    Leslie Lyles
    • Housing Director
    Laura Allen
    Laura Allen
    • Susan Delacorte
    Topher Grace
    Topher Grace
    • Tommy Donegal
    Lily Lodge
    • House Matron
    Jordan Bridges
    Jordan Bridges
    • Spencer Jones
    • Regia
      • Mike Newell
    • Sceneggiatura
      • Lawrence Konner
      • Mark Rosenthal
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti317

    6,696.2K
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    Recensioni in evidenza

    8jwbeller

    Will raise the spirits of all but the most hard hearted.

    My granddaughters like to watch movies over and over. With Mona Lisa Smile, I'm with them. This is a movie that will lift you up and make you smile.

    Some reviewers on this site claim the movie has a liberal agenda. Well, if its liberal to want young ladies to consider all their options and be able to reach for the stars - if they choose, then who can disagree. Label me with an "L".

    Recent movies that I will watch again include Groundhog Day, In America, The Emperor's Club, and In & Out. If you liked most of these, watch this movie.

    You won't be disappointed. And be sure to watch the credits at the end, the part done to the song "The Heart of Every Girl." The older generation will really relate.
    8zetes

    Much better than I expected

    Another film about a progressive teacher trying to teach her students how to think outside of the box. Fortunately, unlike School of Rock, my views on which were accosted last week, I left Mona Lisa Smile mostly satisfied with what I had seen. No, it's not especially revelatory or surprising. You can more or less guess what's going to happen to each character by the end. But it does leave a little more room for characterization, for slightly unexpected outcomes, and it doesn't telegraph its moments quite so rigidly as the Linklater film. Julia Roberts is an actress about whom I feel nothing; I neither like nor dislike her. I think this is one of her better performances, certainly much better than her Oscar winning role in Erin Brockovich. She plays the progressive art history teacher, who arrives at Welsley to learn that all of her students have already studied the textbook from cover to cover, and can answer any question that might arise from the class's current syllabus. The curriculum and Roberts' superiors are strict in what they want to teach about art, but Roberts veers towards teaching what the textbook will not despite them. The superiors are unhappy with her course, but some of the students are opened up to the experience. Outside of class, Roberts faces as large a challenge. Most of her students have completely resigned to the idea that they are destined for marriage and nothing more. The status quo must be challenged. The students are a nice range of characters. Kirsten Dunst plays the most conservative, who is about to be married when the film opens. She, of course, rejects Roberts' ideals. On the other end of the spectrum is Maggie Gyllenhaal, who is the sexually promiscuous girl who idealizes her teacher. Slightly left of center is Ginnifer Goodwin and right of center Julia Stiles. These four characters are set up very mechanically, of course, but the characters succeed (and this can be said about all of the other characters of the movie, including Roberts', who are all rather mechanical) on the quality of acting. Each of the performers are wonderful. They manage to make you care, which is something that didn't happen with School of Rock, whose performers (with the one exception of Joan Cusack) were adequate or worse. I especially loved Marcia Gay Harden, giving another one of the best performances of 2003, as Roberts' roommate, who teaches etiquette. She's a pathetic, tragicomic image of what some of the girls will become if they insist that the traditional concept of womanhood remain unchanged. The film also boasts exceptional technical qualities. It's simply very well made. 8/10.
    tonstant viewer

    This Picture Is Better Than It Should Be

    This is the kind of movie that is easy to pan, but deserves better. Yes, the premise is familiar, the plot is formulaic, the characters seem like you've met them before.

    But...

    "The devil is in the details," as they say, and this picture has just enough surprises, just enough charm, just enough fine acting to make it worth watching. Movies do not have to be real to be worthwhile, they just have to be about real things. The questions "Mona Lisa Smile" covers are still very much with us, and may provoke considerable discussion in your house. This film is respectful enough of its subject matter and well-enough executed to make it a much better way to spend your time than most of what's out there now. Don't believe the sourpusses, this one's a good'un.
    8pancakes27

    Either you're gonna love it or you won't.

    I just watched this movie in the theatres as it was released just a few days ago overhere. What can you expect from it? You've seen the trailers... It looks pretty much like Dead Poet's Society doesn't it? But with women instead? :-D.

    Well, I had that feeling indeed. It felt like Dead Poet's Society during some periods in the movie. But overall, it was still different. The surface story isn't that complicated and easy to follow. It's nothing new either. But it was displayed very well.

    Sure, it's about a teacher... her passion to teach and the way she outwitted the students to get the best out of them... It also shows the way a good teacher cares for their students and so forth... and the way contradicting ideas may blind one's ideas and actions, towards those who they are meant for. Did that sentence sound weird or what? :).

    You can't go wrong with the cast here. You've got Julia Roberts, Kirsten Dunst, Julia Stiles, Maggie Gyllenhaal, Ginnefer Goodwin, etc. They played great in the movie.

    Julia Roberts is just great at playing these emotional roles. It was believable as well. I at least could feel the frustration which she had. Her character is more of a confused type. She reminded me of Michelle Pfeiffer in Dangerous Minds... There was basically a mixture of confusion and dedication... thus as a teacher, despite how sure of she may be of her teaching methods, you also sense a nervousness in her... a feeling of uncertainty as to whether her methods of getting the messages across to the students or not will work. I thought Julia Roberts did a great job in that area.

    Kirsten was just excellent. You could feel the internal turmoil going through her throughout the movie. One might argue that she had a pretty wack role and that she overacted etc. but I don't agree with that. She's practically a heartless b**** through the movie, but you can't help but understand why. The same goes for Julia and Maggie. Just the way they were depicted in the movie, you really felt for them. Ginnefer Goodwin's character was also funny and emotional to watch.

    Marcia Gay Harden, as Julia's friend was great. She was a pretty funny character to watch, but at the same time, you just can't help but feel sorry for her.

    Times have changed... from those times and now. Many might watch this movie and go, "Uhm, okay, what's the big deal?" But the problem is that women have gone through a great ordeal and struggle to get to where they are today in society. Even today, they still fight to gain respect in many areas in the world today.

    I've heard many bad comments about this movie. And funnily enough, most of them come from guys... whilst the females found it a bit better. There were some negative comments but many said that they loved it, but felt that it wasn't a movie for everyone.

    The movie tackling the issue of feminism only touches upon a small part of it all of course. One cannot tackle the whole aspect of feminism in any one single movie at all, and I found the focus to be good enough. There are many stereotypes here and I found them necessary to get the points across. If it were not for the stereotypes, people would be wondering what the point really was. But now that there are stereotypes, people will complain about them.

    I thought that it was a bit too short. It could have focused a bit more on the other characters in the movie... i.e. the girls in school. A few more subplots and build ups may have been better. There was a little foreshadowing in the movie but one couldn't help but wonder where the movie was going. But what overcame this, from my point of view, was that you just felt that you wanted to get to know the characters in the movie more. The more you knew about each character, the more the characters knew about one another. I thought that was quite nice.

    I would advise everyone with an open mind for dramas to go watch this movie. If guys see this movie as a "chick flick"... they really won't know what to expect cause this would be "the most THE chick flick for chicks" if you get my drift. I'm a guy and I found it entertaining... Whether it was insightful or not, I wouldn't say it was, due to experiences and stories throughout my life.

    The movie isn't without flaws... There could have been even more character build up if only the director's were given more film to record the picture. But do watch this if you can :). It'll be worth the time, if you're patient enough :).
    7TheLittleSongbird

    Well made and earnest period drama that ticks most of the right boxes, but never quite convinces

    This was a decent period drama, and while it ticks most of the right boxes it never quite convinces. For one thing, while the story focusing on feminism in the 1950s is on the whole intriguing, there are parts when there is not a lot going on, causing occasional pacing problems. While there are some delicious lines from Julia Roberts and Kirsten Dunst especially, the screenplay wasn't as intricately crafted as it could have been and fell into the danger of being too stereotyped. Mike Newell's direction is able, and while the transition from tradition and progression clashing is well captured, it is sometimes too overly simplistic so the film doesn't quite give enough authenticity.

    Despite these flaws, there is still a lot to recommend it. The film is very well made, with dazzling cinematography and picturesque scenery. And the costumes, hairstyles and makeup were beautiful. The music is lovely, very pleasant and soothing. Making the most of their rather stereotypical characters, the actors acquit themselves well. I admit it, I don't often care for Julia Roberts, but here she makes for a sympathetic lead as the unconventional art lecturer and does it more than adequately. Solidly supporting her as the students are Julia Stiles, Maggie Gyllanhaal and Kirsten Dunst especially. The film is ably directed too, and is emotionally manipulative, not in a bad way though. All in all, it is a very earnest and well made film, but as a drama it doesn't quite convince as much as it should've done. 7/10 Bethany Cox

    Trama

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    Lo sapevi?

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    • Quiz
      In order to prepare for their roles, the leads were all put through a finishing school two weeks prior to filming. However, in contrast to the film's depiction, Wellesley College was never a finishing school. It was a private women's liberal arts college which emphasized social activism.
    • Blooper
      At the wedding, champagne is served in flute glasses. They were rarely used until the 1970s, when drier vintages became preferred. In the 1950s, champagne was served in champagne coupe (or saucer) glasses. They are still used in champagne fountains at weddings.
    • Citazioni

      Betty Warren: [Narrating] My teacher, Katherine Watson, lived by her own definition, and would not compromise that. Not even for *Wellesley*. I dedicate this, my last editorial, to an extraordinary woman who lived by example and compelled us all to see the world through new eyes. By the time you read this, she'll be sailing to Europe, where I know she'll find new walls to break down and new ideas to replace them with. I've heard her called a quitter for leaving, an aimless wanderer. But not all who wander are aimless, especially not those who seek truth beyond tradition, beyond definition, beyond the image.

    • Curiosità sui crediti
      The end credits for the prominent cast and crew are set in front of vintage footage and advertisements showing women in the 1940s and '50s.
    • Connessioni
      Featured in Late Night with Conan O'Brien: Jude Law/Maggie Gyllenhaal/Michelle Branch (2003)
    • Colonne sonore
      Lift Thine Eyes
      from "Elijah"

      Written by Felix Mendelssohn

      Performed by Wellesley College Chamber Singers

      Lisa Graham Conductor

      Under license from Wellesley College Chamber Singers

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    Dettagli

    Modifica
    • Data di uscita
      • 19 dicembre 2003 (Italia)
    • Paese di origine
      • Stati Uniti
    • Siti ufficiali
      • Columbia Tristar (France)
      • Sony Pictures Entertainment
    • Lingue
      • Inglese
      • Italiano
    • Celebre anche come
      • La sonrisa de Mona Lisa
    • Luoghi delle riprese
      • Wellesley, Massachusetts, Stati Uniti
    • Aziende produttrici
      • Revolution Studios
      • Red Om Films
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 65.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 63.860.942 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 11.528.498 USD
      • 21 dic 2003
    • Lordo in tutto il mondo
      • 141.337.989 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 57 minuti
    • Colore
      • Color
    • Mix di suoni
      • DTS
      • Dolby Digital
      • SDDS
    • Proporzioni
      • 1.85 : 1

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