M'ama non m'ama

This is an interesting story of obsessive love. We first explore the story from her point of view, then his. Given the main plot idea of obsessive love, it invites a comparison to "Fatal Attraction". This is a much better film. The plot is more interesting, with solid acting. There are a lot of inferences as to what happened in the film. We aren't spoon-fed the entire plot.

I found it to be quite enjoyable.

It's really hard to talk about this movie without giving something away. I'll give away as little as possible, but my recommendation would be, stop reading this or any other review and just watch the movie, it's very good.

Since I don't want to give anything away I can't say much about the story. It starts as a movie about a cute, sweet girl in love, and the movie's use of an actress who exudes sweetness and innocence makes what happens as the movie progresses all the more startling. The movie is devoted to its one central trick, and what's notable is not the trick - lots of movies have tricks - but how much time is spent in showing off the filmmaker's cleverness. This could have been annoying or self indulgent but I enjoyed it. Some people won't be surprised - I'm really not as good as guessing twists as a lot of people (which is why I consider the movie Matchstick Men to be so poor in spite of good reviews; that one I guessed straight through to the end early on) - but I was surprised and quite delighted.

Basically I'm British and am not really supposed to like the French, I'm not sure why, I think it's something to do with Agincourt, Napoleon and the Eurovision Song Contest. Despite this I am frankly enamored with them because they're so much cooler than we could ever be.

It is because they are so comfortable in their own skin that they can get away with movies which would be embarrassing if made by the British and ghastly if made by the Americans. "À la folie... pas du tout" falls into this category. Sartre had a gift for doing philosophy in a hip, wine drinking, story telling, bohemian way. This movie has done a disturbing, psychological, tragic romance in a beautiful, sumptuous, fist-bitingly lovely way. I'm sure it's something to do with being French.

The only thing that irked me was that the script and plot were both repeatedly, albeit momentarily, clumsy. For a movie so graceful in terms of acting and direction it was sad that the screenplay couldn't quite keep pace.

On the upside the acting was great. I'm probably biased as it's only a profound laziness that stops me stalking Audrey Tautou, but she was marvelous. The story moved quickly and even the marginally avant garde perspective shift was beautifully achieved. The conclusion is wonderfully dark and leaves you feeling that the plot has been going somewhere and that you've arrived there quite unexpectedly.

Had the script been a little more polished I'd have given it more marks. Having said that I don't expect that anybody involved in the movie will be crying themselves to sleep because some random internet bloke has given them 8 out of 10. Having said that if Audrey Tautou should happen to stumble across this review my address is...

Watch it you'll enjoy it.

Be careful about reading these reviews because almost anything can be a spoiler. I'll just say that the DVD cover, the movie posters, marketing and even the movie title are deceptively breezy. No, this ain't Amelie. Rather, this movie delves pretty deep into the twisted workings of the human mind. It's very cleverly done in a non-linear fashion (like Citizen Kane, Rashomon, or my favourite Gilligan's Island episodes where we see the same thing from different points of view).

The acting is superb, and the direction is right on par. The only gripe I have with this film is that due to its stealthy presentation it sometimes suffers from an identity crisis. I believe this could have been remedied with a more dynamic musical score (that is, it would have been more powerful if the music reflected the changes in the film's "personality"). There may have been other minor flaws which prevent me from giving this film a higher rating, but overall it was a worthwhile experience.

Audrey Tautou might at first sight seem to be an actress with limitations, but most of what goes through in her character's heads are shown in the eyes.

This starts as a family comedy about the innocent girl sending her loved one flowers and other presents. But it gets worse and in the end you're watching a thriller that doesn't make you feel at ease. It becomes a story of life and death and not just in the physical way.

The story is told from two view points. It remains exciting anyway.