Le brasier ardent

This is a movie that requires several viewings to appreciate. It has a sort of hypnotic charm and oddness about it that I found gripped my attention throughout, even when I wasn't exactly sure I was understanding the message.

Ivan Mosjoukine plays the famous Detective Z who is hired by a husband to investigate his wife and persuade her to leave Paris and move with him to South America. The plot is superficially a standard detective story, but it has so many bizarre twists it ends up defying categorization. Mosjoukine shows his great talent for comedy in this film, and has a playfulness and charm that are really adorable. He's such a little boy, dissolving in tears when his heart is broken, and then bouncing with delight when all ends well.

There's one scene in this movie that's too difficult to describe, but it's a sort of crazed women's dance marathon, and the way it ends - with the women turning the tables and making the men all dance frenetically together - is so funny, it made me laugh out loud in a way no other silent movie has ever done. The sets have an overpowering, surreal effect - the human beings are always moving about in rooms and on staircases that are far bigger than anything a normal person would experience. The scene where the husband blunders into the detective agency, and is confronted by a synchronized line of tuxedoed detectives on traveling chairs that slide about in formation, is quite unforgettable. It's like a cross between a Fred Astaire dance number and a Kafka nightmare. The ending has a twist I never saw coming, and probably was a big reason why the movie failed at the box office. It's a happy ending, but just bizarre - even in France, I can't imagine an audience in 1923 thinking that this was a believable way to end a quasi-mystery, no matter how well Mosjoukine prepared them in advance with all the surrealist details. I'd really like to see this movie completely restored; it is visually exciting, and deserves a wider audience. Come to think of it, the time may be right for someone even to remake it - it's quite outside of any real time period, and would not come across as dated at all.

I saw "Le brasier ardent" in Paris last fall on the Cine Cinema Classic channel on French cable television. This intriguing film combines several genres including romantic comedy, surrealism, and the secret society serials that were popular at the time. Produced in Paris, the film offers some great location shots of the city in the early 20s, including a car chase along the Champs-Elysées. Directed and starring Ivan Mosjoukine as a detective simply named Z, the plot involves an investigation to return an emotionally drifting young wife to her older husband. The film expertly uses the physical agility of the three stars, particularly the male leads, who jump, run, slide, and fall as the plot demands. The story continually surprised and delighted me with its plot turns and its forays into surrealism and breakneck comedy. Do yourself a favor and see it.

Magnificent and surprising film, unfortunately little known. One of the relatively obscure jewels of silent cinema. In the midst of the effervescence of the French avant-garde, the talented Ivan Mozzhukhin came up with this hilarious, inventive and extravagant fantasy, a mixture of the most diverse genres: mystery, comedy, crime, melodrama.

The premise seems to be to disconcert and misplace the viewer, with infinite visual and narrative ideas, but at the same time, and despite the avant-garde and playful tone, to be interested in some characters and a story. In the first half that balance is achieved in a prodigious way. The second part drifts more towards the sentimental side.

To highlight the extravagant decorations, the setting that can be childish and fun, or dreamlike and threatening, and above all the interpretation of Mozzhukhin, between acrobat, clown and gallant.

This is a movie that needs a lot of attention. The details in this movie are very important, they are very surreal, they are also very beautiful, scary, claustrophobic.. it is like watching a surreal painting and starting entering inside it, watching all the details and getting lost inside this painting.

I like the ending of the movie, it is not what I expected, it was more beautiful and I like the way the camera moves in the movie. At some points the eyes go where the director precisely wanted the eyes to fix but without any kind of play with the light or camera movements and this is great.

I like the way the actors perform their roles and also like the comical moments in this movie that because of the subject is quite depressive and the comical gags make all a turn to the plot.

the beginning of the movie is very powerful too. and it explains the reason for the ending.

I recommend this movie very much.

And Ivan is very brilliant and I had never seen him act or direct.

I just saw this film in Paris. The showing was accompanied by a band that played wonderfully. The film is very interesting. Some of the scenes seemed a little long and were not particularly innovative. I also wasn't that taken with the female protagonist-- not with her personality or the acting. However the film also includes couple of scenes that are mesmerizing. In particular the scene in which the husband goes into a mysterious building and encounters a roomfull of men, who are all potential detectives, is one of the most remarkable I've ever seen. Together with the music, the film is delightful.