Il codice

because shot a 'beautiful' gangster movie. There is nothing beautiful in this movie: lighting is flat and the composition of the frames are uninteresting at best. It's a mess because the story is totally inconclusive. After watching it on the big screen all that's memorable is a monster shoot out at the end. Sound design is unbearable with all its bigger than life gunshots and door slams. The production tried to make a Hollywood style epic but failed miserably.

The story of a part of life between two friends in Paris. Boot come from outside the central of Paris, they come from the poor part, the difficult part, a city nearest Paris. They growth together and they start to steel motorbikes together. After four years in jail, the first man wants to stop definitely to live has a bandit and he wants to find the right way of live. A story where the gangs try to get more and more money and respect. The men want to get money quickly as possible and tray to follow they dreams and they illusions. A nice movie, may be nearest the reality of gangs. The presence of women stay outside the main history, near doesn't exist. Good presence of very good french actors and also the second job actors. A nice picture anyways and a very good screen-player. A movie to watch absolutely.Good Bibi.

This is an excellent film. It's classic mob-drama. Something we've forgotten in this age of kung-fu fighting, wire-swinging, bullet-dodging one-liner screen-heroes. The acting is outstanding. Samy Naceri & Samuel Le Bihan are an impressive duo, in particular Samuel Le Bihan is very convincing as the violent gangster with a past he's trying to forget and a life he's trying to straighten out. Inevitably his past catches up with him...

The director wants to make a beautiful gangster movie. From the cinematography to the music, it is beautiful. However, a beautiful movie and murderous gangs do not match quite well. If the director was making movies like 'Snow falling on Cedars' or 'Shine' then it would have been excellent. However, this film is just a mess.

Anyone could recognize this film as a tribute to HEAT and GOOD FELLAS in many scenes and characters, but that remains an excellent crime movie in the line of what the sixties or seventies gave us. Good character study and development. Gritty, poignant, especially the scene between Sami Naceri and his father, but I felt something ankward, clumsy, in the story telling though, I repeat, the intentions are honest and generous. Many clichés but we could not avoid them, not in this kind of film. Tragic, bloody, a real true French crime film, the rebirth of the early 2000s.