Into the Night with Rick Dees

This was one of the best examples of how a late night television talk show can work. Rick and the rest of the cast has a chemistry that made you want to watch them.

Sadly, the show got yanked before it had a chance to really catch on.

Rick Dees was always my favorite DJ when I listened to the Weekly Top 40 and his morning show was funny (then corporate politics decided to bump him out and go with the overrated Ryan Seacrest). ABC had never been a gamer in the late night talk show fest, and if a talk show host wanted a program, they would have to settle for going after Nightline. Rick Dees decided to take his chances.

From the outset, the show looked like it had a West Coast look and feel. The set looked California, Rick dressed like a Californian, and even his house band, Billy Vera and the Beaters were a staple on the California music scene (Mind you, not that any of this was bad). It was certainly a change of pace from Carson, that had a traditional look or Letterman, that prided himself on being New York.

Rick tried to incorporate many of his radio stuff onto TV, but it was a rough transition. He also didn't many of the big guests that Carson and Letterman were able to snatch (and when he invited Burton Richardson, announcer for rival talk show host Arsenio Hall onto his show, that was trouble). Things were not going well for Into The Night.

He started to tinker with the show. Billy Vera and the Beaters were not the house band anymore, and were replaced by a group I never heard of before called Burnin' Herman and the Master Mix (lead by drummer Herman Matthews). It still wasn't enough and Into the Night was going the way of The Pat Sajak Show.

Dees and announcer Lisa Canning was finally replaced and there was a new guest host every week. The guest hosts included Suzanne Sommers, Joy Behar, Brad Garrett, and Chris Lemmon. Lemmon was brought in to host the revamped show called Studio 59, which was more of a sketch show (they even went as far as ripping off Saturday Night Live's Weekend Update sketch). I remember watching the final show of this dead duck in spring on 1992. I fell asleep and have no regrets. It was one of ABCs most notable errors before getting sucked up by Disney.

Before Politically Incorrect dominated ABC's late night parade, This show was ABC's answer to Johnny Carson, and Letterman, at that time. It's been a while since I saw this funny but short-lived shows, but one thing I remember was all the goofy gimmicks like handing out a mold of clay to the audience and one by one shaping to some gross figure of their own. It was funny, but nothing to attract a large audience, still worth watching if one of the networks deicded to put this into re-runs.

When Dees was replaced, the show was reformatted from a largely interview based program, to a sketch comedy show called STUDIO 59. Rotating hosts, comedy-improv actors, new producers and writing staff could not save the show, which was doomed from the start due to a substantial number of ABC affiliates no longer willing to air the show with its abysmal ratings.