VALUTAZIONE IMDb
4,1/10
7417
LA TUA VALUTAZIONE
Gli agenti di un magnate del petrolio svaniscono mentre esplorano una palude destinata alle trivellazioni. Lo sceriffo locale indaga su la leggenda Seminole di un mostro che prende vita: "Ma... Leggi tuttoGli agenti di un magnate del petrolio svaniscono mentre esplorano una palude destinata alle trivellazioni. Lo sceriffo locale indaga su la leggenda Seminole di un mostro che prende vita: "Man-Thing", il cui tocco brucia coloro con paura.Gli agenti di un magnate del petrolio svaniscono mentre esplorano una palude destinata alle trivellazioni. Lo sceriffo locale indaga su la leggenda Seminole di un mostro che prende vita: "Man-Thing", il cui tocco brucia coloro con paura.
- Regia
- Sceneggiatura
- Star
Alex O'Loughlin
- Fraser
- (as Alex O'Lachlan)
Patrick Thompson
- Jake
- (as Pat Thompson)
Andrea Leon
- Nurse
- (as Xoqui Pesce)
Conan Stevens
- Man-Thing
- (as Mark Stevens)
Recensioni in evidenza
An Oil Company whose owner is an ambitious villain(Jack Thompson)is polluting the Bywater lands and the villagers are up in arms and a swamp thing is committing horrible murders. A new sheriff named Kyle(Matthew Le Nevez) arrives the little town. He is sent to the Bayou to investigate , helped by a deputy (Alex O'Loughlin) . There finds a beast, a plant with an animal's aggression power for survival and fury. Meanwhile the sheriff falls in love with a gorgeous elementary school teacher named Teri ( Rachael Taylor).
This exciting picture is packed by thrills, chills, gory killings and brief nudism in charge of Imogen Bailey. It's an unusual mix of monster movie and intrigue but definitely an enjoyable movie. From the producers- Avi Arad and Stan Lee- of Spiderman, Daredevil, X men, Blade and several others. Director Brett Leonard made this campy swamp romp adapted from the Marvel comic books of the same name. Director deliberately use comic-book style to keep us from taking anything too seriously. It's a co-production USA-Australia filmed in Sydney , New South Wales with good cinematography by Steve Arnold. Fans horror will love this movie about a monster part vegetable, part man . In similar style adapted from D.C. Comics were made in 1982 ¨The Swamp Thing¨ by Wes Craven with Louis Jourdan, Adrienne Barbeau and Ray Wise in which a chemical installation turns into walking vegetation monster. And its following : ¨Return of Swamp Thing¨(1989) by Jim Wynorski with Heather Lockleaar, Lous Jourdan and Sarah Douglas.
This exciting picture is packed by thrills, chills, gory killings and brief nudism in charge of Imogen Bailey. It's an unusual mix of monster movie and intrigue but definitely an enjoyable movie. From the producers- Avi Arad and Stan Lee- of Spiderman, Daredevil, X men, Blade and several others. Director Brett Leonard made this campy swamp romp adapted from the Marvel comic books of the same name. Director deliberately use comic-book style to keep us from taking anything too seriously. It's a co-production USA-Australia filmed in Sydney , New South Wales with good cinematography by Steve Arnold. Fans horror will love this movie about a monster part vegetable, part man . In similar style adapted from D.C. Comics were made in 1982 ¨The Swamp Thing¨ by Wes Craven with Louis Jourdan, Adrienne Barbeau and Ray Wise in which a chemical installation turns into walking vegetation monster. And its following : ¨Return of Swamp Thing¨(1989) by Jim Wynorski with Heather Lockleaar, Lous Jourdan and Sarah Douglas.
The Schist oil company is polluting the Bywater swamp and the locals are up in arms about it but that is nothing compared to how the guardian of the swamp, Man-Thing, feels. Man-thing will not rest until the drilling platform has gone, and until then he will kill anyone he can get his branches on.
New sheriff in the town, Kyle Williams, and sexy third grade school teacher, Teri, embark on a quest to put an end to the death and destruction.
Brett Leonard's adaptation of the Marvel comic books is an enjoyable and schlocky monster flick that never gets ideas above its station and is savvy enough to give its core audience exactly what they want; we get moderate gore, a smattering of nudity, a pretty decent monster and a plot that doesn't exactly tax the old grey matter.
The swamp locations are a sufficiently creepy setting for the tale. Swimming in mist and bathed in a spooky green glow, they allow Leonard to use shadows and light for maximum effect - at times concealing the horror and at others, revealing it in its full gory glory.
The effects both the gore and the creature are also pretty impressive. When Man-Thing gets busy on his victims, he doesn't hold back and we get a range of gruesome body parts splashed across the screen during its 105 minute running time.
In fact, the only thing that really lets this film down is its pacing. The film is too long (by about 20 minutes) and too much time is spent with characters either chatting or wandering aimlessly through the swamp. If there had been a little less talk and a little more action, I'd have rated it higher.
New sheriff in the town, Kyle Williams, and sexy third grade school teacher, Teri, embark on a quest to put an end to the death and destruction.
Brett Leonard's adaptation of the Marvel comic books is an enjoyable and schlocky monster flick that never gets ideas above its station and is savvy enough to give its core audience exactly what they want; we get moderate gore, a smattering of nudity, a pretty decent monster and a plot that doesn't exactly tax the old grey matter.
The swamp locations are a sufficiently creepy setting for the tale. Swimming in mist and bathed in a spooky green glow, they allow Leonard to use shadows and light for maximum effect - at times concealing the horror and at others, revealing it in its full gory glory.
The effects both the gore and the creature are also pretty impressive. When Man-Thing gets busy on his victims, he doesn't hold back and we get a range of gruesome body parts splashed across the screen during its 105 minute running time.
In fact, the only thing that really lets this film down is its pacing. The film is too long (by about 20 minutes) and too much time is spent with characters either chatting or wandering aimlessly through the swamp. If there had been a little less talk and a little more action, I'd have rated it higher.
Something evil is living in a swamp, something that kills all that enter its territory, the "dark waters". As more people are killed, the local town sheriff learns that a swamp-monster of Indian legend is responsible. Can he stop the creature before it can continue killing? "Man-Thing" has gotten primarily bad reviews here on IMDb, but I thought it was
not terrible. Not great either, loaded with clichés, yes, but I've seen much worse films released courtesy of the Sci-fi channel. Any of you ever seen of "Boa Vs. Python"?!?!? There's plenty of stuff to like here. The swamp photography is beautiful. The shades of greens gave the film a very nice look, and the swamp is setting is effectively creepy. Director Brett Leonardwho you may remember as the guy behind 1992's "Lawn Mower Man"gives the film good atmosphere, and there were even a couple of creepy moments towards the finale. The monster was scary and looked very, very impressive, to say the least. There was some pretty weak CG used for its tentacles among other things but thankfully the creature itself is a good old-fashioned man-in-a-suit creation, and a darn good one at that. Kudos to the effects team on this memorable, nasty-looking beast. Oh, there's the abundant gore too, which is certainly a plus. I won't give away what happens in the film, but I will say gore fans will be very happy. I also liked Roger Mason's creepy, atmospheric score.
Problems begin with two things: The script and the actors. The screenplay offers lots of typical horror conventions: Throwaway monster victims, cheap pop scares, greedy and unrealistic bad guys, wise Indians who know about the monster, and so on. If you know the genre, you're probably familiar with this set-up by now, and it can be very tiring. The actors are mostly weak (Save for lead actor Matthew Le Nevez who wasn't bad), and those "southern" accents sure sound Australian if you ask me!
"Man Thing" is flawed and offers a familiar set-up, but if you can overlook that you'll be treated to a gory, creepy monster movie. Better than most made-for-TV horror films I've seen, and I've seen a lot.
6/10.
Problems begin with two things: The script and the actors. The screenplay offers lots of typical horror conventions: Throwaway monster victims, cheap pop scares, greedy and unrealistic bad guys, wise Indians who know about the monster, and so on. If you know the genre, you're probably familiar with this set-up by now, and it can be very tiring. The actors are mostly weak (Save for lead actor Matthew Le Nevez who wasn't bad), and those "southern" accents sure sound Australian if you ask me!
"Man Thing" is flawed and offers a familiar set-up, but if you can overlook that you'll be treated to a gory, creepy monster movie. Better than most made-for-TV horror films I've seen, and I've seen a lot.
6/10.
In case you ever find yourself in that position, or you hear someone else, thinking that the Marvel Cinematic Universe films are weak or under-par or just simply *bad*, I encourage you to check out Man-Thing. Actually I don't because this would almost come across as a recommendation, and it's not that. It's about perspective: you can watch things like Thor 2 or one of the Amazing Spider-Man movies (and yes, Spider-Man 3 if you don't care for it), and realize 'yeah, well, at least it's not Man-Thing.' This is such a waste of time, and more than that a waste of potential - yes, potential - that it's barely on-par for the sludge that passes for Syfy channel movies of the week.
Everything is stock here, everything. Stock opening with the horny teens having sex in the swamp and one of them getting killed (lots of blood, to be sure, but not a single f*** given to suspense); stock villain with his 'you Yankee Sheriff don't understand get outta my way' twang; stock lead who barely makes a different facial expression except constipated consternation; stock friend deputy who we know may not last long; stock backwoods "good ol' boy" yokels where the closest thing to a joke involves taking a s*** in the swamp at night (and then, ::GASP:: one of them falls in to what looks like other s***); laughably stock Indian guide who patiently exclaims over a montage about how the "Man Thing" came to be due to corporate man's interference with oil rigs and who knows what; and stock love interest who really becomes a love interest because it's about that time for the hero man to kiss the hero girl and for them to almost have sex at an importune time.
Did I mention this movie is quite poor, because it is. And I think that it could have had potential as a) if it embraced it's dumbass B-movie roots and went for broader, or at least were more sincere in some other way, like with a script that went for crazier ideas or stakes, or b) if, I assume, they stuck closer to what Man-Thing actually is in the comics (I'd assume from what I've read from others reactions, I haven't yet read it though it comes from Steve Gerber who created Howard the Duck, that it's not close at all). Or maybe a stronger director with a better grasp on horror or comedy or horror-comedy. The best that Brett Leonard is able to muster for anything 'creative' or out of the box comes in super-fastly-whiplash-style editing to transition from, uh, one scene to another whenever it's time to get EDGY in that way that is terribly dated a decade on (though it was likely dated in 2005).
The acting is equally stock as the actors, though as one thing to give the movie credit the actor playing the bat-s*** photographer who keeps popping up in the 'Dark Water' of the swamp was fairly entertaining. But aside from that no one is memorable, certainly no one who can inject some madness or life into the thing. It's trying to play it too straight and be too serious-minded, but it the director and crew don't have the skills (or budget) to give anything close to some actual terror or properly mounting suspense. It's all a lot of people wandering in dark swamps and then BOOM then comes the CGI 'Man-Thing'. Indeed the best thing about the movie is the title, which I'm sure at the time Marvel patted itself on the back and handed out giant cigars for the whole staff for the fact that they got a comic called Man-Thing.
And it's not like I went into this wanting to hate it, at least not to this point (I suspected, given it was never released to theaters, to lower my expectations, but not to the point of bottom of the barrel). I want more raw, hard-R rated flicks from the likes of Marvel - the first two Blades and Punisher: War Zone embraced their B-movie roots and had good-to-decent directors behind them - but there needs to be a strong vision or something new to the table. Practically everything in Man-Thing, from the Indian environmental "messages" that feel somewhat coopted from *Swamp Thing* (and I'm sure with the comic that was intentional) to the small-town folk who are given the blandest, most generic 'Southern-good-ol'-f***-yeah' dialog, is telegraphed, rote, like things picked up off the dirty, un-vacuumed-for-15-years floor of a hack screen writing pig-pen floor. Even when we see the Man-Thing itself it feels disappointing, with the only thrill coming when it does something especially gory but that too isn't unexpected.
Only for the most die-hard horror-gore-comic-book fans. Or if you want to get that perspective I mentioned earlier. Or if you like a villain with the last name "Schist". Get it? It sounded like it's called s***!
Everything is stock here, everything. Stock opening with the horny teens having sex in the swamp and one of them getting killed (lots of blood, to be sure, but not a single f*** given to suspense); stock villain with his 'you Yankee Sheriff don't understand get outta my way' twang; stock lead who barely makes a different facial expression except constipated consternation; stock friend deputy who we know may not last long; stock backwoods "good ol' boy" yokels where the closest thing to a joke involves taking a s*** in the swamp at night (and then, ::GASP:: one of them falls in to what looks like other s***); laughably stock Indian guide who patiently exclaims over a montage about how the "Man Thing" came to be due to corporate man's interference with oil rigs and who knows what; and stock love interest who really becomes a love interest because it's about that time for the hero man to kiss the hero girl and for them to almost have sex at an importune time.
Did I mention this movie is quite poor, because it is. And I think that it could have had potential as a) if it embraced it's dumbass B-movie roots and went for broader, or at least were more sincere in some other way, like with a script that went for crazier ideas or stakes, or b) if, I assume, they stuck closer to what Man-Thing actually is in the comics (I'd assume from what I've read from others reactions, I haven't yet read it though it comes from Steve Gerber who created Howard the Duck, that it's not close at all). Or maybe a stronger director with a better grasp on horror or comedy or horror-comedy. The best that Brett Leonard is able to muster for anything 'creative' or out of the box comes in super-fastly-whiplash-style editing to transition from, uh, one scene to another whenever it's time to get EDGY in that way that is terribly dated a decade on (though it was likely dated in 2005).
The acting is equally stock as the actors, though as one thing to give the movie credit the actor playing the bat-s*** photographer who keeps popping up in the 'Dark Water' of the swamp was fairly entertaining. But aside from that no one is memorable, certainly no one who can inject some madness or life into the thing. It's trying to play it too straight and be too serious-minded, but it the director and crew don't have the skills (or budget) to give anything close to some actual terror or properly mounting suspense. It's all a lot of people wandering in dark swamps and then BOOM then comes the CGI 'Man-Thing'. Indeed the best thing about the movie is the title, which I'm sure at the time Marvel patted itself on the back and handed out giant cigars for the whole staff for the fact that they got a comic called Man-Thing.
And it's not like I went into this wanting to hate it, at least not to this point (I suspected, given it was never released to theaters, to lower my expectations, but not to the point of bottom of the barrel). I want more raw, hard-R rated flicks from the likes of Marvel - the first two Blades and Punisher: War Zone embraced their B-movie roots and had good-to-decent directors behind them - but there needs to be a strong vision or something new to the table. Practically everything in Man-Thing, from the Indian environmental "messages" that feel somewhat coopted from *Swamp Thing* (and I'm sure with the comic that was intentional) to the small-town folk who are given the blandest, most generic 'Southern-good-ol'-f***-yeah' dialog, is telegraphed, rote, like things picked up off the dirty, un-vacuumed-for-15-years floor of a hack screen writing pig-pen floor. Even when we see the Man-Thing itself it feels disappointing, with the only thrill coming when it does something especially gory but that too isn't unexpected.
Only for the most die-hard horror-gore-comic-book fans. Or if you want to get that perspective I mentioned earlier. Or if you like a villain with the last name "Schist". Get it? It sounded like it's called s***!
As a part time comic geek and a full time movie geek I was surprised that anyone would green-light a film based on the old Marvel comic "Man Thing." Obviously I had no expectations for this straight to DVD release when I saw it last week but all in all I was pleasantly surprised. Now don't get me wrong, "Man Thing" is by no definition the best comic book film ever made but it is at least true to it's origins unlike "Batman Forever" and "Batman & Robin." The basic story is pretty much a product of the "plot wheel" and you won't see any big name actors but if you treat it for what it is, a solid B-movie, there are worse ways to spend an hour and a half. The title creature looks as if the special effects and costume designers did their best to capture this little known character's appearance and movement. Not to say that this film doesn't have it's problems, bad annoying camera gimmicks and cartoonish supporting actors among them, however I don't believe that a reviewers job is to turn into a whinny nitpicker. If you really love the medium there aren't that many films that you can't find at least one good element in. "Man Thing" never stood a chance to be much more than a guilty pleasure but honestly you can't expect a first rate film adaptation of a third rate comic book. This is a film for B movie night and that's not necessarily a bad thing. Cut. Print.
Lo sapevi?
- QuizA test screening for the film was held in which a lot of the audience walked out before it even ended.
- BlooperAfter Teri tells Kyle she'll lead him to the Dark Water and kisses him, she says "Just keep up". but her mouth keeps moving after she stops talking.
- Citazioni
Wayne Thibadeaux: Rodney!
- ConnessioniFeatured in The Blockbuster Buster: Top 10 Mortifying Marvel Movies (2015)
- Colonne sonoreTainted Love
Written by Ed Cobb
Published by Embassy Music Corporation BMI
Performed by Imogen Bailey
Courtesy of Great Barrier Reef Approach
[plays during the party in the woods at the start of the movie]
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Dettagli
Botteghino
- Budget
- 5.000.000 USD (previsto)
- Lordo in tutto il mondo
- 1.123.136 USD
- Tempo di esecuzione
- 1h 46min(106 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.78 : 1(original aspect ratio / TV & DVD)
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