VALUTAZIONE IMDb
6,3/10
6881
LA TUA VALUTAZIONE
Dopo due decenni di prigione per omicidio, un uomo viene rilasciato sulla parola e torna nella sua città natale in cerca di redenzione.Dopo due decenni di prigione per omicidio, un uomo viene rilasciato sulla parola e torna nella sua città natale in cerca di redenzione.Dopo due decenni di prigione per omicidio, un uomo viene rilasciato sulla parola e torna nella sua città natale in cerca di redenzione.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria in totale
Recensioni in evidenza
How does one make things right? Seek forgiveness? Where does redemption reside and how do you get there? How does a wounded soul reconcile guilt? This is a slow and thoughtful character study set during a grim and dreary winter in an urban town. This is not a Hollywood movie. It's raw with real life. It's apparent ugliness is its sheer inescapable beauty. Morality does exist no matter how we try to hide. Thornton, after spending over 20 years in prison for the murder of a young convenience store clerk during a robbery gone haywire in his youth, is drawn to return to his old neighborhood to visit the older sister of the young man he killed, played by Holly Hunter. She doesn't quite know who he really is since so many years have gone by. Thornton was content to live out his remaining years behind bars but must now face his past because his sentence was suddenly commuted. Bleak with melancholy, this type of film gets shunned by audiences and it's a shame. Morgan Freeman plays a mysterious soup kitchen minister who has his own issues, whom Thornton comes to work for. Freeman is a natural actor and believable in any role. The story unfolds slowly without gimmicks. At times, Thornton happens to find himself visited by the ghostly apparition of the young man whom he killed, while he is in the process of seeking resolution and atonement. His simple desire is to somehow make amends. He wants to be forgiven but, strangely, he is unable and unwilling to forgive himself. Unfortunately, unresolved redemption seems to be too deep a theme for contemporary audiences who are hooked on chills and thrills and pyrotechnics. This is an independent film, the kind that many people just don't get. A movie for your quiet time or a rainy night. Something different and refreshing. And no silly happy ending to mar the proceedings.
A recently paroled convict, who as a teenager shot and killed a young convenience store worker, is left to find his way in society; he's offered a custodial job from a hot-tempered, streetwise pastor, and hopes to connect with the sister of his victim in order to complete the cycle of redemption--but he finds it isn't that easy. Billy Bob Thornton gives a controlled, emotional performance that comes from deep within. The film isn't quite in balance--and has some quirky, uncertain moments near the beginning that either don't ring true or just don't feel natural--but stick with it and you might find resonance in the extraordinary acting and the way the story arcs in just the right way. Terrific casting and performances, atmospheric production and locales, several amazing, emotional moments. *** from ****
An Ed Solomon film starring Billy Bob Thornton, Morgan Freeman, Holly Hunter and Kirsten Dunst. This is a very personal film by the writer of Bill & Ted's Excellent Adventure and Men in Black. Too slow-moving for mainstream acceptance, this is nevertheless a movie of depth and compassion. It grapples with the issue of redemption, and leaves the audience with uncertainty that is nonetheless remarkably calming-hope without moralism. Thornton was . Thornton. He has the range of a tetherball. I don't think Morgan Freeman is at his best in this film. And we don't see enough of Holly Hunter to appreciate her. The film had some very funny moments, but I can't think of a less appropriate title. Having said all that, this movie is worth the trip because it is thought-provoking, subtle and oddly inspiring.
"Levity" (2003) Artfully melancholic. Real, perhaps even surreal as this story quietly, yet gracefully plumbs the depths between reality & perception, introspection, fate and (mis)fortune. Heart-wrenching in its sincerity.
The story revolves about a man freed from concrete walls and bars, but not of his conscious. What follows is a remarkable journey into the thought and life of a man seeking redemption. As his journey begins, he encounters the beginnings of a new life. Laid bare & unpretentious, the mood is set within the confines of what one may encounter upon re-entering society. The cinematography is excellent, appropriate and chillingly in-line with the theme of this movie. Top-notch actors in supporting roles make this film a "must see". This is, a great film.
The story revolves about a man freed from concrete walls and bars, but not of his conscious. What follows is a remarkable journey into the thought and life of a man seeking redemption. As his journey begins, he encounters the beginnings of a new life. Laid bare & unpretentious, the mood is set within the confines of what one may encounter upon re-entering society. The cinematography is excellent, appropriate and chillingly in-line with the theme of this movie. Top-notch actors in supporting roles make this film a "must see". This is, a great film.
Greetings again from the darkness. Simple story made interesting by the characters and environment. Billy Bob Thornton is our unconventional lead character. Very understated performance accurately captures the emotions of this repulsed, repentant killer. Sparkling Kirsten Dunst is unusually gritty in her sad portrayal of the pop star daughter putting up a false front. Morgan Freeman is effective as the community "reverend" with a secret. Best performance comes from Holly Hunter as frustrated mom/sister just trying to make sense of her world. Director Ed Solomon, known mostly for light weight writing, does a respectable job of capturing the pain of all the characters. Bleak world where each individual must furnish their own reason to keep going.
Lo sapevi?
- QuizEd Solomon wrote the screenplay over twenty years.
- BlooperDuring a scene at the soup kitchen, Miles wants help serving the soup and shoots a slice of bread at Manual to get his attention. The bread lands on Manual's tray next to his soup bowl. In the next shot, the slice of bread has disappeared.
- Citazioni
Miles Evans: For pay, I got a room at a hundred dollars a month, which you can work down to nothing if you'll help with cleaning.
Manuel Jordan: What makes you think I need a room?
Miles Evans: God told me. You're carrying your damn suitcase, man.
- Curiosità sui creditiThanks to ... Terry & Siobhan ... Cynthia, Evan and Olivia ...
- ConnessioniReferenced in The Dialogue: An Interview with Screenwriter Ed Solomon (2007)
- Colonne sonoreCool for Miles
Performed by Johnny Hawksworth (as Johnny Hawksworth)
Courtesy of DeWolfe Music
By arrangement with Media Creature Music
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Раскаяние
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 7.500.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 209.695 USD
- Fine settimana di apertura Stati Uniti e Canada
- 30.599 USD
- 6 apr 2003
- Lordo in tutto il mondo
- 723.040 USD
- Tempo di esecuzione1 ora 40 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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