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Carandiru

  • 2003
  • T
  • 2h 25min
VALUTAZIONE IMDb
7,6/10
23.668
LA TUA VALUTAZIONE
Carandiru (2003)
HV
Riproduci trailer1: 17
7 video
99+ foto
Prison DramaCrimeDrama

Aggiungi una trama nella tua linguaStories of crime, revenge, love, and friendship at the Carandiru Penitentiary, the largest prison in Latin America.Stories of crime, revenge, love, and friendship at the Carandiru Penitentiary, the largest prison in Latin America.Stories of crime, revenge, love, and friendship at the Carandiru Penitentiary, the largest prison in Latin America.

  • Regia
    • Hector Babenco
  • Sceneggiatura
    • Hector Babenco
    • Fernando Bonassi
    • Victor Navas
  • Star
    • Enrique Diaz
    • Wagner Moura
    • Caio Blat
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,6/10
    23.668
    LA TUA VALUTAZIONE
    • Regia
      • Hector Babenco
    • Sceneggiatura
      • Hector Babenco
      • Fernando Bonassi
      • Victor Navas
    • Star
      • Enrique Diaz
      • Wagner Moura
      • Caio Blat
    • 50Recensioni degli utenti
    • 55Recensioni della critica
    • 71Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 16 vittorie e 33 candidature totali

    Video7

    Carandiru
    Trailer 1:17
    Carandiru
    Carandiru
    Trailer 1:20
    Carandiru
    Carandiru
    Trailer 1:20
    Carandiru
    Carandiru Scene: Regaining Control Of The Jail
    Clip 4:05
    Carandiru Scene: Regaining Control Of The Jail
    Carandiru Scene: Lady Di Gets Tested
    Clip 2:13
    Carandiru Scene: Lady Di Gets Tested
    Carandiru Scene: Lady Di Opens Her Results
    Clip 1:22
    Carandiru Scene: Lady Di Opens Her Results
    Carandiru Scene: Wife Set Bed On Fire
    Clip 1:16
    Carandiru Scene: Wife Set Bed On Fire

    Foto132

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    + 126
    Visualizza poster

    Interpreti principali99+

    Modifica
    Enrique Diaz
    • Gilson
    • (as Enrique Díaz)
    Wagner Moura
    Wagner Moura
    • Zico
    Caio Blat
    Caio Blat
    • Deusdete
    Luiz Carlos Vasconcelos
    Luiz Carlos Vasconcelos
    • Médico
    Milton Gonçalves
    Milton Gonçalves
    • Chico
    Ivan de Almeida
    • Nego Preto
    Ailton Graça
    Ailton Graça
    • Majestade
    Maria Luísa Mendonça
    Maria Luísa Mendonça
    • Dalva
    Aida Leiner
    Aida Leiner
    • Rosirene
    • (as Aída Leiner)
    Rodrigo Santoro
    Rodrigo Santoro
    • Lady Di
    Gero Camilo
    • Sem Chance
    Lázaro Ramos
    Lázaro Ramos
    • Ezequiel
    Julia Ianina
    Julia Ianina
    • Francineide
    Sabrina Greve
    • Catarina
    Floriano Peixoto
    Floriano Peixoto
    • Antônio Carlos
    Ricardo Blat
    Ricardo Blat
    • Claudiomiro
    Vanessa Gerbelli
    • Célia
    Leona Cavalli
    Leona Cavalli
    • Dina
    • Regia
      • Hector Babenco
    • Sceneggiatura
      • Hector Babenco
      • Fernando Bonassi
      • Victor Navas
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti50

    7,623.6K
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    Recensioni in evidenza

    10ExpendableMan

    Film of the year, no question

    Let's get things straight here, if you were drawn to this film due its comparisons to the equally magnificent City of God, you're going to be surprised. Aside from the fact that its a Brazilian film about criminals, there are few similarities. While City of God was an epic story of life in the slums of Rio De Janeiro, Carandiru is about much older criminals and the days leading up to the infamous Carandiru prison massacre.

    However, this is not the non-stop assault on the senses of grim violence you might expect. In fact, only the last twenty minutes or so of the film deal with the massacre at all and the film instead concentrates on a much more human aspect to the carnage. Focusing on the character of the Doctor as he tries to raise awareness of AIDs in the prison, it revolves around his day to day life as he chats casually with the inmates, learning of their hopes, fears and more often than not, their reason for being in the prison in the first place. These are stories that range from sad, to touching to outright hilarity and you soon find yourself absorbed in this world of offbeat criminals, so much so that when the violence does erupt, it is all the more shocking for it.

    There are differences to the normal, US prison drama as well. I'm not sure how the Brazilians run their penitentiaries, but here there are no uniforms and they are allowed many of the comforts of home, along with free reign of the prison yard. But these are still drab conditions, with multiple inmates crammed into a single room, sweltering in the intense heat of the tropical summer. And ultimately, the prison is a community, made of genuine individuals, rather than clear cut prison stereotypes. This is a masterful film, one of my top movies of all time.
    8claudio_carvalho

    The Dramatization of the Greatest Massacre of Prisoners in the World

    Carandiru is the true story of the greatest massacre of prisoners in the world. It happened in 1992, in São Paulo, after a rebellion in the greatest Brazilian penitentiary. Doctor Drauzio Varella has written a successful best-seller about this sad event. The great Brazilian naturalized director Hector Babenco (from `Pixote', `Kiss of the Spider Woman', `Lúcio Flávio' etc.), with the support of a fantastic cast, presented a good movie about this wound in our society. The screenplay presents some personal dramas of some prisoners before the invasion of the prison by the Military Police and execution of one hundred and eleven (111) prisoners. The double Brazilian DVD is magnificent:, presenting not only the usual making-of, interviews, deleted scenes and errors, but also the TV News in 1992 after the slaughter. My vote is eight.
    iainwatson

    Harrowing, but heart-warming

    'Carandiru' is a film based on the real experiences of Dr Drauzio Varella. He worked in Carandiru prison in Sao Paulo, Brazil, in the late 80s/early 90s carrying out Aids prevention work. During his work he came to know a lot of the inmates closely, and as he was a doctor got to see prison life in a way the other prison workers didn't. He made friends with a lot of the inmates, and learned a lot of their personal stories. The prison is extremely cramped, and the situation came to a climax in 1992. One entire block of the prison fell under prisoner control and a riot squad was sent in, killing 111 men.

    The film is being dubbed by some as "this year's City of God", but it's very different to last years Brazillian smash. Where 'City of God' had some very flashy direction and MTV-ized zip-bang editing, 'Carandiru' is pretty straight forward. The film still has some great direction though, Hector Babenco has a leisurely style (matched by his actual output, it's been 7 years since his last film, and nearly 20 since 'Ironweed'), allowing the story the space it needs to breathe but still picking up the pace to build tension. Ironically the only section of the film I didn't really like was the bit that was the most 'City of God'-like. When the doctor is dealing with his patients he asks each one what their story is, and sometimes it's a bit forced, just like in 'City of God' with the "now it's my turn to tell you my story".

    Where it's very similar to 'City of God' is it's themes - it's essentially a humanist comedy with a moral edge, dealing with love, hate, revenge, innocence and betrayal. The cons are poor and murderous, but lovable at the same time. If this film and 'City of God' are to believed drug-dealing thieving murderers all have their hearts in the right place and are all okay guys who just took a wrong turn on the road.

    There's a bit of a stink being kicked up at the moment on the imdb forum for 'Carandiru'. A lot of Brazillian's are posting, very upset with filmmakers consistently showing Brazil in a negative light. I think that although both films do have that slant to them, they have actually increased interested in the country, and even more so the countries film output, taking it to a global audience. If all Scottish films are to be believed we're all a bunch of Glasweigan Gangster Hardnuts or heroin-addicted thieving murderers too, so I fail to see what the fuss is about.

    The director drives home the real point of the film in the last 20 minutes. The overcrowding and in-fighting finally erupts into a full-blown riot that results in the main characters block being taken over by the prisoners. A riot squad enters, and the ensuing rampage is one of the most graphic and genuinely shocking ever committed to film. Definitely not for the faint-of-heart. I remember seeing the prison riot being reported in the UK news, and being appalled at how crowded the prison was, and how a government could let it reach boiling point like that. The last 20 minutes really smacked that home, but with the closing shots of the prison finally being demolished in 2002 you feel like there was at least some sort of closure on the tragedy.

    The story is harrowing, but heart-warming, and the acting (mostly from unknowns) is top rate. It's my favorite film of the year so far, but do beware the last 20 minutes, you won't leave the cinema feeling happy.
    7LoneWolf6

    Ailton Graca was the best in this film

    I saw Carandiru after seeing Takeshi Kitanos "Zatoichi" at the Toronto Film

    Festival. Let me tell you, my day was full of carnage but it's OK because both movies were very good. The director was there as well as an actor or two if I remember correctly, they spoke about the film with true passion which added to the essence of the final product. It opend my eyes to an event that I never knew of. Highness was a great charater, Graca was my favorite, he should learn

    english and get into the indie scene in North America. Good film 7\10.
    minimal-cut-set

    very good film: terrible and all true.

    Carandiru is a a very good film. I think it is not the best Babenco's movie (e.g. not so good as Pixote) but yet it is one of the best film I have seen during this last year.

    In the first place, it should be remarked that it needs a lot of courage to put on screen the beautiful and crude Varella´s book on the day-by-day of prisoners of the Sao Paulo jail Carandiru (once the biggest jail on Brazil, now demolished). In particular the movie shows one the the darkest pages in the recent Brazilian history, namely, the massacre occurred in that jail in October 1992: during a rebellion, the police invaded the prison and killed summarily 111 prisoners. Not a single policeman was even injured during the action.

    In order to understand the movie, I think is very important to stress how deep has been the relevance of this sad and cruel event in the slow evolution of the Brazilian society towards less barbarian standards. At the time of the massacre most of the elites, media and middle class supported the police action and only ten years later, in 2001, some of the authors of the massacre has been put on trial. In other words the Carandiru tragic facts of 1992 and the way they have been so differently evaluated here during these years, reveals in a tragic fashion one of the most explosive contradiction of the present Brazilian society, in which a large majority of the Brazilians is completely excluded and plundered.

    The movie of Babenco show this clearly and powerfully. Babenco used different kind of approaches. Most of the time the tone of the movie is realistic even bordering a documentary, but there are scenes in which the movie becomes visionary.

    I am not surprise that the film was not well accepted in the recent Cannes festival. Critics from the first world are not expected to know much about the actual situation of Brazil (euphemisticly speaking). The fact is that Brazil in the USA/Europe imaginary continues to be unfortunately the country of carnival, football and samba and dark crude point of view such as the one of Babenco tend to be considered as disturbing or worst boring. So, while in the preview session for the press in Cannes 2003 most of the comments were "too long", this nearly three hours movie is one most

    seen of the year in Brazil.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Dr. Dráuzio Varella wrote the original book at the encouragement of a patient he was treating for lymphatic cancer. That very patient happened to be Hector Babenco, who recovered and went on to direct the film adaptation.
    • Blooper
      During the riot, as the inmates are running up the stairs of the cell block shortly after the riot squad has entered, one inmate can be seen wearing a T-Shirt of hip-hop group the Wu-Tang Clan. The group only formed in the year the riot took place (1992), and did not release their first widely available album (36 Chambers - Enter the Wu-Tang) until the following year. It is unlikely they would at this time have had a following in Brazil, nor would merchandise be available.
    • Citazioni

      Lady Di: I've come to take the test.

      Médico - Physician: Please, take a seat. First, I'd like to ask you a few questions, Lady Di.

      Lady Di: I've seen this movie before, doctor. I've never needed a blood transfusion and I never pierce my veins. The only drug I use is a joint now and then... when I watch TV or for a little romance.

      Médico - Physician: And partners, how many?

      Lady Di: Oh, about 2000.

    • Connessioni
      Featured in 2005 Glitter Awards (2005)
    • Colonne sonore
      Homem Pássaro
      Written by Hyldon and Alex Malheiros

      Performed by Hyldon

    I più visti

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    • How long is Carandiru?Powered by Alexa

    Dettagli

    Modifica
    • Data di uscita
      • 11 aprile 2003 (Brasile)
    • Paesi di origine
      • Brasile
      • Argentina
      • Italia
    • Sito ufficiale
      • Sony Pictures Classics (United States)
    • Lingua
      • Portoghese
    • Celebre anche come
      • Vzbura vo väznici Carandiru
    • Luoghi delle riprese
      • Carandiru Prision, San Paolo, San Paolo, Brasile
    • Aziende produttrici
      • HB Filmes
      • Sony Pictures Classics
      • Sony Pictures International Productions
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 12.000.000 BRL (previsto)
    • Lordo Stati Uniti e Canada
      • 216.335 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 17.945 USD
      • 16 mag 2004
    • Lordo in tutto il mondo
      • 10.781.635 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      2 ore 25 minuti
    • Colore
      • Color
    • Mix di suoni
      • Dolby Digital
      • SDDS
    • Proporzioni
      • 1.85 : 1

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