La regola del sospetto

A bit complicated well orchestrated CIA experience with handsome Colin Ferrel and legendary Al Pacino! The bulk of the movie had many training exercises that characters had to go through to further themselves into the CIA agency but there's ins and outs that the viewer has to understand if not they might not appreciate it. I'm surprised on IMDB it doesn't say action, thriller, mystery it should!

In "The Recruit" a computer whiz (Farrell) is recruited to be trained as a CIA operative and ends up playing cat and mole inside the agency while keeping the audience wondering who's "cat" and who's "mole". The film is a slick shoot with a convoluted plot which tries to work the notion that in the spy game no one can trust anyone. Unfortunately the film is dumbed down, full of plot holes and obvious contrivances, doesn't work well in the human drama, and relies too much on techno-junk and gobbledygook computer hacking spy stuff. Though "The Recruit" isn't much of a movie given the talent behind it, it is busy and keeps you guessing all the way to the conclusion. An okay watch for Pacino fans and anyone in the mood for a lukewarm spy flick. (B-)

'The Recruit,' is an MIT whiz kid James Clayton (Colin Farrel). His recruiter is CIA guy Walter Burke (Al Pacino). He is the head guy at the CIA training centre, 'the farm,' which Clayton and fellow trainee/love interest Layla Moore (Bridget Moynahan) go through.

The movie is good enough to watch but is not entirely riveting. You see, we are told 'everything is a test!!!' and this lurks behind every plot turn that Clayton goes through. Are his problems for real? Or is it just another training test by Burke? If this sounds like tense stuff, it is and it isn't. Sometimes it will hook you in but other times it is just annoying - the feeling that he's not in any real danger but its all just a drill. Interest goes up and down until after the 'farm' training stuff. At this point, the story's focus gets much sharper and things become more consistently interesting, with a few cool twists. This is quite a fair way into the movie, though.

I love Pacino, and was quite interested in whether Farrell could match him after the promise he showed in 'Minority Report.' Well he does. In fact, everyone holds their own and the combined chemistry boosts the film. Pacino is steady throughout and doesn't do his unrestrained thing until the end (its still worth the wait!). Also, Moynahan is thankfully given more to do than just be the obligatory chick/eye-candy.

Overall, decent enough to give a whirl. It's better than most of the other spy / thriller stuff out there.

The training scenes and all in the beginning gave the impression that the rest would make a decent thriller. The synopsis too adds to the viewers curiosity. However, it's just another predictable thriller with flawed writing, average performances and not-so-flattering direction. I thought Farrell's James Clayton was supposed to be highly intelligent but his actions and reactions say otherwise. Likewise for Pacino's Walter Burke. It even seems outdated (I mean the CIA's headquarters have no hard drive? come on!) and on top of that technology is a significant part of the film but it just looks poor and obsolete. All three of the main performers, that is, Al Pacino, Bridget Moynahan and Colin Farrell are merely passable (yes, Pacino does his trademark shouting in the end but this time it's funny, unintentionally). The screenplay doesn't have enough grit to keep one engaged and the premise is too familiar and unbelievable. Anyway, 'The Recruit' has nothing new to offer.

Ironic this movie's made by Spyglass? Or is it? Isn't there ambiguity there as well?

Nothing is what it seems.

Yes the writers could have gone over their screenplay and given it another one-two and that may have raised the caliber another notch, but this is still good entertainment. It won't change your life, but it will be a well spent couple of hours.

And it's true the movie could in theory have had a more sophisticated (ambiguous) ending, but there comes a time, after wading through all the trollop on the market, that one just sinks back and decides to enjoy a better movie for all it's worth.

And this is such a movie: directed by the capable Roger Donaldson who directed the taut thriller No Way Out and co-authored by a writer on The Natural, this one keeps going at a brisk pace with excellent editing and super soundtrack from Klaus Badelt of POTC1 fame. Farrell - who actually comes off smaller than life what with all the tripe written about him, and that's not a bad thing - and former fashion model Moynahan make the sparks fly. You feel for the protagonists and that's an essential ingredient of any good movie.

But Pacino: he's great at whatever he does but is he fated to have secondary roles now? Bah.

There's a bit of a 'Spy Game' feel to things but there's no shameless copying going on. There just aren't many movies in this genre. And Spy Game doesn't have the thrill and suspense this one has. Yes, you might eventually figure everything out before the denouement, but you won't be upset. And odds are you won't figure everything out anyway - some yes; all of it - no.

As for that ending: some people would perhaps prefer more ambiguity. On several planes. Others would say the ending is ambiguous enough. At least on one plane, perhaps several.

Nothing is what it seems.