Levity

A recently paroled convict, who as a teenager shot and killed a young convenience store worker, is left to find his way in society; he's offered a custodial job from a hot-tempered, streetwise pastor, and hopes to connect with the sister of his victim in order to complete the cycle of redemption--but he finds it isn't that easy. Billy Bob Thornton gives a controlled, emotional performance that comes from deep within. The film isn't quite in balance--and has some quirky, uncertain moments near the beginning that either don't ring true or just don't feel natural--but stick with it and you might find resonance in the extraordinary acting and the way the story arcs in just the right way. Terrific casting and performances, atmospheric production and locales, several amazing, emotional moments. *** from ****

An Ed Solomon film starring Billy Bob Thornton, Morgan Freeman, Holly Hunter and Kirsten Dunst. This is a very personal film by the writer of Bill & Ted's Excellent Adventure and Men in Black. Too slow-moving for mainstream acceptance, this is nevertheless a movie of depth and compassion. It grapples with the issue of redemption, and leaves the audience with uncertainty that is nonetheless remarkably calming-hope without moralism. Thornton was . Thornton. He has the range of a tetherball. I don't think Morgan Freeman is at his best in this film. And we don't see enough of Holly Hunter to appreciate her. The film had some very funny moments, but I can't think of a less appropriate title. Having said all that, this movie is worth the trip because it is thought-provoking, subtle and oddly inspiring.

If there is a common theme running through Billy Bob Thornton's dramatic roles, it would have to be a man's search for redemption. It can be found in SLING BLADE, A SIMPLE PLAN, THE MAN WHO WASN'T THERE, MONSTER'S BALL, THE BADGE, and again in LEVITY, the film directorial debut of screenwriter Ed Solomon. Unlike more 'commercial' actors, who would prefer playing innocent victims framed for crimes (or would be 'heroic' in committing 'justifiable' deeds), Thornton's characters are guilty of their trespasses, and accept their punishment as deserved. This gives his performances a sense of reality that is always interesting to watch.

In LEVITY, Thornton is Manual Jordan, a 'lifer' who has spent over twenty years in prison for shooting and killing a kid during a convenience store robbery, as a youth. The act was not a crime of passion, it was simply an involuntary reaction to a quizzical 'look' the kid gave him, an expression that would bond the two of them for years to come.

When a parole board decides to commute Jordan's sentence ("Why?" he asks, stunned by the decision after saying he was content to remain in prison), the middle-aged man finds himself alone in an alien, indifferent world, with only the kid's 'ghost' as company.

Jordan decides to try and help the victim's sister, Adele (the ageless Holly Hunter), without revealing his identity ("If you're trying to 'hit' on me," she quips, "I have to warn you, over the years, my standards have lowered..."). She has her hands full with a wild teenaged son, and can't quite figure out this taciturn, long-haired vagrant!

Answering a ringing pay phone, Jordan finds his way to a jaded lay minister (Morgan Freeman, excellent, as always), who, recognizing him as an ex-con, provides him with a place to stay, and a job, cleaning and directing teens from a dance club into the broken-down mission he runs, next door. When Jordan tells the old preacher that he doesn't believe in God, the old man snaps, "I'm not asking you to! I'm asking you to work!" One of the rowdy 'club' teens (Kirsten Dunst), the daughter of a 'one-hit wonder' singer on the skids, finds herself drawn to Jordan, despite his obvious disapproval of her lifestyle.

As with all the best 'indies', there is a richness of character in LEVITY, with each actor in top form. Subtly building to a surprising revelation and an emotional climax, the film may not appeal to audiences who prefer pyrotechnics to plot, but if you like movies with believable characters, and an involving story that unfolds at it's own pace, you may find it to be a very rewarding experience!

Thorton stars as a man who is free after serving 23 years for killing a teenager during an attempted robbery. After nearly two decades of staring at his victim's face on a newspaper clipping in his cell, the paroled man attempts to find redemption, in the form of a mysterious minister (Freeman) and two needy women (Dunst and Hunter).

I saw this film in the 99 cents store. I looked at the cast, which are great. I looked at the price, which was also great. And I read the plot in the back of the VHS, which got me to buy this film. It looked interesting. So there I watched the movie and I loved it! It's one of the best films ever made.

It was well crafted, beautifully cast, with a great script. I was moved and gripped. For me, this is Billy Bob Thornton's best performance, yet, although I haven't watched Monster's Ball, yet. His performance was superb, like everyone else in the cast, including Morgan Freeman, Holly Hunter, and Kirsten Dunst.

This film is subtle on everything. It keeps your attention and it is a good moral film. I never have much to say about great films, and it's no different here. If you see this film on the shelf, I suggest you to go buy it because it is your money's worth, although I bought it for 99 cents.

"Levity" (2003) Artfully melancholic. Real, perhaps even surreal as this story quietly, yet gracefully plumbs the depths between reality & perception, introspection, fate and (mis)fortune. Heart-wrenching in its sincerity.

The story revolves about a man freed from concrete walls and bars, but not of his conscious. What follows is a remarkable journey into the thought and life of a man seeking redemption. As his journey begins, he encounters the beginnings of a new life. Laid bare & unpretentious, the mood is set within the confines of what one may encounter upon re-entering society. The cinematography is excellent, appropriate and chillingly in-line with the theme of this movie. Top-notch actors in supporting roles make this film a "must see". This is, a great film.