Levity

Thorton stars as a man who is free after serving 23 years for killing a teenager during an attempted robbery. After nearly two decades of staring at his victim's face on a newspaper clipping in his cell, the paroled man attempts to find redemption, in the form of a mysterious minister (Freeman) and two needy women (Dunst and Hunter).

I saw this film in the 99 cents store. I looked at the cast, which are great. I looked at the price, which was also great. And I read the plot in the back of the VHS, which got me to buy this film. It looked interesting. So there I watched the movie and I loved it! It's one of the best films ever made.

It was well crafted, beautifully cast, with a great script. I was moved and gripped. For me, this is Billy Bob Thornton's best performance, yet, although I haven't watched Monster's Ball, yet. His performance was superb, like everyone else in the cast, including Morgan Freeman, Holly Hunter, and Kirsten Dunst.

This film is subtle on everything. It keeps your attention and it is a good moral film. I never have much to say about great films, and it's no different here. If you see this film on the shelf, I suggest you to go buy it because it is your money's worth, although I bought it for 99 cents.

This first time director, Ed Solomon, makes an incredible change over from writing films for the masses, by writing and directing this introspective and moody look into the troubled souls of the fallen. I just caught up to it on cable. At any rate, it was well worth watching. This is an Indie that makes a statement without punching us in the head with it.

Manuel, the lifer that is released at the beginning of the film, ends up looking for a connection with the family of the convenient store clerk he shot and killed during his wild youth. Now, Manuel is older and wiser and knows that he has been spared from the mean streets. It doesn't seem logical for him to do so, but in a way, is his way to express his sorrow at the horror he caused by being reckless.

The encounter with Adele, and her acceptance of this odd man is a bit hard to understand. This woman reacts with caution at first, but realizes Manuel is harmless; thus begins the friendship between them, without a hint of the actual identity of Manuel.

The thing that didn't make sense is the presence of Sofia, a child of privilege in the seedy club that is near the soup kitchen that Miles, another mysterious character runs. Once we overcome those hurdles, it is easy to see where the director is taking us.

Billy Bob Thornton plays Manuel as a man on auto pilot. The world he encounters when he is released is a world so different from what he knew. Mr. Thornton gives another phenomenal performance. Holly Hunter makes an understated Adele. She approaches the character with an economy that is amazing, yet we know at all times what this woman is feeling.

Although Sofia, the young woman appears to be confused and out of place, Kirsten Dunst is quite effective as she plays her. The only one that does not convince us is Miles, perhaps because of Morgan Freeman's approach to this man. Dorian Harewood has a small, but intense moment in the story.

I can well understand why this misses the mark for so many people. A lack of the dramatics, no "twist" like "The Life of David Gale," retro dialog almost and Kirsten Dunst at her most irritating.

What you have is Billy Bob on another 'one man's redemption' kick, that he does just so well. The film is in the dialog, the gestures, the mannerisms. Holly Hunter's self deprecating comment early in the film when she admits to Billy Bob her expectation of the standards of her sexual partners had been lowered over the years , was one of cinemas greatest ever lines. (You'll know it when you hear it)

Freeman's flaky preacher is a stand-out despite variations to his voice modulation. Again, it all depends what you are expecting out of this film. best you expect nothing my friend - just let it unravel. It is both thought-provoking and emotionally strident.

I enjoyed it very much and would consider a rating of 8 reasonable.

I was fortunate enough to have been invited by a friend to preview this film at a press screening. Included in the press kit given to me at the screening was background information about the film which enhanced my viewing experience. What I found intriguing was the fact that the film was inspired by such a compelling personal experience. While attending UCLA (Writer-Director) Ed Solomon was tutoring a teenager in a maximum security juvenile prison. One of his students was a boy serving a life sentence for murder who carried around a photo of his victim, often holding and touching it. This experience was the catalyst for "LEVITY".

Written and directed by Ed Solomon who is best known for writing such comedies as "Bill & Ted's Excellent Adventures" and "Men in Black". This is an impressive directing debut.

The film stars Billy Bob Thornton, Morgan Freeman, Kirsten Dunst and Holly Hunter. This is a story of an ex con (Thornton) who is unexpectedly released early from prison for killing a teenager during an attempted robbery. He tries to find some kind of personal redemption with the help of minister (Freeman) and two woman (Hunter) and (Dunst).

I was immersed in the story almost immediately. The interaction between Freeman and Dunst is dynamic and authentic. The cast is exceptional and the perfomances outstanding. I found this film to be not only insightful,inspiring and thought provoking but it also had several FUNNY moments.

It is shot by four time Oscar nominated Director of Photography Roger Deakins who added pleasing imagery. Worth mentioning is the music of Mark Oliver Everett.

This film leaves a lasting impression and I found myself reflecting on it a few days after I saw it. I highly recommend this film and plan on seeing it again in April when it opens.

"Levity" (2003) Artfully melancholic. Real, perhaps even surreal as this story quietly, yet gracefully plumbs the depths between reality & perception, introspection, fate and (mis)fortune. Heart-wrenching in its sincerity.

The story revolves about a man freed from concrete walls and bars, but not of his conscious. What follows is a remarkable journey into the thought and life of a man seeking redemption. As his journey begins, he encounters the beginnings of a new life. Laid bare & unpretentious, the mood is set within the confines of what one may encounter upon re-entering society. The cinematography is excellent, appropriate and chillingly in-line with the theme of this movie. Top-notch actors in supporting roles make this film a "must see". This is, a great film.