Una docente libera pensatrice di storia dell'arte insegna alle ragazze conservatrici di Wellesley degli anni cinquanta a mettere in discussione i propri ruoli tradizionali all'interno della ... Leggi tuttoUna docente libera pensatrice di storia dell'arte insegna alle ragazze conservatrici di Wellesley degli anni cinquanta a mettere in discussione i propri ruoli tradizionali all'interno della società.Una docente libera pensatrice di storia dell'arte insegna alle ragazze conservatrici di Wellesley degli anni cinquanta a mettere in discussione i propri ruoli tradizionali all'interno della società.
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Recensioni in evidenza
Some reviewers on this site claim the movie has a liberal agenda. Well, if its liberal to want young ladies to consider all their options and be able to reach for the stars - if they choose, then who can disagree. Label me with an "L".
Recent movies that I will watch again include Groundhog Day, In America, The Emperor's Club, and In & Out. If you liked most of these, watch this movie.
You won't be disappointed. And be sure to watch the credits at the end, the part done to the song "The Heart of Every Girl." The older generation will really relate.
But...
"The devil is in the details," as they say, and this picture has just enough surprises, just enough charm, just enough fine acting to make it worth watching. Movies do not have to be real to be worthwhile, they just have to be about real things. The questions "Mona Lisa Smile" covers are still very much with us, and may provoke considerable discussion in your house. This film is respectful enough of its subject matter and well-enough executed to make it a much better way to spend your time than most of what's out there now. Don't believe the sourpusses, this one's a good'un.
Well, I had that feeling indeed. It felt like Dead Poet's Society during some periods in the movie. But overall, it was still different. The surface story isn't that complicated and easy to follow. It's nothing new either. But it was displayed very well.
Sure, it's about a teacher... her passion to teach and the way she outwitted the students to get the best out of them... It also shows the way a good teacher cares for their students and so forth... and the way contradicting ideas may blind one's ideas and actions, towards those who they are meant for. Did that sentence sound weird or what? :).
You can't go wrong with the cast here. You've got Julia Roberts, Kirsten Dunst, Julia Stiles, Maggie Gyllenhaal, Ginnefer Goodwin, etc. They played great in the movie.
Julia Roberts is just great at playing these emotional roles. It was believable as well. I at least could feel the frustration which she had. Her character is more of a confused type. She reminded me of Michelle Pfeiffer in Dangerous Minds... There was basically a mixture of confusion and dedication... thus as a teacher, despite how sure of she may be of her teaching methods, you also sense a nervousness in her... a feeling of uncertainty as to whether her methods of getting the messages across to the students or not will work. I thought Julia Roberts did a great job in that area.
Kirsten was just excellent. You could feel the internal turmoil going through her throughout the movie. One might argue that she had a pretty wack role and that she overacted etc. but I don't agree with that. She's practically a heartless b**** through the movie, but you can't help but understand why. The same goes for Julia and Maggie. Just the way they were depicted in the movie, you really felt for them. Ginnefer Goodwin's character was also funny and emotional to watch.
Marcia Gay Harden, as Julia's friend was great. She was a pretty funny character to watch, but at the same time, you just can't help but feel sorry for her.
Times have changed... from those times and now. Many might watch this movie and go, "Uhm, okay, what's the big deal?" But the problem is that women have gone through a great ordeal and struggle to get to where they are today in society. Even today, they still fight to gain respect in many areas in the world today.
I've heard many bad comments about this movie. And funnily enough, most of them come from guys... whilst the females found it a bit better. There were some negative comments but many said that they loved it, but felt that it wasn't a movie for everyone.
The movie tackling the issue of feminism only touches upon a small part of it all of course. One cannot tackle the whole aspect of feminism in any one single movie at all, and I found the focus to be good enough. There are many stereotypes here and I found them necessary to get the points across. If it were not for the stereotypes, people would be wondering what the point really was. But now that there are stereotypes, people will complain about them.
I thought that it was a bit too short. It could have focused a bit more on the other characters in the movie... i.e. the girls in school. A few more subplots and build ups may have been better. There was a little foreshadowing in the movie but one couldn't help but wonder where the movie was going. But what overcame this, from my point of view, was that you just felt that you wanted to get to know the characters in the movie more. The more you knew about each character, the more the characters knew about one another. I thought that was quite nice.
I would advise everyone with an open mind for dramas to go watch this movie. If guys see this movie as a "chick flick"... they really won't know what to expect cause this would be "the most THE chick flick for chicks" if you get my drift. I'm a guy and I found it entertaining... Whether it was insightful or not, I wouldn't say it was, due to experiences and stories throughout my life.
The movie isn't without flaws... There could have been even more character build up if only the director's were given more film to record the picture. But do watch this if you can :). It'll be worth the time, if you're patient enough :).
Despite these flaws, there is still a lot to recommend it. The film is very well made, with dazzling cinematography and picturesque scenery. And the costumes, hairstyles and makeup were beautiful. The music is lovely, very pleasant and soothing. Making the most of their rather stereotypical characters, the actors acquit themselves well. I admit it, I don't often care for Julia Roberts, but here she makes for a sympathetic lead as the unconventional art lecturer and does it more than adequately. Solidly supporting her as the students are Julia Stiles, Maggie Gyllanhaal and Kirsten Dunst especially. The film is ably directed too, and is emotionally manipulative, not in a bad way though. All in all, it is a very earnest and well made film, but as a drama it doesn't quite convince as much as it should've done. 7/10 Bethany Cox
Lo sapevi?
- QuizIn order to prepare for their roles, the leads were all put through a finishing school two weeks prior to filming. However, in contrast to the film's depiction, Wellesley College was never a finishing school. It was a private women's liberal arts college which emphasized social activism.
- BlooperAt the wedding, champagne is served in flute glasses. They were rarely used until the 1970s, when drier vintages became preferred. In the 1950s, champagne was served in champagne coupe (or saucer) glasses. They are still used in champagne fountains at weddings.
- Citazioni
Betty Warren: [Narrating] My teacher, Katherine Watson, lived by her own definition, and would not compromise that. Not even for *Wellesley*. I dedicate this, my last editorial, to an extraordinary woman who lived by example and compelled us all to see the world through new eyes. By the time you read this, she'll be sailing to Europe, where I know she'll find new walls to break down and new ideas to replace them with. I've heard her called a quitter for leaving, an aimless wanderer. But not all who wander are aimless, especially not those who seek truth beyond tradition, beyond definition, beyond the image.
- Curiosità sui creditiThe end credits for the prominent cast and crew are set in front of vintage footage and advertisements showing women in the 1940s and '50s.
- Colonne sonoreLift Thine Eyes
from "Elijah"
Written by Felix Mendelssohn
Performed by Wellesley College Chamber Singers
Lisa Graham Conductor
Under license from Wellesley College Chamber Singers
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- La sonrisa de Mona Lisa
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 65.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 63.860.942 USD
- Fine settimana di apertura Stati Uniti e Canada
- 11.528.498 USD
- 21 dic 2003
- Lordo in tutto il mondo
- 141.337.989 USD
- Tempo di esecuzione1 ora 57 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1