Marie-Jo e i suoi 2 amori

Robert Guédiguian has created a world out of some parts of Marseille that I feel very comfortable in. His stock company of Ariane Ascaride, Gérard Meylan and Jean-Pierre Darroussin have made many films with him, and are at ease with his practices. If Darroussin's character is perhaps a little too eager to go along with his wife's infidelity, the richness of the narrative makes us pardon this flaw.

The film does have a very slow action which will make some viewers impatient. It takes a long time for Marie-Jo to leave Daniel and go off to Marco's house, and she has trouble at work (she drives disabled people to their doctor and back) that isn't fully examined. Ariane Ascaride's performance is fully equal to the demands made on her, and made me think more than once of Jeanne Moreau in Truffaut's masterpiece, a similar situation of a woman having to choose between two men and failing to do it.

Marie-Jo is a woman who lives a perfect and happy couple's life with his husband, Daniel, and his daughter Julie. Daniel has a small building company and Marie-Jo works as ambulance driver. But Marie-Jo also loves Marco, a pilot of Marseille's harbour. Equally loving the two men, Marie-Jo shall face a very difficult situation and she lives this double love as a curse in spite of happiness that she has with it. She particularly suffers to be lying to her husband and not be able to share his love for Marco with him. One day, she makes a choice and goes away from his house to live with Marco. But, she can't accept the distress she has herself given to her husband and, after some days, she returns home. Nevertheless, Marie-Jo will return once a time with Marco and that will be the cause of the final drama. During a sea excursion aboard their boat, Marco and Marie-Jo will die by drowning. Suicide or accident? The movie perhaps a little too long is valuable by the actors' performance in this tragic love story, the sensibility of the telling of this adultery situation, the well-painted ambiance of human relationship in this Marseille district called "L'Estaque" and the magnificent Renato Berta's cinematography.

In Marseilles, Marie-Jo (Ariane Ascaride) is an unfaithful middle-age middle-class woman, who drives an ambulance and is married with the builder Daniel Jean-Pierre Darroussin). They have a teenager daughter Julie (Julie-Marie Parmentier), who is engaged of Sylvain (Yann Tregouët). Marie-Jo falls in love with the pilot Daniel (Gérard Meylan) and divides her love by her lover and her husband. This weird relationship ends in a tragic and moralist way. I have just watched the good movie 'La Ville Est Tranquille' and I have decided to see 'Marie-Jo et Ses 2 Amours' to know a little bit more about Robert Guédiguian. Inclusive both movies has the same cast. I found 'Marie-Jo et Ses 2 Amours' a non-original, tragic and moralist movie, but again with a great performance of the cast. The storyline is identical to Ingmar Bergman's 'Beröringen (1971)', with the difference that 'Beröringen' has an open end and is a great movie. 'Marie-Jo et Ses 2 Amours' is really a very disappointing film. My vote is six.

Title (Brazil): 'Marie-Jo e Seus Dois Amores' {'Marie-Jo and Her Two Loves')

More Marseilles melodrama in the usual ultra-realistic style, and with Marseilles itself as co-star. Trim, 40ish Marie-Jo (Ariane Ascaride) is happily married to doting builder husband Daniel (John-Pierre Daurossin) but she has also fallen in love with craggily handsome bachelor Marco (Gerard Meylan), a harbour pilot. She has a job transporting the sick which gives her plenty of opportunity for dalliance with the frequently idle Marco, until one day her daughter Julie (Julie-Marie Parmentier) spots her at his flat and realises what Mum's up to.

Despite the sunny locale we know things are not going to end well, but what happens is a bit of a surprise. Ariane Ascaride gives her character plenty of the required sexiness, middle aged though she may be, and John-Pierre Daurossin does a great line in dog-like devotion (even when he finds out). I thought the Marco character a little unsatisfactory – what is he in this relationship for? Also I'm still trying to work out why the Marseilles-Corsica ferry, in and out of the harbour every day, still needs a pilot. (Maybe the pilots, though redundant, have a strong union. They certainly have a flash shore office). Anyhow Marie-Jo needs some emotional fulfilment outside her marriage, and he's it.

Robert Guediguian has a talent for bringing interest out of the ordinary and getting us to like his characters despite their flaws. He also mixes in the Marseilles atmosphere and manages to produce a cheerful tragedy, if that's possible. His use of the same actors in film after film gives a curious continuity to his work, despite the different roles – a repertory of the cinema, in fact. Ordinary their subjects may be I still find his films absorbing and on occasion moving.

"Marie-Jo et Ses Deux Amours" is the story of exactly what the title says. A middle aged woman Marie-Jo, seemingly happily married to her kind-hearted husband Daniel with a smart teenage daughter Julie, is having a concurrent serious affair with another man Marco. OK, this melodrama is not my cup of tea to begin with, but I stayed on to find out what happens to this love triangle. For me, the whole movie is maddening because the director never really tells us why Marie Jo would sacrifice her family for this Marco guy. How Marie Jo and Marco met was merely glossed over. Whenever they meet they are probably naked in bed. The story telling is very slow, taking all of two hours. And this repetitive meandering leads to a very sudden and unsatisfying conclusion.