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Metropolis

Titolo originale: Metoroporisu
  • 2001
  • T
  • 1h 48min
VALUTAZIONE IMDb
7,2/10
23.525
LA TUA VALUTAZIONE
Metropolis (2001)
Trailer for Metropolis
Riproduci trailer1:34
4 video
99+ foto
Animazione disegnata a manoAnimazione per adultiAnimeCyberpunkSteampunkTragediaAnimazioneAvventuraDrammaFantascienza

Racconta di Kenichi e di suo zio, alle prese con il mistero di tima, una ragazza robot. Un'epica animata tra blade runner, fritz lang e la poesia degli anime giapponesi.Racconta di Kenichi e di suo zio, alle prese con il mistero di tima, una ragazza robot. Un'epica animata tra blade runner, fritz lang e la poesia degli anime giapponesi.Racconta di Kenichi e di suo zio, alle prese con il mistero di tima, una ragazza robot. Un'epica animata tra blade runner, fritz lang e la poesia degli anime giapponesi.

  • Regia
    • Rintarô
  • Sceneggiatura
    • Osamu Tezuka
    • Katsuhiro Ôtomo
    • Fritz Lang
  • Star
    • Toshio Furukawa
    • Scott Weinger
    • Yuka Imoto
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,2/10
    23.525
    LA TUA VALUTAZIONE
    • Regia
      • Rintarô
    • Sceneggiatura
      • Osamu Tezuka
      • Katsuhiro Ôtomo
      • Fritz Lang
    • Star
      • Toshio Furukawa
      • Scott Weinger
      • Yuka Imoto
    • 135Recensioni degli utenti
    • 65Recensioni della critica
    • 75Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 1 vittoria e 4 candidature totali

    Video4

    Metropolis
    Trailer 1:34
    Metropolis
    Metropolis
    Trailer 1:39
    Metropolis
    Metropolis
    Trailer 1:39
    Metropolis
    Metropolis
    Trailer 1:34
    Metropolis
    OSAMU TEZUKA'S METROPOLIS (UK Dual Format) Trailer
    Trailer 1:33
    OSAMU TEZUKA'S METROPOLIS (UK Dual Format) Trailer

    Foto245

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    + 239
    Visualizza poster

    Interpreti principali66

    Modifica
    Toshio Furukawa
    Toshio Furukawa
    • Skunk
    • (voce)
    Scott Weinger
    Scott Weinger
    • Atlas
    • (English version)
    • (voce)
    Yuka Imoto
    • Tima
    • (voce)
    Kei Kobayashi
    • Kenichi
    • (voce)
    Kôki Okada
    • Rock
    • (voce)
    Tarô Ishida
    • Duke Red
    • (voce)
    Kôsei Tomita
    • Hige-Oyaji
    • (voce)
    Norio Wakamoto
    Norio Wakamoto
    • Pero
    • (voce)
    Junpei Takiguchi
    • Dr. Laughton
    • (voce)
    Takeshi Aono
    Takeshi Aono
    • Ponkotz
    • (voce)
    Masaru Ikeda
    • President Boon
    • (voce)
    Shun Yashiro
    • Notarlin
    • (voce)
    Shigeru Chiba
    Shigeru Chiba
    • Lamp
    • (voce)
    Masashi Ebara
    • Ham Egg
    • (voce)
    Takaya Hashi
    • Lyon
    • (voce)
    Norihiro Inoue
    • Atlas
    • (voce)
    Rikako Aikawa
    • Fifi
    • (voce)
    Tomohisa Asô
      • Regia
        • Rintarô
      • Sceneggiatura
        • Osamu Tezuka
        • Katsuhiro Ôtomo
        • Fritz Lang
      • Tutti gli interpreti e le troupe
      • Produzione, botteghino e altro su IMDbPro

      Recensioni degli utenti135

      7,223.5K
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      Recensioni in evidenza

      6The_Void

      Not as good as Lang's, but not bad

      Fritz Lang's original 'Metropolis' is an enduring classic of cinema. The techniques used at the time that it was made were absolutely astounding and it is still astounding to consider the technical achievement that Metropolis represents even these days. This Japanese re-telling of the classic story doesn't follow the plot of the original film, but they are linked due to the way that they both utilise grand settings for their thrills and although it was a lot more impressive in 1927, this version of the story is still a very decent film. I can't say that I'm a big fan of Japanese 'anime', but every time I see a film in it's style I tend to at least enjoy myself, and that can be said of this film. The plot has too many elements to be fully coherent, but it serves its purpose and is always second to the visuals anyway. The story follows two societies; robots and humans, and comes together when a private investigator's nephew meets a robot girl constructed to rule the city. The script is somewhat taught, this may be because of the fact that it has been translated into English, or it may just be a bad script. It doesn't really matter though as, again, the sharp visuals are always enough to distract the viewer from the other areas of the movie. It's almost a shame that this movie isn't better when you consider that it has an absolutely great source of inspiration, but then again you can hardly expect it to rival Fritz Lang's classic. On the whole, I recommend this movie if you've seen Lang's and want some more, but otherwise I just recommend the original classic.
      10ThirdEye-1

      In brief: powerful

      In my short life I've developed a taste for a film that challenges me as a viewer and is more than the sum of it's parts. Metropolis is one such movie. While most will only give it credit for being a visual masterpiece, Metropolis is a well - rounded work with strong characters, themes and music. Not only does the character design have a fresh and captivating style, each character has his or hers own unique features. The setting is so rich and vibrant at times and dark and mysterious at others, it could only have been created through animation. The use of old western jazz and borderline ragtime music gives the huge city an earthy feeling, which is reflected in the architecture of the lower levels of the city. The themes are classic science fiction themes. I shy away from calling them derivative or repetitive because they still remain some of the most relevant ideas portrayed in any genre. Katsuhiro Otomo's screenplay is understated, contrasting the near "in your face" visuals. He is one of the most highly regarded writers in the genre, and he shows why here. The chilling ending is a destructive one, but it isn't the apocalyptic disaster some people make it out to be. The use of "Can't stop loving you" by Ray Charles frames the scene so well, and I found it far more moving and touching than the ending of Dr. Strangelove, which it is rightfully compared to. So, to all movie lovers, not just anime lovers, I ask you to go see this work of art and let it absorb you and change you. You will be better for it.
      10ExpendableMan

      One of my all time favourites

      I'm not a big fan of Manga I must admit. The movies I've seen have been few and far between and while I certainly enjoyed the likes of Ninja Scroll, Akira and Ghost In The Shell, I've never had much urge to seek out a really wide knowledge of the genre. That being said though, Metropolis has to rank as one of my top five films of all time, not just the animated ones.

      Telling the story of a far future world where humans and robots exist alongside one another, it focuses on the adventures of a Private Investigator and his son visiting the city for the first time and hunting down a missing robot called Tima. And what a city it is! The animation, simply put, is stunning. The epic scope of this vast urban world is beautifully captured on screen. It is richly detailed and lit up like a fantastic world of colour, like a fine piece of dramatic art that has come to life. The animation on the characters meanwhile is no less amazing, it is more akin to French than Japanese in stylistic terms, but is still very detailed and beautifully realised.

      But this is no piece of aesthetic beauty with nothing to back it up as the storyline is truly gripping. As the boy befriends a young girl, both of them unaware that she is in fact an experimental robot, you find yourself getting swept up in their plight and they have just as much, if not more depth and emotion than any real-life actor's work.

      Come the climax, you'll be simultaneously thrilled and left emotionally stunned. This is a magnificent film, I can't praise it enough.
      10LittleMiso

      It's very hard to believe how many people hate this movie

      This is another great masterpiece in anime. Also, it's very different from others, as reviewers have pointed out.

      I never expected old-1930-ish-saxopohone jazz music to be playing in an anime movie. It's a great movie, and, like Akira, the Matrix, and Princess Mononoke (or, Mononoke Hime as I prefer), it gets better every time you see it.

      and in the climax of the movie, you hear Ray Charles' "I Can't Stop Loving You". Puts in the same touch as how Gene Kelly's "Singin' in the Rain" was put in "A Clockwork Orange". It engraves the scene in your head, never to forget, and it does bring the scene back to your mind once you hear that song. It's happened to me lots of times after i saw Clockwork Orange.

      Review: 5/5, Good Movie scale Ratings: US PG-13, UK PG, Canada PG
      8lambiepie-2

      I loved this film!

      I have always been a fan of the 60's and 70's anime. I feel that the 80's and 90's Anime got a bit out of hand, but this film brings me back to the experimentation, the wonder, visuals and the drawing you into forgetting this is only 'anime' at all.

      The story is an update of the fantastic silent film Metropolis, and at points in this telling, the story falls flat, but just watching the film drew me in and made up for those story gaffs. There isn't any one who can look at this and not be taken with its ambition. Old anime elements, new ones, stop action, realism -- you name it, its all in one nice package! I am looking forward to additional works from this team, I hope they continue on for I feel this project was a great venture and to what they are capable of. This film is really wonderful, I recommend it highly.

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      Anime
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      Cyberpunk
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      Steampunk
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      Tragedia
      Daveigh Chase, Rumi Hiiragi, and Mari Natsuki in La città incantata (2001)
      Animazione
      Still frame
      Avventura
      Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
      Dramma
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      Fantascienza

      Trama

      Modifica

      Lo sapevi?

      Modifica
      • Quiz
        Osamu Tezuka claimed that he received inspiration for his Metropolis manga from seeing the poster for Metropolis (1927), but never actually saw the film.
      • Blooper
        Rock's costume disappears in the Throne of Power scene.
      • Citazioni

        Tima: I am who?

      • Versioni alternative
        English subtitled version doesn't subtitle the word "Kuso" at the begining of the film.
      • Connessioni
        Featured in Siskel & Ebert & the Movies: John Q/Maryam/Hart's War/Crossroads/Metropolis (2002)
      • Colonne sonore
        I Can't Stop Loving You
        Performed by Ray Charles

        Written by Don Gibson

      I più visti

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      Domande frequenti20

      • How long is Metropolis?Powered by Alexa

      Dettagli

      Modifica
      • Data di uscita
        • 21 giugno 2002 (Italia)
      • Paese di origine
        • Giappone
      • Lingue
        • Giapponese
        • Francese
        • Tedesco
        • Italiano
        • Spagnolo
        • Inglese
        • Russo
      • Celebre anche come
        • Osamu Tezuka's Metropolis
      • Aziende produttrici
        • Bandai Visual Company
        • DENTSU Music And Entertainment
        • Imagica Corp.
      • Vedi altri crediti dell’azienda su IMDbPro

      Botteghino

      Modifica
      • Budget
        • 15.000.000 USD (previsto)
      • Lordo Stati Uniti e Canada
        • 722.932 USD
      • Fine settimana di apertura Stati Uniti e Canada
        • 84.660 USD
        • 27 gen 2002
      • Lordo in tutto il mondo
        • 4.035.384 USD
      Vedi le informazioni dettagliate del botteghino su IMDbPro

      Specifiche tecniche

      Modifica
      • Tempo di esecuzione
        • 1h 48min(108 min)
      • Colore
        • Color
      • Mix di suoni
        • DTS
        • Dolby Digital
        • SDDS
      • Proporzioni
        • 1.85 : 1

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