Dark Blood

This is the last film with River Phoenix. Meaning: as Phoenix died in 1993 and Dark Blood was only 80% shot, it took almost 19 years to get the material edited into the final cut. All scenes that haven't been shot are read as a voice-over by director George Sluizer over paused images. While that creates a distinct kind of movie experience, it doesn't seem to be something I'm very fond of. Of course, Dark Blood is a film that's all about Phoenix. Just like James Dean in 1955, Phoenix generated a cult following because of his untimely death. Mostly remembered for his roles in Stand by Me, Running on Empty, Indiana Jones and the Last Crusade and My Own Private Idaho, Phoenix never really had the chance to become the actor he could've been. That doesn't mean everything he did was pure genius though... In Dark Blood I'm just not feeling the Phoenix-vibe. Above all, it's quite a dull movie. Only recommended for those who want to see Phoenix shine one last time.

You get the feeling the best scenes, presumably the interior shots of the boy's hut, were yet to be filmed. The director's intermittent narration that covers the missing scenes, seems to have the best dialogue. What is captured is largely unremarkable.. yet still highly watchable, because it's River Phoenix, right before he died.

The well documented "troubles" on set, with Judy Davis being "difficult" with River, allegedly expressing her distaste with his casting over Johnny Depp is ironic, because she herself seems miscast, along with Jonathan Pryce, an out of work film actor married to a former Playboy Bunny Davis.. Insert Alec Baldwin and Kim Bassinger during their honeymoon phase and we might have had a true screen gem.. if it were finished.. and had a higher budget.

All in all worth a watch, but regrettably River's performance is somewhat pedestrian and perhaps more a telling snapshot of his slide toward oblivion. This is the River with short black hair that sadly met his fate.

I never really took much notice of River movies at the time he were alive but this film had me feeling a good connection to the character and story. The pace of the movie felt similar to No Country For Old Men. The missing scenes did not seem to subtract from the movie as the main story is there and as stated the director gives us a voice over. Certainly a film to watch again.

What a movie I just saw!! Seriously, it's just an amazing and hypnotic experience! This movie was shot in 1993, mind you! All you see on screen was shot in that year. You can notice that Jonathan Pryce's hair is less gray than it really is today. Also, you got in the movie the strong and mesmerizing presence of the late River Phoenix, coming in a time capsule directly to the future to give us his mesmerizing swan song. Wow... freakin' wow!

Great acting, a script that shines and beautiful backgrounds are the main attractions here. The story is told in the form of a road movie and the characters all goes through changes in their lives. The most powerful thing in the movie is its heart and soul. This is the engine that moves the narrative. As for it's body, it's unfortunately broken, for the lack of a better comparison. As the director George Sluizer states before the movie starts, this movie will always be like a three feet chair. It's slightly unbalanced, it misses something but with care, still stands on it's feet.

With River Phoenix's death before the shooting process finishes, the director summarizes the missing fragments of the movie to us in order to complete the narrative. It works fine that way. In spirit, in heart and soul, this movie deserves a straight 10/10. With its broken, unfinished body, it takes a 8/10. If only they could finish it in time... but that from now on, until the end of times will only belong to our imagination, trying to figure out what it could have been.

For what it is, it perfectly stands on it's feet. Must watch! Once again, thanks to the "37º Festival International de Cinema de São Paulo" in my city by the SESC institution of culture and development, I could enjoy another amazing flick!

"Dark Blood" known notoriously as River Phoenix's last film, as he died tragically and suddenly during filming, is what folks in the industry call a compromised film. With 80-85% of the scenes shot and after years upon years of dealing with legalities and George Sluizer himself trying to get his work back in his hands, "Dark Blood" is a film we can now watch and witness River Phoenix's last performance. Certainly, a bucket list item for many fans as this film had been "lost" my entire lifetime. A message to any who have waited--it is worth it. Based on some other reviews I have read, I have a differing opinion then most regarding the film as whole as I will try to explain the best I can.

At this point in time I have only seen one other film directed by Sluizer which is 1996's "Crimetime" so I do not have much to judge his talents from. All I can say is what really is the main attraction to the film, other than the fascination of Phoenix's last role, is the surprisingly fantastic directing and editing Sluizer managed to get done prior to his own death in 2014. This is potentially his best work even though scenes are missing. Sluizer makes a brave choice (and one he was definitely limited in making) by deciding to narrate the missing scenes over still shots or extra film that was taken during the shoot, and it works magnificently.

This works so well because the film already has a very spiritual and existential vibe to it. The major coincidence that nearly all of the intimate scenes are missing you would think the film would be worse off for it, but instead the poetic and specific details of the narration (from the script?) fits the footage Sluizer chose to overlay it with. The end result is haunting.

The three leads are all very strong. I think Phoenix is a bit overhyped, but part of that is probably because of his legacy and the overall fascination people can have with what could have been and that's ok. Jonathan Pryce and Judy Davis are really get compliments to the younger boy that River plays. I could feel some issues with the dynamics between the characters and I assume that is due to the immense strain and complications that infamously arose during production, but those mishaps are never large enough to disrupt the beautiful and arid desert aesthetic.

"Dark Blood" is far from flawless and that in itself is nearly the perfect compliment for a film that brings up the mixing of Native American and European races. As River's Boy mentions, "[There's] Dark blood in my veins" after he explains to Buffy what his heritage is. Maybe the film with all its imperfections is perfect in its own way.